Writing on piano
Tony Hardie-Bick
EMAIL HIDDEN
Tue Nov 24 19:56:04 CET 2009
Peter Korsten wrote:
> Tony Hardie-Bick schreef:
>
>> Played a Yamaha grand in a showroom on Saturday. It's not an experience I can
>> describe.
>
> It's not very easy to describe, although I tried earlier this week. It's
> just a stunningly beautiful instrument.
In the last few months have played a 100K Steinway, and a 25K Blüthner. Knocked
out by the Steinway, the detail is... unbelievable. And you know what you're
hearing was actually, in some sense, designed. Jaw-dropping. But, it is
strangely, austere. The Blüthner is an emotional instrument, makes a person make
music, insecapably, but... at low intensities the sound is a bit muffled. On all
of them. The design is mind-numbingly subtle. An extra fourth string on the
upper notes is not hit directly by the hammer, but is there for resonance, along
with the aliquot portion of the strings past the bridge... Strangely, the Yamaha
took me totally by surprise. And I can't really say, except, it has the best of
many worlds, but doesn't really make you make the music, and yet... it was the
most polite, and inviting you to find the music you forgot you had.
Nevertheless, all instruments are divine.
Tony (HB)
More information about the music-bar
mailing list