From forums at deadmengods.com  Mon Sep  1 22:34:22 2014
From: forums at deadmengods.com (Mikael Hansson)
Date: Mon, 1 Sep 2014 22:34:22 +0200
Subject: Listening to...
Message-ID: <ECCEA87B-6951-4AC4-A256-F300E896D9AB@deadmengods.com>

...the new album "Bullets & Desert Blooms" by Electro Spectre. After a first round, I really like it.

http://open.spotify.com/album/1FHPECi1fahLFw5tjHDBqt

https://itunes.apple.com/se/album/bullets-desert-blooms/id912858464?l=en

/Micke
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140901/d72a3ee8/attachment.html>

From peter at severity-one.com  Mon Sep  1 23:02:36 2014
From: peter at severity-one.com (Peter Korsten)
Date: Mon, 1 Sep 2014 23:02:36 +0200
Subject: London micro-meet
In-Reply-To: <CAML7JVGGL8SnZqzDWu4BTfdQWNG9TDWcX7xm=OTd70bt5xVwOQ@mail.gmail.com>
References: <CAML7JVG9djaDkJRJQLveCFe-T6eCSagcAy0CnRu3MRAj6wUcHw@mail.gmail.com>
 <CAML7JVFP6qxJsk0PEEBEg4ZPF+-Bf+ooV2oF9T=vMY-+-QaO1w@mail.gmail.com>
 <CAML7JVGGL8SnZqzDWu4BTfdQWNG9TDWcX7xm=OTd70bt5xVwOQ@mail.gmail.com>
Message-ID: <CAML7JVG_0AM+ynf-Y4hD9pfKD6+jpNvDJ7dUQigosr2seXqNGg@mail.gmail.com>

Just came back from a nice dinner with Paul, Leah and Tony. Way too short,
but that can't be helped.

One thing that strikes me every time I meet someone from the Music Bar, is
that they're all interesting people that do cool things. So it's a bit
bitter-sweet, being part of such an interesting and inspiring community,
yet having only limited opportunity to meet them face to face.

The fact that we're staying in a posh area (just saw a Bugatti Veyron in a
showroom, together with an assortment of Rolls Royces) makes it all the
more surreal. Thank goodness for special offers on hotel accommodation...

Anyway. If you ever come to Malta (and you're not allergic to cats) you're
invited. And probably  about a year from now, we'll be in Berlin.

Until that time, I will do something musical, one day.

- Peter
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140901/9d811e1d/attachment.html>

From andrewtarpinian at gmail.com  Mon Sep  1 23:02:49 2014
From: andrewtarpinian at gmail.com (Andrew Tarpinian)
Date: Mon, 1 Sep 2014 17:02:49 -0400
Subject: white whale
References: <20140901185502.89116838@monome.org>
Message-ID: <101341EA-C0FC-4A39-9A0A-BB2CE13F50FC@gmail.com>

Wow, this is kind of a big deal if you are a modular monome person.

Begin forwarded message:

> From: monome <info at monome.org>
> Subject: news. white whale.
> Date: September 1, 2014 at 2:57:55 PM EDT
> To: monome news subscriber <andrew at polaritydesign.com>
> 
> friends, hello.
> 
> we made a module that talks to your modular synth, allowing the grid to play without help from computers.
> 
> it's a live probabilistic step sequencer. it's the first in a series. it's called white whale.
> 
> http://monome.org/modular
> 
> 
> we're honored to feature a new interview from taylor deupree of 12k.
> 
> http://monome.org
> 
> 
> we somehow found time to make music:
> 
> kelli cain, first magnitude. http://kellicain.com/first-magnitude
> 
> brian crabtree, skyclad and eighteenth/weathervane: http://nnnnnnnn.org
> 
> and not totally new but we're still moving to trent gill's whimsical raps: http://whimsicalraps.com
> 
> 
> we hope you are very well.
> 
> brian and kelli and trent
> 
> -- 
> unsubscribe: http://monome.org/dada/mail.cgi/u/monome/andrew/polaritydesign.com/

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140901/f7b0f12c/attachment.html>

From g.vansanten at upcmail.nl  Mon Sep  1 23:45:35 2014
From: g.vansanten at upcmail.nl (Gert van Santen)
Date: Mon, 01 Sep 2014 23:45:35 +0200
Subject: London micro-meet
In-Reply-To: <CAML7JVG_0AM+ynf-Y4hD9pfKD6+jpNvDJ7dUQigosr2seXqNGg@mail.gmail.com>
References: <CAML7JVG9djaDkJRJQLveCFe-T6eCSagcAy0CnRu3MRAj6wUcHw@mail.gmail.com>
 <CAML7JVFP6qxJsk0PEEBEg4ZPF+-Bf+ooV2oF9T=vMY-+-QaO1w@mail.gmail.com>
 <CAML7JVGGL8SnZqzDWu4BTfdQWNG9TDWcX7xm=OTd70bt5xVwOQ@mail.gmail.com>
 <CAML7JVG_0AM+ynf-Y4hD9pfKD6+jpNvDJ7dUQigosr2seXqNGg@mail.gmail.com>
Message-ID: <5404E8FF.8010707@upcmail.nl>

Peter Korsten schreef op 1-9-2014 23:02:
> Just came back from a nice dinner with Paul, Leah and Tony. Way
> too short, but that can't be helped.
>
> One thing that strikes me every time I meet someone from the
> Music Bar, is that they're all interesting people that do cool
> things. So it's a bit bitter-sweet, being part of such an
> interesting and inspiring community, yet having only limited
> opportunity to meet them face to face.
>
> The fact that we're staying in a posh area (just saw a Bugatti
> Veyron in a showroom, together with an assortment of Rolls
> Royces) makes it all the  more surreal. Thank goodness for
> special offers on hotel accommodation...
>
> Anyway. If you ever come to Malta (and you're not allergic to
> cats) you're invited. And probably  about a year from now, we'll
> be in Berlin.
>
> Until that time, I will do something musical, one day.
>

Haha, nice post. Good to hear you guys had a great time :-)

-- 
Gert

gert van santen
www.gertvansanten.nl

From g.vansanten at upcmail.nl  Mon Sep  1 23:48:58 2014
From: g.vansanten at upcmail.nl (Gert van Santen)
Date: Mon, 01 Sep 2014 23:48:58 +0200
Subject: Listening to...
In-Reply-To: <ECCEA87B-6951-4AC4-A256-F300E896D9AB@deadmengods.com>
References: <ECCEA87B-6951-4AC4-A256-F300E896D9AB@deadmengods.com>
Message-ID: <5404E9CA.5020409@upcmail.nl>

Mikael Hansson schreef op 1-9-2014 22:34:
> ...the new album "Bullets & Desert Blooms" by Electro Spectre.
> After a first round, I really like it.
>
> http://open.spotify.com/album/1FHPECi1fahLFw5tjHDBqt

Very nice! Thanks for the link :-)

-- 
Gert

gert van santen
www.gertvansanten.nl

From forums at punkdisco.co.uk  Tue Sep  2 00:00:40 2014
From: forums at punkdisco.co.uk (punkdISCO)
Date: Mon, 1 Sep 2014 23:00:40 +0100
Subject: London micro-meet
In-Reply-To: <CAML7JVG_0AM+ynf-Y4hD9pfKD6+jpNvDJ7dUQigosr2seXqNGg@mail.gmail.com>
References: <CAML7JVG9djaDkJRJQLveCFe-T6eCSagcAy0CnRu3MRAj6wUcHw@mail.gmail.com>
 <CAML7JVFP6qxJsk0PEEBEg4ZPF+-Bf+ooV2oF9T=vMY-+-QaO1w@mail.gmail.com>
 <CAML7JVGGL8SnZqzDWu4BTfdQWNG9TDWcX7xm=OTd70bt5xVwOQ@mail.gmail.com>
 <CAML7JVG_0AM+ynf-Y4hD9pfKD6+jpNvDJ7dUQigosr2seXqNGg@mail.gmail.com>
Message-ID: <mailman.16.1409608598.960.music-bar@lists.music-bar.org>

Yeah, was Lovely meeting you (and Yana). Your son is also a pretty cool little fella..

Hopefully see you again soon....

Enjoy the rest of your stay.

Paul + Leah
London
www.punkdisco.co.uk

-----Original Message-----
From: "Peter Korsten" <peter at severity-one.com>
Sent: ?01/?09/?2014 22:02
To: "Music-bar" <music-bar at lists.music-bar.org>
Subject: London micro-meet

Just came back from a nice dinner with Paul, Leah and Tony. Way too short, but that can't be helped.
One thing that strikes me every time I meet someone from the Music Bar, is that they're all interesting people that do cool things. So it's a bit bitter-sweet, being part of such an interesting and inspiring community, yet having only limited opportunity to meet them face to face.
The fact that we're staying in a posh area (just saw a Bugatti Veyron in a showroom, together with an assortment of Rolls Royces) makes it all the  more surreal. Thank goodness for special offers on hotel accommodation...
Anyway. If you ever come to Malta (and you're not allergic to cats) you're invited. And probably  about a year from now, we'll be in Berlin.
Until that time, I will do something musical, one day.
- Peter
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140901/cfb80394/attachment.html>

From tony at entity.net  Tue Sep  2 00:23:15 2014
From: tony at entity.net (Tony Hardie-Bick)
Date: Mon, 01 Sep 2014 23:23:15 +0100
Subject: London micro-meet
In-Reply-To: <20140901215639.964C8B23DC@joostschuttelaar.xlshosting.com>
References: <CAML7JVG9djaDkJRJQLveCFe-T6eCSagcAy0CnRu3MRAj6wUcHw@mail.gmail.com>
 <CAML7JVFP6qxJsk0PEEBEg4ZPF+-Bf+ooV2oF9T=vMY-+-QaO1w@mail.gmail.com>
 <CAML7JVGGL8SnZqzDWu4BTfdQWNG9TDWcX7xm=OTd70bt5xVwOQ@mail.gmail.com>
 <CAML7JVG_0AM+ynf-Y4hD9pfKD6+jpNvDJ7dUQigosr2seXqNGg@mail.gmail.com>
 <20140901215639.964C8B23DC@joostschuttelaar.xlshosting.com>
Message-ID: <5404F1D3.3060507@entity.net>

On 01/09/14 23:00, punkdISCO wrote:
> Yeah, was Lovely meeting you (and Yana). Your son is also a pretty cool
> little fella..

Yeah - great to meet you Peter - I see the glint of the city life in all
three of you, and it was good to see :)

Have fun for the rest of your trip!

t.

From tom.adam at thebigear.be  Tue Sep  2 08:50:36 2014
From: tom.adam at thebigear.be (tom.adam at thebigear.be)
Date: Tue, 02 Sep 2014 06:50:36 GMT
Subject: white whale
In-Reply-To: <101341EA-C0FC-4A39-9A0A-BB2CE13F50FC@gmail.com>
References: <101341EA-C0FC-4A39-9A0A-BB2CE13F50FC@gmail.com>
Message-ID: <1409640636133.124068.24820@webmail7>

mmm a modular module with an USB connection, somehow this gives me the creeps....

So what is a monome?

