<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><div>On 01.01.2012, at 14:18, ToAd wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><span class="Apple-style-span" style="border-collapse: separate; font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size: medium; ">A VC LFO is a must, Especially if you want to make 'bug' music. Also a VC EG's is nice. I'm planning on upgrading some of my oakley EG's for this feature.<span class="Apple-converted-space"> </span><br></span></blockquote></div><br><div><br></div><div>I was thinking that maybe a VCO is enough (actually better) -- one that can go low enough to use it as an LFO too</div><div><br></div><div>Especially after Tony said that I need to grow out of my Doepfer VCOs..;)</div><div><br></div><div>Kai</div><div><br></div><div><br></div></body></html>