<html><head><meta http-equiv="Content-Type" content="text/html charset=us-ascii"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;"><br><div><div>On 18.05.2015, at 16:24, foRUMS 4 punkdISCO <<a href="mailto:forums@punkdisco.co.uk">forums@punkdisco.co.uk</a>> wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><span style="font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; float: none; display: inline !important;">You into sampling, Jay (and all)?</span></blockquote></div><br><div><br></div><div>Yes, absolutely! I don't know if the ASR-X has the same engine as the ASR-10, but the transwave-sampling as Ensoniq calls it, is fierce! it's almost granular and really fun to use (despite the lack of a graphical display). </div><div><br></div><div>This and the MPC-2000 have changed me and my music tremendously. </div><div><br></div><div>If only I could get a modern storage medium connected (preferably internally) into either one for a decent price...</div><div><br></div><div>I guess from where I'm coming from, I should really get an octatrack at some point. But it just feels too much like a computer in disguise...;)</div><div><br></div><div>Kai</div><div><br></div></body></html>