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<div data-externalstyle="false" dir="ltr" style="font-family: 'Calibri', 'Segoe UI', 'Meiryo', 'Microsoft YaHei UI', 'Microsoft JhengHei UI', 'Malgun Gothic', 'sans-serif';font-size:12pt;"><div>The PEK is a complicated beast and it took a lot of time to find where it's sweet spot is (Its almost an inverted bell curve - the synth lives at the extremes). If you try to use it as a normal synth, it just won't work. You will never get a great bass or a great synth pad out of it (Or rarely…i've got a few but they took a lot of work). Now, </div><div><br></div><div>Now, if you want to add 'weird’ to a track, the PEK is the perfect place to go. </div><div><br></div><div>I have a lot of tracks I've done that have the PEK in the background with the VCA opened just droning on as I tweak the knobs. I treat it almost like a modular with no patch points. This is where there is just nothing like it! I'll use the keyboard to advance the sequencer shifting several parameters (such as wave type) at once. It becomes a very unique type of performance instrument. And nothing at all sounds like it!</div><div><br></div><div>Sorry to get on my soap box about the PEK again. It's just, I guess, the synth for me (and apparently Trent Reznor has one in his studio as well). But I do love the god damn thing. </div><div><br></div><div>Tony<br></div><div data-signatureblock="true"><div><br></div><div>Sent from Surface</div><div><br></div></div><div style="padding-top: 5px; border-top-color: rgb(229, 229, 229); border-top-width: 1px; border-top-style: solid;"><div><font face=" 'Calibri', 'Segoe UI', 'Meiryo', 'Microsoft YaHei UI', 'Microsoft JhengHei UI', 'Malgun Gothic', 'sans-serif'" style='line-height: 15pt; letter-spacing: 0.02em; font-family: "Calibri", "Segoe UI", "Meiryo", "Microsoft YaHei UI", "Microsoft JhengHei UI", "Malgun Gothic", "sans-serif"; font-size: 12pt;'><b>From:</b> <a href="mailto:forums@punkdisco.co.uk" target="_parent">Paul Punkdisco</a><br><b>Sent:</b> Friday, August 29, 2014 12:44 PM<br><b>To:</b> <a href="mailto:music-bar@lists.music-bar.org" target="_parent">Music-bar</a></font></div></div><div><br></div><div dir="">
<div class="PlainText">Hey Tony and Micke<br>
<br>
> As I understand it, the Pro2 has a truer reproduction of the CEM filter<br>
that was in the Pro1 along with an Oberheim SEM filter clone.<br>
> Honestly, it's the first synth to > come along that's made me consider<br>
moving out my DSI PolyEvolver (which won't happen because<br>
> I am too emotionally attached to it).<br>
<br>
I know you are a big PEK fan but, I never really got on with mine. I<br>
finally sold it a few weeks back after being a MIDI controller for the last<br>
6 years. I don't think I will ever miss it..<br>
<br>
I also had a Tempest and again, this bored me silly - very uninspiring..<br>
<br>
However, yes, the Pro2 does look and sound quite interesting.. Up until<br>
now, I have not heard any DSI stuff that interested me but the Pro2 could be<br>
different. I defo need to listen more but from memory, it did seem to have<br>
balls..<br>
<br>
So, who will be the first MB Pro2 owner??!!!<br>
<br>
:)<br>
<br>
Paul<br>
London<br>
<a href="http://www.punkdisco.co.uk" target="_parent">www.punkdisco.co.uk</a><br>
<br>
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