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I’ve always moved hardware samplers. It really depends on what you want it for, and you’re willing to deal with the fact they were convenient before computers mainly took over the job, but now the workflow can be cumbersome. </div>
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Tony</div>
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<div id="divRplyFwdMsg" dir="ltr"><font face="Calibri, sans-serif" style="font-size:11pt" color="#000000"><b>From:</b> music-bar <music-bar-bounces@lists.music-bar.org> on behalf of Peter Korsten <peter@severity-one.com><br>
<b>Sent:</b> Saturday, September 18, 2021 4:29:43 PM<br>
<b>To:</b> Music Bar <music-bar@lists.music-bar.org><br>
<b>Subject:</b> Hardware samplers</font>
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<div class="PlainText">So I just watched a video by Espen Kraft about his Akai S700 sampler
<br>
that he bought when Reagan was still president. Sampling at a <br>
ridiculously low sampling rate of like 6.3 kHz, it sounded remarkably <br>
good. Also, Paolo "SynthMania" had a video about sampling CDs that I <br>
found enlightening.<br>
<br>
Now I've always been dismissive of samplers, associating them with "ah <br>
yeah!" and orchestra hit samples, in the worst of 1990s dance music, but <br>
when you think about it, they're just synths with very flexible <br>
oscillators – provided, of course, that the rest of the synthesis engine <br>
is up to snuff.<br>
<br>
Now Jay is going to say Yamaha A4000/A5000, and those have the advantage <br>
of using IDE drives. But what hardware samplers would you say are <br>
musically interesting?<br>
<br>
Hey, the 20 year anniversary is coming up, as is my birthday, and <br>
Christmas... 🙂<br>
<br>
- Peter<br>
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