ToAd


On September 1, 2014, Andrew Tarpinian <andrewtarpinian at gmail.com> wrote:
> Wow, this is kind of a big deal if you are a modular monome person.
> 
> 
> Begin forwarded message:
> > From:monome <<info at monome.org>>
> > Subject:news. white whale.
> > Date:September 1, 2014 at 2:57:55 PM EDT
> > To:monome news subscriber <<andrew at polaritydesign.com>>
> > friends, hello.
> > 
> > we made a module that talks to your modular synth, allowing the grid to play without help from computers.
> > 
> > it's a live probabilistic step sequencer. it's the first in a series. it's called white whale.
> > 
> > <http://monome.org/modular>
> > 
> > 
> > we're honored to feature a new interview from taylor deupree of 12k.
> > 
> > http://monome.org
> > 
> > 
> > we somehow found time to make music:
> > 
> > kelli cain, first magnitude. http://kellicain.com/first-magnitude
> > 
> > brian crabtree, skyclad and eighteenth/weathervane: http://nnnnnnnn.org
> > 
> > and not totally new but we're still moving to trent gill's whimsical raps: http://whimsicalraps.com
> > 
> > 
> > we hope you are very well.
> > 
> > brian and kelli and trent
> > 
> > -- 
> > unsubscribe: http://monome.org/dada/mail.cgi/u/monome/andrew/polaritydesign.com/
> > 
> 
> _______________________________________________
> music-bar mailing list
> <music-bar at lists.music-bar.org>
> <http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar>
> 
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140902/e454e4bc/attachment.html>

From canine at waf80.de  Tue Sep  2 09:15:06 2014
From: canine at waf80.de (K9 Kai Niggemann)
Date: Tue, 2 Sep 2014 09:15:06 +0200
Subject: white whale
In-Reply-To: <1409640636133.124068.24820@webmail7>
References: <101341EA-C0FC-4A39-9A0A-BB2CE13F50FC@gmail.com>
 <1409640636133.124068.24820@webmail7>
Message-ID: <35B4E0ED-A38F-49A4-9071-5C7A52EC05EC@waf80.de>

It's a Grid controller. Or rather *the* original grid controller. 

The thing is: this Usv is not a connection to a computer, it's the A-type, that lets you connect a peripheral. 

In this case the module seems to be a powerful sequencer (something has to justify that 300$ price tag) that works even after the grid is disconnected. 

But using it, programming and playing, work without a computer whatsoever! 

I have a semi-neglected monome and think this module is quite exciting (albeit trop cher!)

Kai

Sent from my phone

On 02.09.2014, at 06:50, <tom.adam at thebigear.be> wrote:

> mmm a modular module with an USB connection, somehow this gives me the creeps....
> 
> So what is a monome?
> 
> ToAd 
> 
> On September 1, 2014, Andrew Tarpinian <andrewtarpinian at gmail.com> wrote:
> 
>> Wow, this is kind of a big deal if you are a modular monome person.
>> 
>> Begin forwarded message:
>> 
>> From: monome <info at monome.org>
>> Subject: news. white whale.
>> Date: September 1, 2014 at 2:57:55 PM EDT
>> To: monome news subscriber <andrew at polaritydesign.com>
>> 
>> friends, hello.
>> 
>> we made a module that talks to your modular synth, allowing the grid to play without help from computers.
>> 
>> it's a live probabilistic step sequencer. it's the first in a series. it's called white whale.
>> 
>> http://monome.org/modular
>> 
>> 
>> we're honored to feature a new interview from taylor deupree of 12k.
>> 
>> http://monome.org
>> 
>> 
>> we somehow found time to make music:
>> 
>> kelli cain, first magnitude. http://kellicain.com/first-magnitude
>> 
>> brian crabtree, skyclad and eighteenth/weathervane: http://nnnnnnnn.org
>> 
>> and not totally new but we're still moving to trent gill's whimsical raps: http://whimsicalraps.com
>> 
>> 
>> we hope you are very well.
>> 
>> brian and kelli and trent
>> 
>> -- 
>> unsubscribe: http://monome.org/dada/mail.cgi/u/monome/andrew/polaritydesign.com/
>> 
>> _______________________________________________
>> music-bar mailing list
>> music-bar at lists.music-bar.org
>> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140902/f65a1e1c/attachment.html>

From forums at deadmengods.com  Tue Sep  2 16:00:01 2014
From: forums at deadmengods.com (Mikael Hansson)
Date: Tue, 2 Sep 2014 16:00:01 +0200
Subject: Odyssey delayed
Message-ID: <05E6C6FB-5C07-4574-B465-B1E1639E15FF@deadmengods.com>

http://www.korg.com/us/news/2014/0831/

Bummer, but at the same time good since I have filled my gear-spending-allowed-by-wife-quota for this year :-)

/Micke
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140902/bddb82bc/attachment.html>

From andrewtarpinian at gmail.com  Tue Sep  2 16:31:45 2014
From: andrewtarpinian at gmail.com (Andrew Tarpinian)
Date: Tue, 2 Sep 2014 10:31:45 -0400
Subject: Odyssey delayed
In-Reply-To: <05E6C6FB-5C07-4574-B465-B1E1639E15FF@deadmengods.com>
References: <05E6C6FB-5C07-4574-B465-B1E1639E15FF@deadmengods.com>
Message-ID: <6948A80C-7AE1-4DF9-996F-33389A2567C3@gmail.com>

Oh sh*t I forgot about that. 

Sent from my iPhone

> On Sep 2, 2014, at 10:00 AM, Mikael Hansson <forums at deadmengods.com> wrote:
> 
> http://www.korg.com/us/news/2014/0831/
> 
> Bummer, but at the same time good since I have filled my gear-spending-allowed-by-wife-quota for this year :-)
> 
> /Micke
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140902/917524ec/attachment.html>

From forums at deadmengods.com  Thu Sep  4 16:33:18 2014
From: forums at deadmengods.com (Mikael Hansson)
Date: Thu, 4 Sep 2014 16:33:18 +0200
Subject: New Electribes
Message-ID: <9EB028CD-FB9C-4DE0-9F51-109117F62422@deadmengods.com>

I know there's some members with love for the Electribes

http://youtu.be/ZOeCxxGcXt0

Sent from Mikaels cellular device
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140904/b4b57efa/attachment.html>

From forums at deadmengods.com  Thu Sep  4 16:41:06 2014
From: forums at deadmengods.com (Mikael Hansson)
Date: Thu, 4 Sep 2014 16:41:06 +0200
Subject: New Volca
Message-ID: <D2947F65-1A92-42D4-ACCE-DB5A0BBBC60A@deadmengods.com>

Endless stream of news...

http://youtu.be/bSTxg43_wBM

Sent from Mikaels cellular device
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140904/fe3804e0/attachment.html>

From forums at punkdisco.co.uk  Thu Sep  4 18:09:08 2014
From: forums at punkdisco.co.uk (punkdISCO)
Date: Thu, 4 Sep 2014 17:09:08 +0100
Subject: New Volca
In-Reply-To: <D2947F65-1A92-42D4-ACCE-DB5A0BBBC60A@deadmengods.com>
References: <D2947F65-1A92-42D4-ACCE-DB5A0BBBC60A@deadmengods.com>
Message-ID: <mailman.17.1409847926.960.music-bar@lists.music-bar.org>

Looks like a whole Lotta fun..

Paul
London
www.punkdisco.co.uk

-----Original Message-----
From: "Mikael Hansson" <forums at deadmengods.com>
Sent: ?04/?09/?2014 15:41
To: "Music-Bar" <music-bar at lists.music-bar.org>
Subject: New Volca

Endless stream of news...


http://youtu.be/bSTxg43_wBM

Sent from Mikaels cellular device
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140904/b71ab673/attachment.html>

From peter at severity-one.com  Thu Sep  4 20:08:51 2014
From: peter at severity-one.com (Peter Korsten)
Date: Thu, 4 Sep 2014 20:08:51 +0200
Subject: New Electribes
In-Reply-To: <9EB028CD-FB9C-4DE0-9F51-109117F62422@deadmengods.com>
References: <9EB028CD-FB9C-4DE0-9F51-109117F62422@deadmengods.com>
Message-ID: <CAML7JVE2+txopC1a-5O1+k-GscQf4s3OikUwE7cB-0cL+c5kzw@mail.gmail.com>

Interesting... although I wonder what it shares with its predecessors other
than the name.

- Peter
Op 4 sep. 2014 15:33 schreef "Mikael Hansson" <forums at deadmengods.com>:

> I know there's some members with love for the Electribes
>
> http://youtu.be/ZOeCxxGcXt0
>
> Sent from Mikaels cellular device
>
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
>
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140904/bc00e260/attachment.html>

From joost at joostschuttelaar.nl  Thu Sep  4 20:13:57 2014
From: joost at joostschuttelaar.nl (Joost Schuttelaar)
Date: Thu, 4 Sep 2014 20:13:57 +0200
Subject: New Electribes
In-Reply-To: <CAML7JVE2+txopC1a-5O1+k-GscQf4s3OikUwE7cB-0cL+c5kzw@mail.gmail.com>
References: <9EB028CD-FB9C-4DE0-9F51-109117F62422@deadmengods.com>
 <CAML7JVE2+txopC1a-5O1+k-GscQf4s3OikUwE7cB-0cL+c5kzw@mail.gmail.com>
Message-ID: <16F5D4B3-8AB8-4943-82C0-8AF0FDD33910@joostschuttelaar.nl>

On 4 sep. 2014, at 20:08, Peter Korsten <peter at severity-one.com> wrote:

> Interesting... although I wonder what it shares with its predecessors other than the name.

It's just a brand :)

-- 

Joost Schuttelaar
The Hague, NL


From canine at waf80.de  Thu Sep  4 20:28:12 2014
From: canine at waf80.de (K9 Kai Niggemann)
Date: Thu, 4 Sep 2014 20:28:12 +0200
Subject: New Electribes
In-Reply-To: <16F5D4B3-8AB8-4943-82C0-8AF0FDD33910@joostschuttelaar.nl>
References: <9EB028CD-FB9C-4DE0-9F51-109117F62422@deadmengods.com>
 <CAML7JVE2+txopC1a-5O1+k-GscQf4s3OikUwE7cB-0cL+c5kzw@mail.gmail.com>
 <16F5D4B3-8AB8-4943-82C0-8AF0FDD33910@joostschuttelaar.nl>
Message-ID: <39A87065-39F6-4363-8F6C-D4B996BA8218@waf80.de>

Do they blend?

....I mean, does it actually sample? Or are the "sample" versions only sample players?

Sent from my phone

On 04.09.2014, at 20:13, Joost Schuttelaar <joost at joostschuttelaar.nl> wrote:

> On 4 sep. 2014, at 20:08, Peter Korsten <peter at severity-one.com> wrote:
> 
>> Interesting... although I wonder what it shares with its predecessors other than the name.
> 
> It's just a brand :)
> 
> -- 
> 
> Joost Schuttelaar
> The Hague, NL
> 
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar

From forums at deadmengods.com  Fri Sep  5 15:54:45 2014
From: forums at deadmengods.com (Mikael Hansson)
Date: Fri, 5 Sep 2014 15:54:45 +0200
Subject: New Motu interfaces
Message-ID: <3BB87008-5298-4337-9888-37DCB105B3CA@deadmengods.com>

http://www.motu.com

Looks nice, a bit expensive though, about 1300?

Sent from Mikaels cellular device

From peter at severity-one.com  Sat Sep  6 02:19:24 2014
From: peter at severity-one.com (Peter Korsten)
Date: Sat, 06 Sep 2014 02:19:24 +0200
Subject: London micro-meet
In-Reply-To: <5404F1D3.3060507@entity.net>
References: <CAML7JVG9djaDkJRJQLveCFe-T6eCSagcAy0CnRu3MRAj6wUcHw@mail.gmail.com>
 <CAML7JVFP6qxJsk0PEEBEg4ZPF+-Bf+ooV2oF9T=vMY-+-QaO1w@mail.gmail.com>
 <CAML7JVGGL8SnZqzDWu4BTfdQWNG9TDWcX7xm=OTd70bt5xVwOQ@mail.gmail.com>
 <CAML7JVG_0AM+ynf-Y4hD9pfKD6+jpNvDJ7dUQigosr2seXqNGg@mail.gmail.com>
 <20140901215639.964C8B23DC@joostschuttelaar.xlshosting.com>
 <5404F1D3.3060507@entity.net>
Message-ID: <540A530C.3000106@severity-one.com>

Tony Hardie-Bick schreef op 2-9-2014 00:23:

> Have fun for the rest of your trip!

We just returned home. Actually a bit before, but only now I've found 
time to sit down and go through some e-mail.

The rest of the trip was... slightly eventful. :) You may have noticed 
that Yana wasn't walking very well on the way back, and in fact we got a 
taxi home instead of taking the Tube.

The next day, things went a bit sour when going down the stairs in South 
Kensington station. Something "snapped" in her left knee, and she 
somehow made it down the stairs, but she couldn't really walk any 
further. So we got an ambulance. But that took ages, and all the while 
there was a policeman (more accurately, a police community support 
officer) with us.

