Most common music-bar synth?

[deeplfo]

My midi stuff:

- Virus Indigo
- Korg Electribe ER-1, EMS-1
- Novation MiniNova

Mohsen

On Sep 25, 2013, at 7:38 AM, Kim Johnsson <johnssonkim at gmail.com> wrote:

> Hi!
> 
> My MIDI-stuff:
> 
> Kurzweil K2600
> Nord Modular
> Nord Modular G2
> Minimoog Voyager
> Roland JD-800
> Alesis Andromeda
> Waldorf Pulse
> Waldorf Blofeld
> Evolver
> 
> Cheers,
> 
> Kim
> 
> 
> 
> On Wed, Sep 25, 2013 at 5:29 PM, enrique c. <alacantec at gmail.com> wrote:
>> As a legacy of ancient mailing lists, guess some of us own AN1x and
>> AxK serie samplers: two A4000 + one A3000(*). Besides those:
>> 
>> DS Mopho,
>> Roland Alpha Juno 1
>> Roland JD990
>> Yamaha TG77
>> Waldorf uQ
>> Oberheim Matrix 1000
>> Akai S1100
>> and
>> NI Komplete 8 et al...
>> 
>> BTW may I extend this thread to "what are the most common music-bar
>> (hardware) effects" also? Mine:
>> 
>> Lexicon MPX 550
>> Yamaha SPX900
>> Ensoniq DP2
>> (*) actually using yamaha A3000 as a fx processor, not a proper sampler.
>> 
>> 
>> 
>> 2013/9/24 Peter Korsten <peter at severity-one.com>:
>> > Op 24-9-2013 13:51, Jay Vaughan schreef:
>> >
>> >
>> >>> The problem with this is that you first need to have some abstract model
>> >>> of each synth, and that you need to translate what "set filter to 127" means
>> >>> on synth A to what it means on synth B. And then there's the issue of
>> >>> missing features between two different synths.
>> >>
>> >> So we just build a back-end that allows the users to map "Filter Q" on
>> >> Synth A to "Filter Q" on Synth B .. ;)
>> >
>> >
>> > It's certainly feasible, provided you don't go and over-engineer the thing.
>> > For one, you should not want to have a perfect mapping, because that would
>> > imply having to make a mathematical model of the filter characteristic.
>> >
>> > We had a workshop about simplicity today (in a general business sense). I
>> > love simplicity. I strongly believe that the basis of a successful software
>> > product is simplicity.
>> >
>> > - Peter
>> >
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