<div dir="ltr">Hi Tom<div><br></div><div>Looks like I didn't get the original mail for some reason. Anyway, here's my feedback:</div><div><br></div><div>I like the track a lot, the fx bits at the end in particular are great. Mix-wise I'm agreement with Joost on pretty much everything. I do like the high pitched line, but I'd hold back a bit longer before introducing it, and I'd make it a little spookier and less harsh by cutting the decay a bit and adding more reverb. I'd also try adding a really low sub-oscillator below the bassline, playing the same notes, to give the bass a little more authority, and perhaps subtly automate the filter up a bit over the whole duration of the song, so the bass very gradually gets more intense. I'd also back the vocals off by about 3db, I think they are just a bit too dominant at the moment when playing the track loud. </div><div><br></div><div>Overall, there's not a lot of stereo width (pan the percussion out more, or try some ping-pong delays? Kilohearts Faturator wouldbe my go-to here), and the mix could be more agressive. Nothing is clipping, saturating or distorting, which makes the whole thing a bit polite for this genre. I'd try dirtying-up the percussion (my secret sauce here is a bit of sample rate and bit depth reduction, but treating the left and right channels independently with different settings. This results in less 'ringing' and more stereo presence than simple stereo bit-crushing). I agree with Joost on the kick, perhaps adding a low/crunchy/distorted/low bandwidth snare on 2s and 4s might be the answer to this and the politeness? My solution to the lack of 'air' would be a tiny bit of Valhalla Plate on the whole track. My go-to is the default preset but very, very dry (after any other mastering you're doing). I find that if you gradually back it off until you can't hear that it's there (which seems to happen at about 97% dry), you'll hit a spot where the music just sounds 'worse' if you bypass it and 'better' if you don't. If this doesn't work first time, high-pass the reverb return and try again.</div><div><br></div><div>Andy_R</div><div><br></div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Tue, 14 Mar 2023 at 14:49, Tom Adam <<a href="mailto:tom.adam@thebigear.be">tom.adam@thebigear.be</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"><div dir="auto">Thanks Joost, like your comments. Especially on the kick. This is something I can’t check with my headphones.<div><br></div><div>Btw the high pitched sound is what some other listeners really like… 🤔<br><div>Tom<br><div><div><br><div dir="ltr">Sent from my iPhone</div><div dir="ltr"><br><blockquote type="cite">On Mar 13, 2023, at 6:45 PM, Joost Schuttelaar <<a href="mailto:joost@joostschuttelaar.nl" target="_blank">joost@joostschuttelaar.nl</a>> wrote:<br><br></blockquote></div><blockquote type="cite"><div dir="ltr">Quick raw feedback! I find the high pitched synth sound a bit annoying - it’s simply too frequent, dominant and predictable. The linndrum-style kick is very dry, but also weak. It’s probably not part of the aesthetic you’re going for, but I’d turn that into a bit more of an oomphie techno kick, include a rumble/gate reverb (low pass 200hz) and also sidechain compress with the main bass & synth sound. Perhaps I’d also introduce some air by adding some long high passed reverb, don’t know on which tracks though.<div><br></div><div>Good luck :)<br><div><br><div>
-- <br><br>Joost Schuttelaar<br>The Hague, NL
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<div><br><blockquote type="cite"><div>On 12 Mar 2023, at 23:09, Tom Adam <<a href="mailto:tom.adam@thebigear.be" target="_blank">tom.adam@thebigear.be</a>> wrote:</div><br><div><div><div><div style="display:block"><div style="display:inline-block" role="link"><a style="border-radius:10px;font-family:-apple-system,Helvetica,Arial,sans-serif;display:block;width:300px;overflow:hidden;text-decoration:none" rel="nofollow" href="https://thebigear.be/2023/NB%20SL%203-v2.wav" dir="ltr" role="button" width="300" target="_blank"><table style="table-layout:fixed;border-collapse:collapse;width:300px;background-color:rgb(229,230,233);font-family:-apple-system,Helvetica,Arial,sans-serif" cellpadding="0" cellspacing="0" border="0" width="300"><tbody><tr><td><table bgcolor="#E5E6E9" cellpadding="0" cellspacing="0" width="300" style="font-family:-apple-system,Helvetica,Arial,sans-serif;table-layout:fixed;background-color:rgb(229,230,233)"><tbody><tr><td style="padding:8px 0px"><div style="max-width:100%;margin:0px 16px;overflow:hidden"><div style="font-weight:400;font-size:11px;overflow:hidden;text-overflow:ellipsis;text-align:left"><a rel="nofollow" href="https://thebigear.be/2023/NB%20SL%203-v2.wav" style="text-decoration:none" target="_blank"><font color="#272727">thebigear.be</font></a></div></div></td><td style="padding:0px 12px 0px 0px" width="32"><a rel="nofollow" href="https://thebigear.be/2023/NB%20SL%203-v2.wav" target="_blank"><img style="display: inline-block; width: 32px; height: 32px;" width="32" height="32"></a></td></tr></tbody></table></td></tr></tbody></table></a></div></div><br></div><div>Hi Guys,</div><div>As I’m not entirely setup in the US yet, may I ask you to listen to this track and give me some feedback on mixing?</div><div>I can only listen trough headphones because still in an apartment.</div><div><br></div><div>This track is made for a EBM/New beat compilation for the Side Line label. I need to send it to them end of next week...</div><div><br></div><div>Thanks!</div><br><div>
<div>Tom Adam</div><div><a href="mailto:tom.adam@thebigear.be" target="_blank">tom.adam@thebigear.be</a></div><div><a href="http://www.thebigear.be" target="_blank">www.thebigear.be</a></div><div><br></div><br>
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