After about an hour and a half, the ambulance crew arrived. Now, South 
Kensington doesn't have escalators or a lift, because it's a listed 
building. Which caused a bit of a problem, because how were we going to 
get her out of there? So they got a wheelchair down, we took the 
wheelchair into the train until Earl's Court, where they do have a lift.

There was already somebody of Transport for London waiting for us to 
guide us through the gates, and only after the ambulance arrived did the 
policeman leave us. It's seriously impressive how well organised 
everything and everybody is, by the way. Not in the least because of the 
pervasive surveillance, no doubt, but once the ambulance was there, it 
went like clockwork.

Once at the hospital, we got to deal with what everybody using the NHS 
has to deal with: queues. All in all it took until 1:30 BST before we 
were back at the hotel (some eight hours all in all), but at least the 
doctor was tall, dark and very handsome.

I'd like to thank all British members of this list for their 
contribution to the NHS, and I'll have to see how we're going to send 
back or compensate those NHS-labelled crutches we got with us.

Perhaps I should mention how Yana is doing. The problem appeared to be 
in the soft tissue, and it's already somewhat better than before. But 
she's going to see a specialist here (which would have been her brother 
if it weren't for the fact that he lives abroad) and we'll take it from 
there.

The following days, I took Jean-Luc out to several museums, because he 
likes those. First the National Portrait Gallery, where they have a lot 
of paintings of people who had their heads chopped off. The day after 
that we went next door to the National Gallery, where there's an 
inordinate focus on Van Gogh's sunflowers in the museum shop. And 
finally, today we went to the Natural History Museum for an exhibition 
about mammoths. As usual, my son rushed through the exhibition as if he 
were at Silverstone, but at least we got a couple of cute soft toys, not 
to mention yet more fridge magnets. I think we may need to purchase a 
bigger fridge.

Also, today I bought Sound On Sound, for the first time in many years. 
There's Paul Maddox's Modulus 002 mentioned (and Paul gets mentioned, 
too), and I found the magazine inspiring again. Let's see what comes 
out. I have an idea, but I need to investigate Java and CUDA a bit. And 
I need more time...

- Peter

From seclorum at mac.com  Sat Sep  6 09:39:08 2014
From: seclorum at mac.com (Jay Vaughan)
Date: Sat, 06 Sep 2014 09:39:08 +0200
Subject: London micro-meet
In-Reply-To: <540A530C.3000106@severity-one.com>
References: <CAML7JVG9djaDkJRJQLveCFe-T6eCSagcAy0CnRu3MRAj6wUcHw@mail.gmail.com>
 <CAML7JVFP6qxJsk0PEEBEg4ZPF+-Bf+ooV2oF9T=vMY-+-QaO1w@mail.gmail.com>
 <CAML7JVGGL8SnZqzDWu4BTfdQWNG9TDWcX7xm=OTd70bt5xVwOQ@mail.gmail.com>
 <CAML7JVG_0AM+ynf-Y4hD9pfKD6+jpNvDJ7dUQigosr2seXqNGg@mail.gmail.com>
 <20140901215639.964C8B23DC@joostschuttelaar.xlshosting.com>
 <5404F1D3.3060507@entity.net> <540A530C.3000106@severity-one.com>
Message-ID: <F6CA70BF-4D7A-41D9-A727-90D3341D4EAD@mac.com>

> Also, today I bought Sound On Sound, for the first time in many years. There's Paul Maddox's Modulus 002 mentioned (and Paul gets mentioned, too), and I found the magazine inspiring again. Let's see what comes out. I have an idea, but I need to investigate Java and CUDA a bit. And I need more time...
> - Peter


Yay!  :)

j.


From xtechcode at gmail.com  Sat Sep  6 15:12:02 2014
From: xtechcode at gmail.com (Rom MUSIC BAR)
Date: Sat, 6 Sep 2014 15:12:02 +0200
Subject: Gadget midi sync
Message-ID: <58C1C480-FBBF-4D87-BB91-BB7442EFC881@gmail.com>

Hi everyone,
if you don t  know :
Korg Gadget has an upgrade with midi sync  :)

Romain



From noisetheorem at outlook.com  Sat Sep  6 18:09:29 2014
From: noisetheorem at outlook.com (Tony Scharf)
Date: Sat, 6 Sep 2014 16:09:29 +0000
Subject: =?utf-8?Q?Re:_Gadget_midi_sync?=
In-Reply-To: <fb5776ac5c764a45ac56b25579ed924c@hotmail.com>
References: <fb5776ac5c764a45ac56b25579ed924c@hotmail.com>
Message-ID: <BAY406-EAS3655BAF4B9D1AF47B63898ACEC30@phx.gbl>





?and export to live.  KORG is really impressing me lately.





Sent from Surface





From: Romain / rXg
Sent: ?Saturday?, ?September? ?6?, ?2014 ?8?:?12? ?AM
To: Music-bar





Hi everyone,
if you don t  know :
Korg Gadget has an upgrade with midi sync  :)

Romain


_______________________________________________
music-bar mailing list
music-bar at lists.music-bar.org
http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140906/1a83776e/attachment.html>

From forums at punkdisco.co.uk  Sun Sep  7 10:27:04 2014
From: forums at punkdisco.co.uk (foRUMS 4 punkdISCO)
Date: Sun, 7 Sep 2014 09:27:04 +0100
Subject: London micro-meet
In-Reply-To: <540A530C.3000106@severity-one.com>
References: <CAML7JVG9djaDkJRJQLveCFe-T6eCSagcAy0CnRu3MRAj6wUcHw@mail.gmail.com>
 <CAML7JVFP6qxJsk0PEEBEg4ZPF+-Bf+ooV2oF9T=vMY-+-QaO1w@mail.gmail.com>
 <CAML7JVGGL8SnZqzDWu4BTfdQWNG9TDWcX7xm=OTd70bt5xVwOQ@mail.gmail.com>
 <CAML7JVG_0AM+ynf-Y4hD9pfKD6+jpNvDJ7dUQigosr2seXqNGg@mail.gmail.com>
 <20140901215639.964C8B23DC@joostschuttelaar.xlshosting.com>
 <5404F1D3.3060507@entity.net> <540A530C.3000106@severity-one.com>
Message-ID: <019901cfca75$83a35ea0$8aea1be0$@punkdisco.co.uk>

Flip Peter - just read this..  Not a great way to spend you holiday..

Really hope Yana made a speedy recovery and all is on the way to getting
better..

See you all again sometime soon I hope..

Paul
London
www.punkdisco.co.uk

> -----Original Message-----
> From: Peter Korsten [mailto:peter at severity-one.com]
> Sent: 06 September 2014 01:19
> To: Music-bar
> Subject: Re: London micro-meet
> 
> Tony Hardie-Bick schreef op 2-9-2014 00:23:
> 
> > Have fun for the rest of your trip!
> 
> We just returned home. Actually a bit before, but only now I've found time
> to sit down and go through some e-mail.
> 
> The rest of the trip was... slightly eventful. :) You may have noticed
that Yana
> wasn't walking very well on the way back, and in fact we got a taxi home
> instead of taking the Tube.
> 
> The next day, things went a bit sour when going down the stairs in South
> Kensington station. Something "snapped" in her left knee, and she somehow
> made it down the stairs, but she couldn't really walk any further. So we
got
> an ambulance. But that took ages, and all the while there was a policeman
> (more accurately, a police community support
> officer) with us.
> 
> After about an hour and a half, the ambulance crew arrived. Now, South
> Kensington doesn't have escalators or a lift, because it's a listed
building.
> Which caused a bit of a problem, because how were we going to get her out
> of there? So they got a wheelchair down, we took the wheelchair into the
> train until Earl's Court, where they do have a lift.
> 
> There was already somebody of Transport for London waiting for us to guide
> us through the gates, and only after the ambulance arrived did the
policeman
> leave us. It's seriously impressive how well organised everything and
> everybody is, by the way. Not in the least because of the pervasive
> surveillance, no doubt, but once the ambulance was there, it went like
> clockwork.
> 
> Once at the hospital, we got to deal with what everybody using the NHS has
> to deal with: queues. All in all it took until 1:30 BST before we were
back at
> the hotel (some eight hours all in all), but at least the doctor was tall,
dark
> and very handsome.
> 
> I'd like to thank all British members of this list for their contribution
to the
> NHS, and I'll have to see how we're going to send back or compensate those
> NHS-labelled crutches we got with us.
> 
> Perhaps I should mention how Yana is doing. The problem appeared to be in
> the soft tissue, and it's already somewhat better than before. But she's
going
> to see a specialist here (which would have been her brother if it weren't
for
> the fact that he lives abroad) and we'll take it from there.
> 
> The following days, I took Jean-Luc out to several museums, because he
likes
> those. First the National Portrait Gallery, where they have a lot of
paintings
> of people who had their heads chopped off. The day after that we went next
> door to the National Gallery, where there's an inordinate focus on Van
> Gogh's sunflowers in the museum shop. And finally, today we went to the
> Natural History Museum for an exhibition about mammoths. As usual, my
> son rushed through the exhibition as if he were at Silverstone, but at
least
> we got a couple of cute soft toys, not to mention yet more fridge magnets.
I
> think we may need to purchase a bigger fridge.
> 
> Also, today I bought Sound On Sound, for the first time in many years.
> There's Paul Maddox's Modulus 002 mentioned (and Paul gets mentioned,
> too), and I found the magazine inspiring again. Let's see what comes out.
I
> have an idea, but I need to investigate Java and CUDA a bit. And I need
more
> time...
> 
> - Peter
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar


From forums at punkdisco.co.uk  Sun Sep  7 16:12:13 2014
From: forums at punkdisco.co.uk (foRUMS 4 punkdISCO)
Date: Sun, 7 Sep 2014 15:12:13 +0100
Subject: Favour - any German speakers with a microphone?
Message-ID: <04c201cfcaa5$bb661dc0$32325940$@punkdisco.co.uk>

Hi all

 

We have a song where a German barman asks for payment.  We are not sure if
we want a male voice but fancy giving it a go..  So, if any of you have a
voice that sounds like a young 20ish German barmen and have the time, we
would love to hear an audio clip of you asking for:

 

"3.30 Deutsche Marks please"

 

Btw, I presume this would translate to: "3 und 30 Deutsche Marks bitte"?
It's a difficult one to google as if you put "3.30DM" into a translation
site, you get things like "3 comma 30" rather than what would be said in
real life..

 

The track is 136bmp and whilst the vocal should sound like real life, it
should be reasonable in-tempo

 

Beat       1              2              3                              4

                3 und     30           Dutsche Marks  bitte

 

As you might guess with our stuff, audio quality is not important :)  

 

Big thanks..

 

Paul

London

www.punkdisco.co.uk

 

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140907/ee3046e5/attachment.html>

From canine at waf80.de  Sun Sep  7 16:24:54 2014
From: canine at waf80.de (K9 Kai Niggemann)
Date: Sun, 7 Sep 2014 16:24:54 +0200
Subject: Favour - any German speakers with a microphone?
In-Reply-To: <04c201cfcaa5$bb661dc0$32325940$@punkdisco.co.uk>
References: <04c201cfcaa5$bb661dc0$32325940$@punkdisco.co.uk>
Message-ID: <05AD1398-E786-49F1-A1F2-162F300A90F3@waf80.de>

I think i can help you there...;-)

"Dry Mark dry-cig, bittuh." Would be the generally used sentence. 

I'll record it tonight, ok?



