<html><head><meta http-equiv="Content-Type" content="text/html; charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div><blockquote type="cite" class=""><div class=""><div class="WordSection1" style="page: WordSection1; caret-color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;"><div style="margin: 0in 0in 0.0001pt; font-size: 11pt; font-family: Calibri, sans-serif;" class="">I played one at Knobcon. Very nearly the perfect synthesizer, and certainly intuitive to use. </div></div></div></blockquote><div><br class=""></div><div>It was the one prototype synthesiser I saw at Superbooth in Berlin last year that caught my interest. So many other synths just leave me ‘meh, I can do that already’ - this one pushed my performance buttons in all the right ways. Freakin’ ribbon controller man, it got me good.</div><div><br class=""></div><div>Also the REMINDER thingy, which is still just a bonkers concept that I really enjoyed playing with, but probably something I can emulate in VCV Rack easily enough...</div><div><br class=""></div><br class=""><blockquote type="cite" class=""><div class=""><div class="WordSection1" style="page: WordSection1; caret-color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;"><div style="margin: 0in 0in 0.0001pt; font-size: 11pt; font-family: Calibri, sans-serif;" class="">The only mark I could hold against it was the LFO’s couldn’t go into audio rates (but they they may have fixed that by now..it was very early in their production when I played one). <span class="Apple-converted-space"> </span></div><div style="margin: 0in 0in 0.0001pt; font-size: 11pt; font-family: Calibri, sans-serif;" class=""></div></div></div></blockquote><div><br class=""></div><div><br class=""></div><div>Yeah, I will find out about that pretty soon.</div><br class=""><blockquote type="cite" class=""><div class=""><div class="WordSection1" style="page: WordSection1; caret-color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;"><div style="margin: 0in 0in 0.0001pt; font-size: 11pt; font-family: Calibri, sans-serif;" class=""><o:p class=""> </o:p></div><div style="margin: 0in 0in 0.0001pt; font-size: 11pt; font-family: Calibri, sans-serif;" class="">Desktop or keyboard version?</div></div></div></blockquote><br class=""></div><div><br class=""></div><div>Keyboard version. Can’t resist the Polyphonic Aftertouch and ribbon controller ..</div><div><br class=""></div><div>Anyway its not mine, but as the resident synth nerd at Sky, I’ll be playing with it. A lot. And probably selling a ton of other gear ..</div><div><br class=""></div><div>j.</div><br class=""></body></html>