<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><div>On 04.03.2012, at 00:10, Michael Zacherl. wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><span class="Apple-style-span" style="border-collapse: separate; font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size: medium; ">However, during this festival they also showed `Perfect Lives` - all episodes on one afternoon/evening.<br><br>Funnily enough, maybe also due to the extensive length of the material, the audience became fewer and fewer until there were just three of us left.<br>Then the projectionist and the sound guy kindly asked if we would mind if they stopped the show ... after many hours.</span></blockquote></div><br><div>interesting. Is that how it is supposed to be?</div><div><br></div><div>I love extreme-durational-performances, though, but it's much more interesting, when you can see how the performers start struggling after almost 6 hours of performance (such as "And on the Seventh Night" by Forced Entertainment (UK)</div></body></html>