Sent from my phone

On 07.09.2014, at 16:12, "foRUMS 4 punkdISCO" <forums at punkdisco.co.uk> wrote:

> Hi all
>  
> We have a song where a German barman asks for payment.  We are not sure if we want a male voice but fancy giving it a go..  So, if any of you have a voice that sounds like a young 20ish German barmen and have the time, we would love to hear an audio clip of you asking for:
>  
> ?3.30 Deutsche Marks please?
>  
> Btw, I presume this would translate to: ?3 und 30 Deutsche Marks bitte??  It?s a difficult one to google as if you put ?3.30DM? into a translation site, you get things like ?3 comma 30? rather than what would be said in real life..
>  
> The track is 136bmp and whilst the vocal should sound like real life, it should be reasonable in-tempo
>  
> Beat       1              2              3                              4
>                 3 und     30           Dutsche Marks  bitte
>  
> As you might guess with our stuff, audio quality is not important J 
>  
> Big thanks..
>  
> Paul
> London
> www.punkdisco.co.uk
>  
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140907/d527c2e1/attachment.html>

From forums at punkdisco.co.uk  Sun Sep  7 18:02:29 2014
From: forums at punkdisco.co.uk (foRUMS 4 punkdISCO)
Date: Sun, 7 Sep 2014 17:02:29 +0100
Subject: Favour - any German speakers with a microphone?
In-Reply-To: <05AD1398-E786-49F1-A1F2-162F300A90F3@waf80.de>
References: <04c201cfcaa5$bb661dc0$32325940$@punkdisco.co.uk>
 <05AD1398-E786-49F1-A1F2-162F300A90F3@waf80.de>
Message-ID: <04fb01cfcab5$22e24820$68a6d860$@punkdisco.co.uk>

Hey Kai

 

That would be ace, thanks..

 

Would the below wording be completely incorrect?

 

?Dry Deutsche Mark dry-cig, bittuh."

 

??  We both really like the word ?Deutsche mark? as it sounds, well, German..!  :)

 

If it could be conceived as realistic, could you do both please?

 

1)      ?Dry Mark dry-cig, bittuh."

2)      ?Dry Deutsche Mark dry-cig, bittuh."

The timing would be:

Beat       1                                             2                              3                              4

Dry Mark                             dry-cig,                 bittuh

Or

Dry Mark                             dry-cig         bitt- uh

Or

Dry Deutsche Mark         dry-cig,        bitt- uh

 

But ill leave it to you to decide what feels right..

 

Btw, there is no rush on this as I tend to not do much music mid-week..

 

Dankesch?n,

 

Paul

London

www.punkdisco.co.uk

 

From: K9 Kai Niggemann [mailto:canine at waf80.de] 
Sent: 07 September 2014 15:25
To: Music-bar
Subject: Re: Favour - any German speakers with a microphone?

 

I think i can help you there...;-)

 

"Dry Mark dry-cig, bittuh." Would be the generally used sentence. 

 

I'll record it tonight, ok?

 



Sent from my phone


On 07.09.2014, at 16:12, "foRUMS 4 punkdISCO" <forums at punkdisco.co.uk <mailto:forums at punkdisco.co.uk> > wrote:

Hi all

 

We have a song where a German barman asks for payment.  We are not sure if we want a male voice but fancy giving it a go..  So, if any of you have a voice that sounds like a young 20ish German barmen and have the time, we would love to hear an audio clip of you asking for:

 

?3.30 Deutsche Marks please?

 

Btw, I presume this would translate to: ?3 und 30 Deutsche Marks bitte??  It?s a difficult one to google as if you put ?3.30DM? into a translation site, you get things like ?3 comma 30? rather than what would be said in real life..

 

The track is 136bmp and whilst the vocal should sound like real life, it should be reasonable in-tempo

 

Beat       1              2              3                              4

                3 und     30           Dutsche Marks  bitte

 

As you might guess with our stuff, audio quality is not important :)  

 

Big thanks..

 

Paul

London

www.punkdisco.co.uk <http://www.punkdisco.co.uk> 

 

_______________________________________________
music-bar mailing list
music-bar at lists.music-bar.org <mailto:music-bar at lists.music-bar.org> 
http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140907/ef0a1386/attachment-0001.html>

From tony at entity.net  Sun Sep  7 19:35:10 2014
From: tony at entity.net (Tony Hardie-Bick)
Date: Sun, 07 Sep 2014 18:35:10 +0100
Subject: London micro-meet
In-Reply-To: <019901cfca75$83a35ea0$8aea1be0$@punkdisco.co.uk>
References: <CAML7JVG9djaDkJRJQLveCFe-T6eCSagcAy0CnRu3MRAj6wUcHw@mail.gmail.com>
 <CAML7JVFP6qxJsk0PEEBEg4ZPF+-Bf+ooV2oF9T=vMY-+-QaO1w@mail.gmail.com>
 <CAML7JVGGL8SnZqzDWu4BTfdQWNG9TDWcX7xm=OTd70bt5xVwOQ@mail.gmail.com>
 <CAML7JVG_0AM+ynf-Y4hD9pfKD6+jpNvDJ7dUQigosr2seXqNGg@mail.gmail.com>
 <20140901215639.964C8B23DC@joostschuttelaar.xlshosting.com>
 <5404F1D3.3060507@entity.net> <540A530C.3000106@severity-one.com>
 <019901cfca75$83a35ea0$8aea1be0$@punkdisco.co.uk>
Message-ID: <540C974E.5010602@entity.net>

wow - yeah - i hope yana gets better soon.

t.

On 07/09/14 09:27, foRUMS 4 punkdISCO wrote:
> Flip Peter - just read this..  Not a great way to spend you holiday..
>
> Really hope Yana made a speedy recovery and all is on the way to getting
> better..
>
> See you all again sometime soon I hope..
>
> Paul
> London
> www.punkdisco.co.uk
>
>> -----Original Message-----
>> From: Peter Korsten [mailto:peter at severity-one.com]
>> Sent: 06 September 2014 01:19
>> To: Music-bar
>> Subject: Re: London micro-meet
>>
>> Tony Hardie-Bick schreef op 2-9-2014 00:23:
>>
>>> Have fun for the rest of your trip!
>>
>> We just returned home. Actually a bit before, but only now I've found time
>> to sit down and go through some e-mail.
>>
>> The rest of the trip was... slightly eventful. :) You may have noticed
> that Yana
>> wasn't walking very well on the way back, and in fact we got a taxi home
>> instead of taking the Tube.
>>
>> The next day, things went a bit sour when going down the stairs in South
>> Kensington station. Something "snapped" in her left knee, and she somehow
>> made it down the stairs, but she couldn't really walk any further. So we
> got
>> an ambulance. But that took ages, and all the while there was a policeman
>> (more accurately, a police community support
>> officer) with us.
>>
>> After about an hour and a half, the ambulance crew arrived. Now, South
>> Kensington doesn't have escalators or a lift, because it's a listed
> building.
>> Which caused a bit of a problem, because how were we going to get her out
>> of there? So they got a wheelchair down, we took the wheelchair into the
>> train until Earl's Court, where they do have a lift.
>>
>> There was already somebody of Transport for London waiting for us to guide
>> us through the gates, and only after the ambulance arrived did the
> policeman
>> leave us. It's seriously impressive how well organised everything and
>> everybody is, by the way. Not in the least because of the pervasive
>> surveillance, no doubt, but once the ambulance was there, it went like
>> clockwork.
>>
>> Once at the hospital, we got to deal with what everybody using the NHS has
>> to deal with: queues. All in all it took until 1:30 BST before we were
> back at
>> the hotel (some eight hours all in all), but at least the doctor was tall,
> dark
>> and very handsome.
>>
>> I'd like to thank all British members of this list for their contribution
> to the
>> NHS, and I'll have to see how we're going to send back or compensate those
>> NHS-labelled crutches we got with us.
>>
>> Perhaps I should mention how Yana is doing. The problem appeared to be in
>> the soft tissue, and it's already somewhat better than before. But she's
> going
>> to see a specialist here (which would have been her brother if it weren't
> for
>> the fact that he lives abroad) and we'll take it from there.
>>
>> The following days, I took Jean-Luc out to several museums, because he
> likes
>> those. First the National Portrait Gallery, where they have a lot of
> paintings
>> of people who had their heads chopped off. The day after that we went next
>> door to the National Gallery, where there's an inordinate focus on Van
>> Gogh's sunflowers in the museum shop. And finally, today we went to the
>> Natural History Museum for an exhibition about mammoths. As usual, my
>> son rushed through the exhibition as if he were at Silverstone, but at
> least
>> we got a couple of cute soft toys, not to mention yet more fridge magnets.
> I
>> think we may need to purchase a bigger fridge.
>>
>> Also, today I bought Sound On Sound, for the first time in many years.
>> There's Paul Maddox's Modulus 002 mentioned (and Paul gets mentioned,
>> too), and I found the magazine inspiring again. Let's see what comes out.
> I
>> have an idea, but I need to investigate Java and CUDA a bit. And I need
> more
>> time...
>>
>> - Peter
>> _______________________________________________
>> music-bar mailing list
>> music-bar at lists.music-bar.org
>> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
>
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
>

From forums at deadmengods.com  Mon Sep  8 19:12:39 2014
From: forums at deadmengods.com (Mikael Hansson)
Date: Mon, 8 Sep 2014 19:12:39 +0200
Subject: New track - Out of control
Message-ID: <C6612B4C-EF50-4896-902F-C1A63C674041@deadmengods.com>

Got some time to make a track this weekend. It's at a near finished state, thought I'd get some input from you guys :-)

http://www.deadmengods.com/ideas/dmg_out_of_control_idea.mp3

Lots of analog in this one:

Evolver: Bass, layer 1
MiniBrute: Fizzling subbass
AnalogFour 1: Bass drone at the beginning (just hearable)
AnalogFour 2: Bright melody with panning delay
AnalogFour 3: Bass, layer 2 (just in chorus)

MicroWave XT: Bass, layer 3
Blue2: Arp
Predator: Pad
Kontakt: Piano

Guitars through three different amps in Guitar Rig

/Micke

From forums at deadmengods.com  Mon Sep  8 19:22:55 2014
From: forums at deadmengods.com (Mikael Hansson)
Date: Mon, 8 Sep 2014 19:22:55 +0200
Subject: New track - Out of control
In-Reply-To: <C6612B4C-EF50-4896-902F-C1A63C674041@deadmengods.com>
References: <C6612B4C-EF50-4896-902F-C1A63C674041@deadmengods.com>
Message-ID: <A4857D94-0D7F-4E91-87A1-630A9E6A450A@deadmengods.com>

+ all drums from Analog Rytm :-)

/Micke

On 8 sep 2014, at 19:12, Mikael Hansson <forums at deadmengods.com> wrote:

> Got some time to make a track this weekend. It's at a near finished state, thought I'd get some input from you guys :-)
> 
> http://www.deadmengods.com/ideas/dmg_out_of_control_idea.mp3
> 
> Lots of analog in this one:
> 
> Evolver: Bass, layer 1
> MiniBrute: Fizzling subbass
> AnalogFour 1: Bass drone at the beginning (just hearable)
> AnalogFour 2: Bright melody with panning delay
> AnalogFour 3: Bass, layer 2 (just in chorus)
> 
> MicroWave XT: Bass, layer 3
> Blue2: Arp
> Predator: Pad
> Kontakt: Piano
> 
> Guitars through three different amps in Guitar Rig
> 
> /Micke


From xtechcode at gmail.com  Mon Sep  8 19:37:37 2014
From: xtechcode at gmail.com (Rom MUSIC BAR)
Date: Mon, 8 Sep 2014 19:37:37 +0200
Subject: New track - Out of control
In-Reply-To: <C6612B4C-EF50-4896-902F-C1A63C674041@deadmengods.com>
References: <C6612B4C-EF50-4896-902F-C1A63C674041@deadmengods.com>
Message-ID: <29238076-BCD5-4EFA-AC10-571B2A8740F4@gmail.com>

Hi Micke, Well done ! I like it as always in your own style ?
but i think you can do a better mix ( in my system the sound is over distorded ) 
I like the guitars ! :)




On 08 Sep 2014, at 19:12, Mikael Hansson <forums at deadmengods.com> wrote:

> Got some time to make a track this weekend. It's at a near finished state, thought I'd get some input from you guys :-)
> 
> http://www.deadmengods.com/ideas/dmg_out_of_control_idea.mp3
> 
> Lots of analog in this one:
> 
> Evolver: Bass, layer 1
> MiniBrute: Fizzling subbass
> AnalogFour 1: Bass drone at the beginning (just hearable)
> AnalogFour 2: Bright melody with panning delay
> AnalogFour 3: Bass, layer 2 (just in chorus)
> 
> MicroWave XT: Bass, layer 3
> Blue2: Arp
> Predator: Pad
> Kontakt: Piano
> 
> Guitars through three different amps in Guitar Rig
> 
> /Micke
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar


