<html><head><meta http-equiv="content-type" content="text/html; charset=utf-8"></head><body dir="auto"><div>Looks wonderful. I never like demos with any level of effects so this misses the boat for me but the synth itself is incredible..</div><div id="AppleMailSignature"><br>Paul<div>London </div><div><a href="http://www.punkdisco.co.uk">www.punkdisco.co.uk</a></div></div><div><br>On 12 Aug 2016, at 19:48, Andrew Tarpinian <<a href="mailto:andrewtarpinian@gmail.com">andrewtarpinian@gmail.com</a>> wrote:<br><br></div><blockquote type="cite"><div><meta http-equiv="content-type" content="text/html; charset=utf-8"><div><a href="https://youtu.be/uYI3Y2O5UYA">https://youtu.be/uYI3Y2O5UYA</a></div><div><br></div><div>Most of the presets are not my taste - but it's looking like it's a nice synth for the price. I get why it's 12 voice, seems to sound it's best when you double up on the voices - one unison mode gives you a 6 voice poly, 4 osc per voice. But a Juno type synth with lots of modulation sounds cool. I don't think this will put any on the big boys out of business though, different category really. It actually makes me think - if they made the dco parts of Diva into a hardware synth, even the color...</div><div><br></div><div>There is a q&a episode with Allert Alders on sonic talk about the synth that's interesting.</div><div><br>On Aug 12, 2016, at 9:17 AM, Jay Vaughan (ibisum) <<a href="mailto:ibisum@gmail.com">ibisum@gmail.com</a>> wrote:<br><br></div><blockquote type="cite"><div><blockquote type="cite"><blockquote type="cite"><span><a href="https://www.glassdoor.com/Reviews/Behringer-Reviews-E334438.htm">https://www.glassdoor.com/Reviews/Behringer-Reviews-E334438.htm</a></span><br></blockquote></blockquote><blockquote type="cite"><span></span><br></blockquote><blockquote type="cite"><span>That's about as damning as it gets! Sounds horrific.</span><br></blockquote><span></span><br><span></span><br><span>Its a pretty aggressive HR-hire, anyway .. lots of kids want to work at places like that. Rock-star programmers, and all. So I guess it follows the music-biz model, vis-a-vis label-/artist- relationships.</span><br><span></span><br><span>;</span><br><span>--</span><br><span>Jay Vaughan</span><br><span><a href="mailto:ibisum@gmail.com">ibisum@gmail.com</a></span><br><span></span><br><span></span><br><span></span><br><span></span><br></div></blockquote><blockquote type="cite"><div><span>_______________________________________________</span><br><span>music-bar mailing list</span><br><span><a href="mailto:music-bar@lists.music-bar.org">music-bar@lists.music-bar.org</a></span><br><span><a href="http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar">http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar</a></span><br></div></blockquote></div></blockquote><blockquote type="cite"><div><span>_______________________________________________</span><br><span>music-bar mailing list</span><br><span><a href="mailto:music-bar@lists.music-bar.org">music-bar@lists.music-bar.org</a></span><br><span><a href="http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar">http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar</a></span><br></div></blockquote></body></html>