Some Recent Patches

[K9 Kai Niggemann]

Hi Niall,

Thank you for sharing. I find your patch an amazing inspiration. I’m only dipping my toes into serge (have a 73-75 homebuilt paperface bc paperface is so beautiful;) and am planning to go through the cybernetics patches on YouTube to learn from there. 

I love the textures and timbres in yours and the depth of the sound (left to right as well as the ducking effect, probably a comparator or similar (near the end of the first vid)

Also love the patches of hay on your sleeve as you reach deep into the synth. Just in from gardening work, are you?

Keep them coming. And keep annotating them with your inspiration and waypoints along the journey, please!

Thank you very much!
Kai


Sent from my Phone

> On 23. Jun 2024, at 10:03, Niall Munnelly <niall.munnelly at gmail.com> wrote:
> 
> 
> Audio and control signal feedback are a well-established compositional tool decades after the Barrons and David Tudor’s early explorations, but it’s taken me a long while to come around to it after early, unpleasant encounters (there’s a piercing, head-clamping moment on pretty much every Mouse on Mars-adjacent album, eg) and explore the possibilities the techniques offer beyond howling squalls. I reckon emptyset are due some credit for this, and perhaps Rafael Toral’s “Spectral Evolution” has exerted some influence by virtue of consistent and attentive play, here.
> 
> Here are my last two patches. They’re far from realized pieces - composition begins and ends only a few minutes on either side of each recording, but it’s nice to let your peeps know where your head’s at, sometimes.
> 
> https://youtu.be/DDTDqZBnYsE?si=7R2N4NrZRPyUViDG
> 
> https://youtu.be/qyYGCcyApCg?si=vp__pIQAQ7ofBNbL
> 
> 
> Yours,
> Niall.
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