From forums at deadmengods.com  Mon Sep  8 19:59:18 2014
From: forums at deadmengods.com (Mikael Hansson)
Date: Mon, 8 Sep 2014 19:59:18 +0200
Subject: New track - Out of control
In-Reply-To: <29238076-BCD5-4EFA-AC10-571B2A8740F4@gmail.com>
References: <C6612B4C-EF50-4896-902F-C1A63C674041@deadmengods.com>
 <29238076-BCD5-4EFA-AC10-571B2A8740F4@gmail.com>
Message-ID: <EF0A6FEF-8B1F-4E84-A728-E1FF4EE212DB@deadmengods.com>


On 8 sep 2014, at 19:37, Rom MUSIC BAR <xtechcode at gmail.com> wrote:

> Hi Micke, Well done ! I like it as always in your own style ?
> but i think you can do a better mix ( in my system the sound is over distorded ) 
> I like the guitars ! :)

Thanks Romain, 

Yup, the mixing was given about 5 minutes for this one, there's some things I want to redo/change/add to the final version and I didn't have the stamina today to do separate recordings of the A4 and AR tracks :-)

/Micke



From g.vansanten at upcmail.nl  Mon Sep  8 22:56:40 2014
From: g.vansanten at upcmail.nl (Gert van Santen)
Date: Mon, 08 Sep 2014 22:56:40 +0200
Subject: New track - Out of control
In-Reply-To: <C6612B4C-EF50-4896-902F-C1A63C674041@deadmengods.com>
References: <C6612B4C-EF50-4896-902F-C1A63C674041@deadmengods.com>
Message-ID: <540E1808.3030501@upcmail.nl>

Mikael Hansson schreef op 8-9-2014 19:12:
> Got some time to make a track this weekend. It's at a near finished state, thought I'd get some input from you guys :-)
>
> http://www.deadmengods.com/ideas/dmg_out_of_control_idea.mp3
>

Great! And now some vocals to make it perfect :-)

Like Romain says, love the guitar :-)

-- 
Gert

gert van santen
www.gertvansanten.nl

From forums at punkdisco.co.uk  Tue Sep  9 08:57:06 2014
From: forums at punkdisco.co.uk (punkdISCO)
Date: Tue, 9 Sep 2014 07:57:06 +0100
Subject: New track - Out of control
In-Reply-To: <540E1808.3030501@upcmail.nl>
References: <C6612B4C-EF50-4896-902F-C1A63C674041@deadmengods.com>
 <540E1808.3030501@upcmail.nl>
Message-ID: <mailman.18.1410245561.960.music-bar@lists.music-bar.org>

Me to for the vocal vote!

Also loving the bass that is clearest at about 1:04.

Good morning wakeup track..!

Paul
London
www.punkdisco.co.uk

-----Original Message-----
From: "Gert van Santen" <g.vansanten at upcmail.nl>
Sent: ?08/?09/?2014 21:56
To: "Music-bar" <music-bar at lists.music-bar.org>
Subject: Re: New track - Out of control

Mikael Hansson schreef op 8-9-2014 19:12:
> Got some time to make a track this weekend. It's at a near finished state, thought I'd get some input from you guys :-)
>
> http://www.deadmengods.com/ideas/dmg_out_of_control_idea.mp3
>

Great! And now some vocals to make it perfect :-)

Like Romain says, love the guitar :-)

-- 
Gert

gert van santen
www.gertvansanten.nl
_______________________________________________
music-bar mailing list
music-bar at lists.music-bar.org
http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140909/21705541/attachment.html>

From kai at kainiggemann.com  Tue Sep  9 17:24:45 2014
From: kai at kainiggemann.com (K9 Kai Niggemann)
Date: Tue, 9 Sep 2014 17:24:45 +0200
Subject: Favour - any German speakers with a microphone?
In-Reply-To: <04fb01cfcab5$22e24820$68a6d860$@punkdisco.co.uk>
References: <04c201cfcaa5$bb661dc0$32325940$@punkdisco.co.uk>
 <05AD1398-E786-49F1-A1F2-162F300A90F3@waf80.de>
 <04fb01cfcab5$22e24820$68a6d860$@punkdisco.co.uk>
Message-ID: <E9DC17A4-4A27-4E35-A50D-0B4192B0861E@kainiggemann.com>

I sent you a recording with wetransfer -- should be there in about 20 minutes...;-)


-------------- next part --------------
A non-text attachment was scrubbed...
Name: signature.asc
Type: application/pgp-signature
Size: 841 bytes
Desc: Message signed with OpenPGP using GPGMail
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140909/b5b2e0cc/attachment.pgp>

From forums at punkdisco.co.uk  Tue Sep  9 22:37:26 2014
From: forums at punkdisco.co.uk (foRUMS 4 punkdISCO)
Date: Tue, 9 Sep 2014 21:37:26 +0100
Subject: Favour - any German speakers with a microphone?
In-Reply-To: <E9DC17A4-4A27-4E35-A50D-0B4192B0861E@kainiggemann.com>
References: <04c201cfcaa5$bb661dc0$32325940$@punkdisco.co.uk>
 <05AD1398-E786-49F1-A1F2-162F300A90F3@waf80.de>
 <04fb01cfcab5$22e24820$68a6d860$@punkdisco.co.uk>
 <E9DC17A4-4A27-4E35-A50D-0B4192B0861E@kainiggemann.com>
Message-ID: <008301cfcc6d$e081d3a0$a1857ae0$@punkdisco.co.uk>

Hey Kai - Back at ya!!

Hey Kai - this is awesome..  So awesome in fact, I have sent the bar a track
at the 20% mark.  Ive sent stuff at the 80% mark before but never this rough
:)

There is no structure or anything - I cut out 1 minute of silence in Sound
Forge.

https://soundcloud.com/punkdisco/i-want-to-be-a-german-boy/s-qNXeH

Kai (rock n'roll singer) comes in at 1:20 in the chorus.

Btw, Kai does two variations:

1)	"Dry Mark dry-cig, bittuh."
2)	"Dry Deutsche Mark dry-cig, bittuh."

I prefer #2 even if it is less correct; it sound more German..  Any
thoughts?

Btw, Kai sent some funny versions where he goes "full on" German.  We both
laughed a lot when we heard those so thank you :)  I also left in one of his
sexy versions at the end..

Paul
London
www.punkdisco.co.uk

> -----Original Message-----
> From: K9 Kai Niggemann [mailto:kai at kainiggemann.com]
> Sent: 09 September 2014 16:25
> To: Music bar
> Subject: Re: Favour - any German speakers with a microphone?
> 
> I sent you a recording with wetransfer -- should be there in about 20
> minutes...;-)
> 



From g.vansanten at upcmail.nl  Tue Sep  9 23:59:01 2014
From: g.vansanten at upcmail.nl (Gert van Santen)
Date: Tue, 09 Sep 2014 23:59:01 +0200
Subject: Favour - any German speakers with a microphone?
In-Reply-To: <008301cfcc6d$e081d3a0$a1857ae0$@punkdisco.co.uk>
References: <04c201cfcaa5$bb661dc0$32325940$@punkdisco.co.uk>
 <05AD1398-E786-49F1-A1F2-162F300A90F3@waf80.de>
 <04fb01cfcab5$22e24820$68a6d860$@punkdisco.co.uk>
 <E9DC17A4-4A27-4E35-A50D-0B4192B0861E@kainiggemann.com>
 <008301cfcc6d$e081d3a0$a1857ae0$@punkdisco.co.uk>
Message-ID: <540F7825.2020302@upcmail.nl>

foRUMS 4 punkdISCO schreef op 9-9-2014 22:37:
> Hey Kai - Back at ya!!

> https://soundcloud.com/punkdisco/i-want-to-be-a-german-boy/s-qNXeH

Cool!

-- 
Gert

gert van santen
www.gertvansanten.nl

From xtechcode at gmail.com  Wed Sep 10 21:25:59 2014
From: xtechcode at gmail.com (Rom MUSIC BAR)
Date: Wed, 10 Sep 2014 21:25:59 +0200
Subject: New track - Out of control
In-Reply-To: <EF0A6FEF-8B1F-4E84-A728-E1FF4EE212DB@deadmengods.com>
References: <C6612B4C-EF50-4896-902F-C1A63C674041@deadmengods.com>
 <29238076-BCD5-4EFA-AC10-571B2A8740F4@gmail.com>
 <EF0A6FEF-8B1F-4E84-A728-E1FF4EE212DB@deadmengods.com>
Message-ID: <C17C5FC5-1D52-4097-B97F-01D9465159C8@gmail.com>

:) 
Waiting the final mix for sure ? 
btw i was checking another song from you that I really like   :

http://www.deadmengods.com/ideas/dmg_illusions_of_change_idea.mp3

it made me think of the song  below maybe you know it ?  I really love it , it makes me relax  ... :) 

http://music.musicofthemoon.com/track/dust





On 08 Sep 2014, at 19:59, Mikael Hansson <forums at deadmengods.com> wrote:

> 
> On 8 sep 2014, at 19:37, Rom MUSIC BAR <xtechcode at gmail.com> wrote:
> 
>> Hi Micke, Well done ! I like it as always in your own style ?
>> but i think you can do a better mix ( in my system the sound is over distorded ) 
>> I like the guitars ! :)
> 
> Thanks Romain, 
> 
> Yup, the mixing was given about 5 minutes for this one, there's some things I want to redo/change/add to the final version and I didn't have the stamina today to do separate recordings of the A4 and AR tracks :-)
> 
> /Micke
> 
> 
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140910/6db770a7/attachment.html>

From forums at deadmengods.com  Wed Sep 10 23:38:59 2014
From: forums at deadmengods.com (Mikael Hansson)
Date: Wed, 10 Sep 2014 23:38:59 +0200
Subject: New track - Out of control
In-Reply-To: <C17C5FC5-1D52-4097-B97F-01D9465159C8@gmail.com>
References: <C6612B4C-EF50-4896-902F-C1A63C674041@deadmengods.com>
 <29238076-BCD5-4EFA-AC10-571B2A8740F4@gmail.com>
 <EF0A6FEF-8B1F-4E84-A728-E1FF4EE212DB@deadmengods.com>
 <C17C5FC5-1D52-4097-B97F-01D9465159C8@gmail.com>
Message-ID: <207B993D-0BE4-4185-9546-8B90EE728B24@deadmengods.com>


On 10 sep 2014, at 21:25, Rom MUSIC BAR <xtechcode at gmail.com> wrote:

> :) 
> Waiting the final mix for sure ? 
> btw i was checking another song from you that I really like   :
> 
> http://www.deadmengods.com/ideas/dmg_illusions_of_change_idea.mp3
> 
> it made me think of the song  below maybe you know it ?  I really love it , it makes me relax  ... :) 
> 
> http://music.musicofthemoon.com/track/dust

Ha, I should sue them since I posted mine 3.5 years before them :-)

Well, from what I remember that sound is a preset arp sound played on a single note from the softsynth Sylenth, so it would probably not work out :-)

/Micke



-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140910/82d98bc1/attachment.html>

From xtechcode at gmail.com  Thu Sep 11 00:34:17 2014
From: xtechcode at gmail.com (Rom MUSIC BAR)
Date: Thu, 11 Sep 2014 00:34:17 +0200
Subject: New track - Out of control
In-Reply-To: <207B993D-0BE4-4185-9546-8B90EE728B24@deadmengods.com>
References: <C6612B4C-EF50-4896-902F-C1A63C674041@deadmengods.com>
 <29238076-BCD5-4EFA-AC10-571B2A8740F4@gmail.com>
 <EF0A6FEF-8B1F-4E84-A728-E1FF4EE212DB@deadmengods.com>
 <C17C5FC5-1D52-4097-B97F-01D9465159C8@gmail.com>
 <207B993D-0BE4-4185-9546-8B90EE728B24@deadmengods.com>
Message-ID: <AA076173-D382-4CC9-90F9-3C2CC9E56C89@gmail.com>

Ah now, I know the story of this riff Thank you !!! I really like it ? Also on a guitar with a nice chorus + delay it s awesome  ;) 

Few weeks ago  i got more or less the same story ( riff used)  for one my song on youtube, I used a pattern (just one not changed) from ultrabeat Logic daw ? then the robot of youtube censured the complete audio  of my song( or redirect it to the song of the guy  ) because the guy copyrighted his song using the same pattern from ultrabeat Logic daw ( not changed), the only problem was I used mine in 2009 not 2012 like him  ? 
 I didn t sue the dude either lol. . . all in all  now everything is fine ?

