Juno 106

[Tony Scharf]

The thing was very fiddly.  You had to gain structure the voice VERY carefully, or you got lots of (not good) saturation happening at various stages.   I don’t think I ever worked with a device that was as temperamental.   

There were also lots of QC problems with it.  So it was kind of a crapshoot if you got one of the ‘good’ ones or not.   I had to run the calibration routine on mine regularly or things started to sound off.  

Still, with all that, there were sometimes it just sounded great.   I wouldn’t every pay their current used price for one, but if someone made an affordable, modern version I’d consider it.

Tony

> On Feb 12, 2021, at 9:48 AM, James Coplin <james at ticalun.net> wrote:
> 
> My Andromeda just never sound that good. Always seemed like there were pillows in front of the speaker. Such a shame. Architecturally, it was pretty amazing but my god the filters were weak.
> 
> I'm hoping Behringer decides to build a monster poly of their own in the spirit on the Andromeda once they get the manufacturing and design sorted for a poly.
> 
> James
> On Feb 12, 2021, at 9:21 AM, Jammer <jammer at jammer.biz <mailto:jammer at jammer.biz>> wrote:
> Bang on the money.
> 
> Looking back on it now I also always struggled to get any of it to fit in a mix properly. Could be a proper unruly beast in that respect and unfortunately, not in a good way. In a kind of pissing on the bathroom floor kind of way.
> 
> Just sit down ffs ;)
> 
> 
> On 12/02/2021 15:15, Tony Scharf wrote:
>> >> Only thing I regret selling is my Andromeda A6 ... and only because of the way it looks!
>> 
>>  
>> I go back and forth.   I regret selling mine, but it had some issues and getting them serviced wasn’t easy then let alone now.  Those custom chips are a ticking time bomb in each one…
>> 
>>  
>> Tony
>> 
>> 
> -- 
> Jammer
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