New SID Synth

M-.-n EMAIL HIDDEN
Tue Sep 23 22:39:09 CEST 2008


> I think an example of this "sound" that paul might understand is if
> you turn the arpeggiator speed in the monomachine up to say x1. Right?

Yeah, times 6 actually. The concept is exactly the same as the Elektron
parameters lock indeed.

But with LSDj and LGPT there's some major difference tho:

1- you can associate a "lock table" to an instrument (i.e. the lock
sequencer is retriggered at each note gate)
2- You can store tables individually in their own spaces and kick'em off at
any time on any instrument
3- They run 6x faster than a step. Turning it as a real synthesis tool
rather than being more of a "motion sequencer"
4- You have some kind of conditional looping operation allowing more complex
schemes (i.e. it doesn't feel like 16 steps looping)

in a way, the evolver sequencer with the note retrigger used when playing
the evolver in MIDI is even closer (since you can play the sequencer a lot
faster than the midi clock)




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