A good lesson for me to avoid presets!  :)



On 10 Sep 2014, at 23:38, Mikael Hansson <forums at deadmengods.com> wrote:

> 
> On 10 sep 2014, at 21:25, Rom MUSIC BAR <xtechcode at gmail.com> wrote:
> 
>> :) 
>> Waiting the final mix for sure ? 
>> btw i was checking another song from you that I really like   :
>> 
>> http://www.deadmengods.com/ideas/dmg_illusions_of_change_idea.mp3
>> 
>> it made me think of the song  below maybe you know it ?  I really love it , it makes me relax  ... :) 
>> 
>> http://music.musicofthemoon.com/track/dust
> 
> Ha, I should sue them since I posted mine 3.5 years before them :-)
> 
> Well, from what I remember that sound is a preset arp sound played on a single note from the softsynth Sylenth, so it would probably not work out :-)
> 
> /Micke
> 
> 
> 
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140911/2ee0d6d9/attachment.html>

From nigel at 4trak.net  Fri Sep 12 16:50:00 2014
From: nigel at 4trak.net (Nigel Kersten)
Date: Fri, 12 Sep 2014 07:50:00 -0700
Subject: new tracks..
Message-ID: <CAA7dtZK88NxMMd0RAdHvmeAs=OkCEm3ywwvfsf_jHpp++X+S0w@mail.gmail.com>

Both Battery + Massive + FM8, with sprinklings of Max for Live throughout.


more straight-up kind of house-y thing:

https://soundcloud.com/netsrek/elctrorofotoper-alt


Something a little odder, more footwork inspired:

https://soundcloud.com/netsrek/serfbort
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140912/20685756/attachment.html>

From deeplfo at gmail.com  Fri Sep 12 21:11:02 2014
From: deeplfo at gmail.com (deeplfo)
Date: Fri, 12 Sep 2014 12:11:02 -0700
Subject: Streaming Tunes
Message-ID: <CAMbtJi7351=vTqmZ_p6T720EAc68NFKsywOUDogUQSQSn5jAPQ@mail.gmail.com>

for a bit

http://www.ustream.tv/channel/deeplfo

mohsen
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140912/51ad54de/attachment.html>

From deeplfo at gmail.com  Fri Sep 12 21:45:45 2014
From: deeplfo at gmail.com (deeplfo)
Date: Fri, 12 Sep 2014 12:45:45 -0700
Subject: My New Monitors: Equator D8
Message-ID: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>

So, I was getting a bit tired of the way my Adam-7s were sounding,
especially when one of them starting to sound a bit on it's death bed.  Did
a bit of searching and decided to get the Equator Audio's D8.

So, one of the things that bugged me about the Adam's were that I felt it
operated a bit too hot; it didn't take much output from my end to drive
these guys.  And now comes the D8s, woowowow....these things sound so
amazingly good, it's unreal the difference.  And here I was thinking highly
of the Adams, but testing them side by side totally made it clear how
studio monitors should sound.  D8 are truly amazing.  It has made a whole
world of difference and am going to share some sounds hopefully soon.

Mohsen
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140912/56ec131d/attachment.html>

From joost at joostschuttelaar.nl  Fri Sep 12 22:31:53 2014
From: joost at joostschuttelaar.nl (Joost Schuttelaar)
Date: Fri, 12 Sep 2014 22:31:53 +0200
Subject: My New Monitors: Equator D8
In-Reply-To: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
References: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
Message-ID: <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>

On 12 sep. 2014, at 21:45, deeplfo <deeplfo at gmail.com> wrote:

> So, one of the things that bugged me about the Adam's were that I felt it operated a bit too hot; it didn't take much output from my end to drive these guys.  And now comes the D8s, woowowow....these things sound so amazingly good, it's unreal the difference.  And here I was thinking highly of the Adams, but testing them side by side totally made it clear how studio monitors should sound.  D8 are truly amazing.  It has made a whole world of difference and am going to share some sounds hopefully soon.

Interesting... I'm having these Tannoy Active Reveals now since... March 2003. They still work quite well, but perhaps my ears are up for something fresh. Interested in seeing that they use a DSP to separate the bands... something that has bugged me always, such a simple circuit for something that should be tuned quite precise.

-- 

Joost Schuttelaar
The Hague, NL


From deeplfo at gmail.com  Fri Sep 12 23:17:36 2014
From: deeplfo at gmail.com (deeplfo)
Date: Fri, 12 Sep 2014 14:17:36 -0700
Subject: My New Monitors: Equator D8
In-Reply-To: <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>
References: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
 <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>
Message-ID: <CAMbtJi7JUX1DYggG7i4J8uohSShHFgL-31odzkpe6+JSo8RBpQ@mail.gmail.com>

I'm telling you, you guys have to try the D8.  Amazing delivery for price.
Don't get the D5s or the Q range.  For any average ("bedroom") studio, the
D8 are freaking GAME CHANGER.

mohsen

On Fri, Sep 12, 2014 at 1:31 PM, Joost Schuttelaar <
joost at joostschuttelaar.nl> wrote:

> On 12 sep. 2014, at 21:45, deeplfo <deeplfo at gmail.com> wrote:
>
> > So, one of the things that bugged me about the Adam's were that I felt
> it operated a bit too hot; it didn't take much output from my end to drive
> these guys.  And now comes the D8s, woowowow....these things sound so
> amazingly good, it's unreal the difference.  And here I was thinking highly
> of the Adams, but testing them side by side totally made it clear how
> studio monitors should sound.  D8 are truly amazing.  It has made a whole
> world of difference and am going to share some sounds hopefully soon.
>
> Interesting... I'm having these Tannoy Active Reveals now since... March
> 2003. They still work quite well, but perhaps my ears are up for something
> fresh. Interested in seeing that they use a DSP to separate the bands...
> something that has bugged me always, such a simple circuit for something
> that should be tuned quite precise.
>
> --
>
> Joost Schuttelaar
> The Hague, NL
>
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140912/e820ed15/attachment.html>

From andrewtarpinian at gmail.com  Sat Sep 13 00:01:09 2014
From: andrewtarpinian at gmail.com (Andrew Tarpinian)
Date: Fri, 12 Sep 2014 18:01:09 -0400
Subject: My New Monitors: Equator D8
In-Reply-To: <CAMbtJi7JUX1DYggG7i4J8uohSShHFgL-31odzkpe6+JSo8RBpQ@mail.gmail.com>
References: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
 <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>
 <CAMbtJi7JUX1DYggG7i4J8uohSShHFgL-31odzkpe6+JSo8RBpQ@mail.gmail.com>
Message-ID: <67274A4F-4C90-4A2D-B4D4-40ADFC67EC1E@gmail.com>

I think they are hard to get outside the US. 

But yea they are great, I got them instead of smaller genelecs that were twice the price. 

> On Sep 12, 2014, at 5:17 PM, deeplfo <deeplfo at gmail.com> wrote:
> 
> I'm telling you, you guys have to try the D8.  Amazing delivery for price.  Don't get the D5s or the Q range.  For any average ("bedroom") studio, the D8 are freaking GAME CHANGER.
> 
> mohsen
> 
>> On Fri, Sep 12, 2014 at 1:31 PM, Joost Schuttelaar <joost at joostschuttelaar.nl> wrote:
>> On 12 sep. 2014, at 21:45, deeplfo <deeplfo at gmail.com> wrote:
>> 
>> > So, one of the things that bugged me about the Adam's were that I felt it operated a bit too hot; it didn't take much output from my end to drive these guys.  And now comes the D8s, woowowow....these things sound so amazingly good, it's unreal the difference.  And here I was thinking highly of the Adams, but testing them side by side totally made it clear how studio monitors should sound.  D8 are truly amazing.  It has made a whole world of difference and am going to share some sounds hopefully soon.
>> 
>> Interesting... I'm having these Tannoy Active Reveals now since... March 2003. They still work quite well, but perhaps my ears are up for something fresh. Interested in seeing that they use a DSP to separate the bands... something that has bugged me always, such a simple circuit for something that should be tuned quite precise.
>> 
>> --
>> 
>> Joost Schuttelaar
>> The Hague, NL
>> 
>> _______________________________________________
>> music-bar mailing list
>> music-bar at lists.music-bar.org
>> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
> 
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140912/37a51b24/attachment.html>

From ibisum at gmail.com  Sat Sep 13 01:20:58 2014
From: ibisum at gmail.com (Ibi Sum)
Date: Sat, 13 Sep 2014 01:20:58 +0200
Subject: My New Monitors: Equator D8
In-Reply-To: <67274A4F-4C90-4A2D-B4D4-40ADFC67EC1E@gmail.com>
References: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
 <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>
 <CAMbtJi7JUX1DYggG7i4J8uohSShHFgL-31odzkpe6+JSo8RBpQ@mail.gmail.com>
 <67274A4F-4C90-4A2D-B4D4-40ADFC67EC1E@gmail.com>
Message-ID: <E4FD6F14-D826-45FE-8054-AF96DD6ED769@gmail.com>

How so a game changer though? I'm finding my genelecs to be thoroughly amazing even still today.  Are the D8's giving you a feature, or some dynamic, that assists the process of mastering for  a broad spectrum? These are mastering, not listening, speakers right?

;
--
seclorum 

> On Sep 13, 2014, at 0:01, Andrew Tarpinian <andrewtarpinian at gmail.com> wrote:
> 
> I think they are hard to get outside the US. 
> 
> But yea they are great, I got them instead of smaller genelecs that were twice the price. 
> 
>> On Sep 12, 2014, at 5:17 PM, deeplfo <deeplfo at gmail.com> wrote:
>> 
>> I'm telling you, you guys have to try the D8.  Amazing delivery for price.  Don't get the D5s or the Q range.  For any average ("bedroom") studio, the D8 are freaking GAME CHANGER.
>> 
>> mohsen
>> 
>>> On Fri, Sep 12, 2014 at 1:31 PM, Joost Schuttelaar <joost at joostschuttelaar.nl> wrote:
>>> On 12 sep. 2014, at 21:45, deeplfo <deeplfo at gmail.com> wrote:
>>> 
>>> > So, one of the things that bugged me about the Adam's were that I felt it operated a bit too hot; it didn't take much output from my end to drive these guys.  And now comes the D8s, woowowow....these things sound so amazingly good, it's unreal the difference.  And here I was thinking highly of the Adams, but testing them side by side totally made it clear how studio monitors should sound.  D8 are truly amazing.  It has made a whole world of difference and am going to share some sounds hopefully soon.
>>> 
>>> Interesting... I'm having these Tannoy Active Reveals now since... March 2003. They still work quite well, but perhaps my ears are up for something fresh. Interested in seeing that they use a DSP to separate the bands... something that has bugged me always, such a simple circuit for something that should be tuned quite precise.
>>> 
>>> --
>>> 
>>> Joost Schuttelaar
>>> The Hague, NL
>>> 
>>> _______________________________________________
>>> music-bar mailing list
>>> music-bar at lists.music-bar.org
>>> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
>> 
>> _______________________________________________
>> music-bar mailing list
>> music-bar at lists.music-bar.org
>> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140913/908b6611/attachment-0001.html>

From andrewtarpinian at gmail.com  Sat Sep 13 02:02:02 2014
From: andrewtarpinian at gmail.com (Andrew Tarpinian)
Date: Fri, 12 Sep 2014 20:02:02 -0400
Subject: My New Monitors: Equator D8
In-Reply-To: <E4FD6F14-D826-45FE-8054-AF96DD6ED769@gmail.com>
References: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
 <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>
 <CAMbtJi7JUX1DYggG7i4J8uohSShHFgL-31odzkpe6+JSo8RBpQ@mail.gmail.com>
 <67274A4F-4C90-4A2D-B4D4-40ADFC67EC1E@gmail.com>
 <E4FD6F14-D826-45FE-8054-AF96DD6ED769@gmail.com>
Message-ID: <4A336542-7170-4E59-B167-D1D6478A70F3@gmail.com>

Yea mixing/mastering. You get that next level omg reference type speaker clarity and stereo imaging along with a bigger speaker and wider freq range for the price.

