<html><head><meta http-equiv="content-type" content="text/html; charset=utf-8"></head><body dir="auto">Hi Guys ! Same here quite happy with my 1010music device.<div><br></div><div>Did you try the multi sampling on the blackbox  ? <div>I have the bitbox micro but I did not test it yet ..</div><div><br><div dir="ltr"><div>Romain</div><div><br></div></div><div dir="ltr"><br>On 19 Sep 2021, at 17:51, Matt Seil <<a href="mailto:xeno6696@gmail.com">xeno6696@gmail.com</a>> wrote:<br><br></div><blockquote type="cite"><div dir="ltr">
  
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    <p>Funny you say that!  I bought a blackbox mainly to decrease my
      DAW-dependence.  I've just started working with it--there's some
      synth features I find myself desiring--but setting up loops and
      recording playing at the speeds that the blackbox allows me to
      work at makes it feel much more like when it was just me with my
      lonely MC-505 back in '98.  Everything is instant feedback.  <br>
    </p>
    <p>My productions took a huge hit in the move to DAW based
      recording.  Instead of 6-7 song ideas in an evening, that became
      per week.  It remains to be seen how this translates.  6-7 song
      ideas per evening MIGHT result in 1 finished recording in the
      end.  It was 1:1 with the DAW.  <br>
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    <p>I'm still learning the blackbox, there's some synth-like features
      I'm missing, but overall its very organic and flexible.  [For me
      the biggest pain in the butt is the lack of odd time signatures in
      song mode.  4/4 is all you get.]  <br>
    </p>
    <div class="moz-cite-prefix">On 9/19/2021 12:22 AM, Ibi Sum wrote:<br>
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      No, I’m going to say Synthstrom Deluge or 1010music Blackbox, both
      of which are very, very cool instruments worth the effort. As
      samplers go, both are superlative.
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      <div>In fact I think I’ll get rid of everything and just focus on
        the Deluge.  Just kidding, almost really though…<br>
        <br>
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          <div>--</div>
          <div>seclorum </div>
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          <blockquote type="cite">On 18.09.2021, at 23:37, Matt Picone
            <a class="moz-txt-link-rfc2396E" href="mailto:matt@mysticworks.com"><matt@mysticworks.com></a> wrote:<br>
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            Yeah, I was biting my tongue, but I'm with Tony. Huge time
            sinks. <br>
             <br>
            -- <br>
            M@ <br>
               <br>
              <br>
             <br>
            <br>
            <div class="moz-cite-prefix">On 9/18/21 5:35 PM, Tony Scharf
              wrote:<br>
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                  <div style="color: rgb(0, 0, 0); background-color:
                    rgb(255, 255, 255);" dir="ltr"> I’ve always moved
                    hardware samplers.  It really depends on what you
                    want it for, and you’re willing to deal with the
                    fact they were convenient before computers mainly
                    took over the job, but now the workflow can be
                    cumbersome. </div>
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                  <div style="color: rgb(0, 0, 0); background-color:
                    rgb(255, 255, 255);" dir="ltr"> Tony</div>
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              <div id="divRplyFwdMsg" dir="ltr"><font style="font-size:11pt" face="Calibri, sans-serif" color="#000000"><b>From:</b> music-bar <a class="moz-txt-link-rfc2396E" href="mailto:music-bar-bounces@lists.music-bar.org" moz-do-not-send="true"><music-bar-bounces@lists.music-bar.org></a>
                  on behalf of Peter Korsten <a class="moz-txt-link-rfc2396E" href="mailto:peter@severity-one.com" moz-do-not-send="true"><peter@severity-one.com></a><br>
                  <b>Sent:</b> Saturday, September 18, 2021 4:29:43 PM<br>
                  <b>To:</b> Music Bar <a class="moz-txt-link-rfc2396E" href="mailto:music-bar@lists.music-bar.org" moz-do-not-send="true"><music-bar@lists.music-bar.org></a><br>
                  <b>Subject:</b> Hardware samplers</font>
                <div> </div>
              </div>
              <div class="BodyFragment"><font size="2"><span style="font-size:11pt;">
                    <div class="PlainText">So I just watched a video by
                      Espen Kraft about his Akai S700 sampler <br>
                      that he bought when Reagan was still president.
                      Sampling at a <br>
                      ridiculously low sampling rate of like 6.3 kHz, it
                      sounded remarkably <br>
                      good. Also, Paolo "SynthMania" had a video about
                      sampling CDs that I <br>
                      found enlightening.<br>
                      <br>
                      Now I've always been dismissive of samplers,
                      associating them with "ah <br>
                      yeah!" and orchestra hit samples, in the worst of
                      1990s dance music, but <br>
                      when you think about it, they're just synths with
                      very flexible <br>
                      oscillators – provided, of course, that the rest
                      of the synthesis engine <br>
                      is up to snuff.<br>
                      <br>
                      Now Jay is going to say Yamaha A4000/A5000, and
                      those have the advantage <br>
                      of using IDE drives. But what hardware samplers
                      would you say are <br>
                      musically interesting?<br>
                      <br>
                      Hey, the 20 year anniversary is coming up, as is
                      my birthday, and <br>
                      Christmas... 🙂<br>
                      <br>
                      - Peter<br>
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