They sell mostly direct, have a coaxial design and are made in China, so that's part of the cost savings.

> On Sep 12, 2014, at 7:20 PM, Ibi Sum <ibisum at gmail.com> wrote:
> 
> How so a game changer though? I'm finding my genelecs to be thoroughly amazing even still today.  Are the D8's giving you a feature, or some dynamic, that assists the process of mastering for  a broad spectrum? These are mastering, not listening, speakers right?
> 
> ;
> --
> seclorum 
> 
>> On Sep 13, 2014, at 0:01, Andrew Tarpinian <andrewtarpinian at gmail.com> wrote:
>> 
>> I think they are hard to get outside the US. 
>> 
>> But yea they are great, I got them instead of smaller genelecs that were twice the price. 
>> 
>>> On Sep 12, 2014, at 5:17 PM, deeplfo <deeplfo at gmail.com> wrote:
>>> 
>>> I'm telling you, you guys have to try the D8.  Amazing delivery for price.  Don't get the D5s or the Q range.  For any average ("bedroom") studio, the D8 are freaking GAME CHANGER.
>>> 
>>> mohsen
>>> 
>>>> On Fri, Sep 12, 2014 at 1:31 PM, Joost Schuttelaar <joost at joostschuttelaar.nl> wrote:
>>>> On 12 sep. 2014, at 21:45, deeplfo <deeplfo at gmail.com> wrote:
>>>> 
>>>> > So, one of the things that bugged me about the Adam's were that I felt it operated a bit too hot; it didn't take much output from my end to drive these guys.  And now comes the D8s, woowowow....these things sound so amazingly good, it's unreal the difference.  And here I was thinking highly of the Adams, but testing them side by side totally made it clear how studio monitors should sound.  D8 are truly amazing.  It has made a whole world of difference and am going to share some sounds hopefully soon.
>>>> 
>>>> Interesting... I'm having these Tannoy Active Reveals now since... March 2003. They still work quite well, but perhaps my ears are up for something fresh. Interested in seeing that they use a DSP to separate the bands... something that has bugged me always, such a simple circuit for something that should be tuned quite precise.
>>>> 
>>>> --
>>>> 
>>>> Joost Schuttelaar
>>>> The Hague, NL
>>>> 
>>>> _______________________________________________
>>>> music-bar mailing list
>>>> music-bar at lists.music-bar.org
>>>> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
>>> 
>>> _______________________________________________
>>> music-bar mailing list
>>> music-bar at lists.music-bar.org
>>> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
>> _______________________________________________
>> music-bar mailing list
>> music-bar at lists.music-bar.org
>> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140912/ac69557b/attachment.html>

From andrewtarpinian at gmail.com  Sat Sep 13 02:20:08 2014
From: andrewtarpinian at gmail.com (Andrew Tarpinian)
Date: Fri, 12 Sep 2014 20:20:08 -0400
Subject: My New Monitors: Equator D8
In-Reply-To: <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>
References: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
 <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>
Message-ID: <FC6141DC-0D03-45DB-B945-7D786C218477@gmail.com>


> On Sep 12, 2014, at 4:31 PM, Joost Schuttelaar <joost at joostschuttelaar.nl> wrote:
>>   Interested in seeing that they use a DSP to separate the bands... something that has bugged me always, such a simple circuit for something that should be tuned quite precise.

As a good or a bad thing?

I have a feeling they are doing this to save money in manufacturing. Meaning individual parts don't have to be as precise to keep a consistent sound from speaker to speaker. They just tune each one in software if anything is off. 

I certainly don't know that for sure, just my cynical mind :)

What's cool is in their Q range, (some genelec and others do this too) is the dsp auto tunes to your room.

From andrewtarpinian at gmail.com  Sat Sep 13 02:31:06 2014
From: andrewtarpinian at gmail.com (Andrew Tarpinian)
Date: Fri, 12 Sep 2014 20:31:06 -0400
Subject: My New Monitors: Equator D8
In-Reply-To: <CAMbtJi7JUX1DYggG7i4J8uohSShHFgL-31odzkpe6+JSo8RBpQ@mail.gmail.com>
References: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
 <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>
 <CAMbtJi7JUX1DYggG7i4J8uohSShHFgL-31odzkpe6+JSo8RBpQ@mail.gmail.com>
Message-ID: <733D16E6-83EB-4524-837E-FD16EB63A8B4@gmail.com>

Also random, but these two tracks sound flipping awesome on these speakers. 

Overwerk - Daybreak
Feed Me - Orion (that drop)

Flat reference speakers can really make good listening speakers with properly mixed stuff. 

> On Sep 12, 2014, at 5:17 PM, deeplfo <deeplfo at gmail.com> wrote:
> 
> I'm telling you, you guys have to try the D8.  Amazing delivery for price.  Don't get the D5s or the Q range.  For any average ("bedroom") studio, the D8 are freaking GAME CHANGER.
> 
> mohsen
> 
>> On Fri, Sep 12, 2014 at 1:31 PM, Joost Schuttelaar <joost at joostschuttelaar.nl> wrote:
>> On 12 sep. 2014, at 21:45, deeplfo <deeplfo at gmail.com> wrote:
>> 
>> > So, one of the things that bugged me about the Adam's were that I felt it operated a bit too hot; it didn't take much output from my end to drive these guys.  And now comes the D8s, woowowow....these things sound so amazingly good, it's unreal the difference.  And here I was thinking highly of the Adams, but testing them side by side totally made it clear how studio monitors should sound.  D8 are truly amazing.  It has made a whole world of difference and am going to share some sounds hopefully soon.
>> 
>> Interesting... I'm having these Tannoy Active Reveals now since... March 2003. They still work quite well, but perhaps my ears are up for something fresh. Interested in seeing that they use a DSP to separate the bands... something that has bugged me always, such a simple circuit for something that should be tuned quite precise.
>> 
>> --
>> 
>> Joost Schuttelaar
>> The Hague, NL
>> 
>> _______________________________________________
>> music-bar mailing list
>> music-bar at lists.music-bar.org
>> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
> 
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140912/96308d78/attachment.html>

From kai at kainiggemann.com  Sat Sep 13 03:57:15 2014
From: kai at kainiggemann.com (K9 Kai Niggemann)
Date: Sat, 13 Sep 2014 03:57:15 +0200
Subject: Favour - any German speakers with a microphone?
In-Reply-To: <008301cfcc6d$e081d3a0$a1857ae0$@punkdisco.co.uk>
References: <04c201cfcaa5$bb661dc0$32325940$@punkdisco.co.uk>
 <05AD1398-E786-49F1-A1F2-162F300A90F3@waf80.de>
 <04fb01cfcab5$22e24820$68a6d860$@punkdisco.co.uk>
 <E9DC17A4-4A27-4E35-A50D-0B4192B0861E@kainiggemann.com>
 <008301cfcc6d$e081d3a0$a1857ae0$@punkdisco.co.uk>
Message-ID: <1A71B9EC-65BB-4E8E-84DA-9B8B8FC95AB0@kainiggemann.com>

your welcome Paul. can't wait to hear how this track turns out. I personally think (but that's just the German in me) that using "drei Deutsche Mark drei?ig" just once is fine, then you might want to use the other one. But in the end it doesn't really matter -- some of the best songs from UK groups use German in a way that's memorably but not correct..;)

I was hoping you'd laugh about the more lascivious versions..;)

all the best
Kai



On 09.09.2014, at 22:37, foRUMS 4 punkdISCO <forums at punkdisco.co.uk> wrote:

> Hey Kai - Back at ya!!
> 
> Hey Kai - this is awesome..  So awesome in fact, I have sent the bar a track
> at the 20% mark.  Ive sent stuff at the 80% mark before but never this rough
> :)
> 
> There is no structure or anything - I cut out 1 minute of silence in Sound
> Forge.
> 
> https://soundcloud.com/punkdisco/i-want-to-be-a-german-boy/s-qNXeH
> 
> Kai (rock n'roll singer) comes in at 1:20 in the chorus.
> 
> Btw, Kai does two variations:
> 
> 1)	"Dry Mark dry-cig, bittuh."
> 2)	"Dry Deutsche Mark dry-cig, bittuh."
> 
> I prefer #2 even if it is less correct; it sound more German..  Any
> thoughts?
> 
> Btw, Kai sent some funny versions where he goes "full on" German.  We both
> laughed a lot when we heard those so thank you :)  I also left in one of his
> sexy versions at the end..
> 
> Paul
> London
> www.punkdisco.co.uk
> 
>> -----Original Message-----
>> From: K9 Kai Niggemann [mailto:kai at kainiggemann.com]
>> Sent: 09 September 2014 16:25
>> To: Music bar
>> Subject: Re: Favour - any German speakers with a microphone?
>> 
>> I sent you a recording with wetransfer -- should be there in about 20
>> minutes...;-)
>> 
> 
> 
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar

-------------- next part --------------
A non-text attachment was scrubbed...
Name: signature.asc
Type: application/pgp-signature
Size: 841 bytes
Desc: Message signed with OpenPGP using GPGMail
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140913/9f61f996/attachment.pgp>

From forums at punkdisco.co.uk  Sat Sep 13 09:53:38 2014
From: forums at punkdisco.co.uk (foRUMS 4 punkdISCO)
Date: Sat, 13 Sep 2014 08:53:38 +0100
Subject: My New Monitors: Equator D8
In-Reply-To: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
References: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
Message-ID: <006d01cfcf27$d6c7db90$845792b0$@punkdisco.co.uk>

Good one, Mohsen

 

SoS loves your D8s ? SoS is always my first stop for monitor reviews:

 

http://www.soundonsound.com/sos/jan14/articles/equator-d8.htm

 

PS: feel free to send some pictures :)

 

Paul

London

www.punkdisco.co.uk

 

From: deeplfo [mailto:deeplfo at gmail.com] 
Sent: 12 September 2014 20:46
To: Music-bar
Subject: My New Monitors: Equator D8

 

So, I was getting a bit tired of the way my Adam-7s were sounding, especially when one of them starting to sound a bit on it's death bed.  Did a bit of searching and decided to get the Equator Audio's D8.

So, one of the things that bugged me about the Adam's were that I felt it operated a bit too hot; it didn't take much output from my end to drive these guys.  And now comes the D8s, woowowow....these things sound so amazingly good, it's unreal the difference.  And here I was thinking highly of the Adams, but testing them side by side totally made it clear how studio monitors should sound.  D8 are truly amazing.  It has made a whole world of difference and am going to share some sounds hopefully soon.

Mohsen

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140913/52cc20e8/attachment-0001.html>

From forums at punkdisco.co.uk  Sat Sep 13 10:02:17 2014
From: forums at punkdisco.co.uk (foRUMS 4 punkdISCO)
Date: Sat, 13 Sep 2014 09:02:17 +0100
Subject: My New Monitors: Equator D8
In-Reply-To: <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>
References: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
 <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>
Message-ID: <008a01cfcf29$0c070870$24151950$@punkdisco.co.uk>

Hey Joost

> Interesting... I'm having these Tannoy Active Reveals now since... March
> 2003. They still work quite well, but perhaps my ears are up for something
> fresh. Interested in seeing that they use a DSP to separate the bands...
> something that has bugged me always, such a simple circuit for something
> that should be tuned quite precise.

I know it is often said but, the most important thing about monitors is to
know them well.  Look at how many people spend their whole mixing career
using NS10s..  So, if you like the Reveals, keep using them..

Saying this, if you want to upgrade and can afford it, that's cool..

Paul
London
www.punkdisco.co.uk


From canine at waf80.de  Sat Sep 13 10:49:41 2014
From: canine at waf80.de (K9 Kai Niggemann)
Date: Sat, 13 Sep 2014 10:49:41 +0200
Subject: My New Monitors: Equator D8
In-Reply-To: <008a01cfcf29$0c070870$24151950$@punkdisco.co.uk>
References: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
 <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>
 <008a01cfcf29$0c070870$24151950$@punkdisco.co.uk>
Message-ID: <652A1D43-5150-4A45-8C15-24A7B755D5BB@waf80.de>

I must admit that I don't really like what I'm reading about them. Manufactured in china, with a dsp to make the sound better and to make them cheaper than, say,  Genelecs?

Sounds a bit like a copycat business. But that's just my first impression...

From andrewtarpinian at gmail.com  Sat Sep 13 11:41:12 2014
From: andrewtarpinian at gmail.com (Andrew Tarpinian)
Date: Sat, 13 Sep 2014 05:41:12 -0400
Subject: My New Monitors: Equator D8
In-Reply-To: <652A1D43-5150-4A45-8C15-24A7B755D5BB@waf80.de>
References: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
 <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>
 <008a01cfcf29$0c070870$24151950$@punkdisco.co.uk>
 <652A1D43-5150-4A45-8C15-24A7B755D5BB@waf80.de>
Message-ID: <FF1760C5-3115-4928-8D63-F583EB47C0B4@gmail.com>

Certainly did not mean to make them sound bad, they are not behringer. 

Their design is different than pretty much every other monitor on the market and I would say most monitors are built in China now, mackie, krk etc... So hardly a shady tactic and not a copycat. I wish everything could be built in the country it was designed but, well...

The dsp thing is a guess and really does it matter if it sounds good? A lot of high end monitors contain dsp. 

If anything genelecs seem way over priced to me, like they're the ones taking the piss out of us. Maybe that's really what it costs to make them? Or brand name profit?

> On Sep 13, 2014, at 4:49 AM, K9 Kai Niggemann <canine at waf80.de> wrote:
> 
> I must admit that I don't really like what I'm reading about them. Manufactured in china, with a dsp to make the sound better and to make them cheaper than, say,  Genelecs?
> 
> Sounds a bit like a copycat business. But that's just my first impression...
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar

From nigel at 4trak.net  Sat Sep 13 20:11:46 2014
From: nigel at 4trak.net (Nigel Kersten)
Date: Sat, 13 Sep 2014 11:11:46 -0700
Subject: My New Monitors: Equator D8
In-Reply-To: <FF1760C5-3115-4928-8D63-F583EB47C0B4@gmail.com>
References: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
 <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>
 <008a01cfcf29$0c070870$24151950$@punkdisco.co.uk>
 <652A1D43-5150-4A45-8C15-24A7B755D5BB@waf80.de>
 <FF1760C5-3115-4928-8D63-F583EB47C0B4@gmail.com>
Message-ID: <CAA7dtZL2AW8d0zTQvdjHHw2-uNoSpKaiEUnCmLHif3cDjd7xdw@mail.gmail.com>

Mohsen, have you mixed anything on them yet? I always find there's that
weird period with new monitors where you don't really know how good they
are for production until you've done a couple of mixes.

I was in a huge hurry to get some decent monitors so broke just about every
rule in my personal book by not researching the hell out of it and just
picked up a pair of PreSonus Eris E5s for US$250.

I'm definitely still the limiting factor in producing good mixes on my rig
:)

On Sat, Sep 13, 2014 at 2:41 AM, Andrew Tarpinian <andrewtarpinian at gmail.com
> wrote:

> Certainly did not mean to make them sound bad, they are not behringer.
>
> Their design is different than pretty much every other monitor on the
> market and I would say most monitors are built in China now, mackie, krk
> etc... So hardly a shady tactic and not a copycat. I wish everything could
> be built in the country it was designed but, well...
>
> The dsp thing is a guess and really does it matter if it sounds good? A
> lot of high end monitors contain dsp.
>
> If anything genelecs seem way over priced to me, like they're the ones
> taking the piss out of us. Maybe that's really what it costs to make them?
> Or brand name profit?
>
> > On Sep 13, 2014, at 4:49 AM, K9 Kai Niggemann <canine at waf80.de> wrote:
> >
> > I must admit that I don't really like what I'm reading about them.
> Manufactured in china, with a dsp to make the sound better and to make them
> cheaper than, say,  Genelecs?
> >
> > Sounds a bit like a copycat business. But that's just my first
> impression...
> > _______________________________________________
> > music-bar mailing list
> > music-bar at lists.music-bar.org
> > http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140913/2c64f03e/attachment.html>

From deeplfo at gmail.com  Sat Sep 13 21:00:02 2014
From: deeplfo at gmail.com (deeplfo)
Date: Sat, 13 Sep 2014 12:00:02 -0700
Subject: My New Monitors: Equator D8
In-Reply-To: <CAA7dtZL2AW8d0zTQvdjHHw2-uNoSpKaiEUnCmLHif3cDjd7xdw@mail.gmail.com>
References: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
 <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>
 <008a01cfcf29$0c070870$24151950$@punkdisco.co.uk>
 <652A1D43-5150-4A45-8C15-24A7B755D5BB@waf80.de>
 <FF1760C5-3115-4928-8D63-F583EB47C0B4@gmail.com>
 <CAA7dtZL2AW8d0zTQvdjHHw2-uNoSpKaiEUnCmLHif3cDjd7xdw@mail.gmail.com>
Message-ID: <CAMbtJi4UEhGH-FHA6+Ac6EAn9DHvnO4Okbnts6yut2zKc+4cTg@mail.gmail.com>

I have actually started mixing on them.  The one thing that was sooo
noticeable with the D8s was that I heard the same clarity when I pumped up
the volumes, or when playing at very low volumes.  Superbly clean.
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140913/3abd2f39/attachment.html>

From deeplfo at gmail.com  Sat Sep 13 22:19:12 2014
From: deeplfo at gmail.com (deeplfo)
Date: Sat, 13 Sep 2014 13:19:12 -0700
Subject: My New Monitors: Equator D8
In-Reply-To: <CAMbtJi4UEhGH-FHA6+Ac6EAn9DHvnO4Okbnts6yut2zKc+4cTg@mail.gmail.com>
References: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
 <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>
 <008a01cfcf29$0c070870$24151950$@punkdisco.co.uk>
 <652A1D43-5150-4A45-8C15-24A7B755D5BB@waf80.de>
 <FF1760C5-3115-4928-8D63-F583EB47C0B4@gmail.com>
 <CAA7dtZL2AW8d0zTQvdjHHw2-uNoSpKaiEUnCmLHif3cDjd7xdw@mail.gmail.com>
 <CAMbtJi4UEhGH-FHA6+Ac6EAn9DHvnO4Okbnts6yut2zKc+4cTg@mail.gmail.com>
Message-ID: <CAMbtJi6hnoiRvhQ--0JVOtQ3wUtaHmeyebrfqQeiqdfm+jzMkg@mail.gmail.com>

Actually I forgot another important distinction, with the D8s I can hear so
much more of the effects of two important processing items: a compressor
and equalizer.  It's so nice to be able to detect the minute changes in the
controls be so clearly audible from the speakers.  Outstanding.

Mohsen

On Sat, Sep 13, 2014 at 12:00 PM, deeplfo <deeplfo at gmail.com> wrote:

> I have actually started mixing on them.  The one thing that was sooo
> noticeable with the D8s was that I heard the same clarity when I pumped up
> the volumes, or when playing at very low volumes.  Superbly clean.
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140913/ffb5c12b/attachment.html>

From peter at severity-one.com  Sun Sep 14 01:11:22 2014
From: peter at severity-one.com (Peter Korsten)
Date: Sun, 14 Sep 2014 01:11:22 +0200
Subject: London micro-meet
In-Reply-To: <540C974E.5010602@entity.net>
References: <CAML7JVG9djaDkJRJQLveCFe-T6eCSagcAy0CnRu3MRAj6wUcHw@mail.gmail.com>
 <CAML7JVFP6qxJsk0PEEBEg4ZPF+-Bf+ooV2oF9T=vMY-+-QaO1w@mail.gmail.com>
 <CAML7JVGGL8SnZqzDWu4BTfdQWNG9TDWcX7xm=OTd70bt5xVwOQ@mail.gmail.com>
 <CAML7JVG_0AM+ynf-Y4hD9pfKD6+jpNvDJ7dUQigosr2seXqNGg@mail.gmail.com>
 <20140901215639.964C8B23DC@joostschuttelaar.xlshosting.com>
 <5404F1D3.3060507@entity.net> <540A530C.3000106@severity-one.com>
 <019901cfca75$83a35ea0$8aea1be0$@punkdisco.co.uk>
 <540C974E.5010602@entity.net>
Message-ID: <5414CF1A.1030808@severity-one.com>

Tony Hardie-Bick schreef op 7-9-2014 19:35:

> On 07/09/14 09:27, foRUMS 4 punkdISCO wrote:
>> Flip Peter - just read this..  Not a great way to spend you holiday..
>>
>> Really hope Yana made a speedy recovery and all is on the way to getting
>> better..
> wow - yeah - i hope yana gets better soon.

Just a quick update then. We went to see a specialist (friend of her 
brother's) the day after we arrived, had an MRI scan on Tuesday (private 
insurance, otherwise it would have taken ages) and went to see the 
specialist again on Thursday. Today she had the first physiotherapy 
(best friend of her brothers; you're probably noticing a trend here).

It's a small tear in her cartilage, so things could have been worse. 
She's no longer using the crutches (or "clutches", as our  son calls 
them), but going up and down the stairs is still too ambitious.

Another disadvantage is that I'm forced to drive her in her own car, a 
rather crappy 10 year old Renault Clio diesel, instead of my own, 
smooth, 1 year old but unfortunately rather low Open Astra GTC turbo 
petrol. We all have to make sacrifices. ;-)

Our son has proven himself an excellent little boy, helping Mummy, 
chopping up vegetables, and so on.

So all in all, things could have been better, but they could have been a 
lot worse as well.

- Peter

From seclorum at mac.com  Sun Sep 14 11:31:55 2014
From: seclorum at mac.com (Jay Vaughan)
Date: Sun, 14 Sep 2014 11:31:55 +0200
Subject: My New Monitors: Equator D8
In-Reply-To: <CAMbtJi6hnoiRvhQ--0JVOtQ3wUtaHmeyebrfqQeiqdfm+jzMkg@mail.gmail.com>
References: <CAMbtJi7aSaK+vaHeSD385R-BDcdDJDa3kAB9U71XviOA_xr94g@mail.gmail.com>
 <AA2028EB-B5EE-4F12-B310-0E4CAE850930@joostschuttelaar.nl>
 <008a01cfcf29$0c070870$24151950$@punkdisco.co.uk>
 <652A1D43-5150-4A45-8C15-24A7B755D5BB@waf80.de>
 <FF1760C5-3115-4928-8D63-F583EB47C0B4@gmail.com>
 <CAA7dtZL2AW8d0zTQvdjHHw2-uNoSpKaiEUnCmLHif3cDjd7xdw@mail.gmail.com>
 <CAMbtJi4UEhGH-FHA6+Ac6EAn9DHvnO4Okbnts6yut2zKc+4cTg@mail.gmail.com>
 <CAMbtJi6hnoiRvhQ--0JVOtQ3wUtaHmeyebrfqQeiqdfm+jzMkg@mail.gmail.com>
Message-ID: <34E59695-3769-4D1C-8726-4888836D2C6A@mac.com>

> Actually I forgot another important distinction, with the D8s I can hear so much more of the effects of two important processing items: a compressor and equalizer.  It's so nice to be able to detect the minute changes in the controls be so clearly audible from the speakers.  Outstanding.


I for one welcome your new monitor overlords and would like to remind them that, as an eager fan of everyone on this list, I?m in the perfect position to be a recipient of new mixes when they?re ready.  I?ll let you know what your mixes sound like, as a devoted servant, on the following: Genelec 8040?s, Grado headphones, cheapo USB-powered mini-crap speakers, and whatever it is in the car .. for, after all, that is the purpose of reference speakers - to give you a stable environment to mix, and then understand in relation to all the other shitty speakers on which your musical masterpieces will be subjected for perception.

j.


From forums at punkdisco.co.uk  Sun Sep 14 15:23:53 2014
From: forums at punkdisco.co.uk (punkdISCO)
Date: Sun, 14 Sep 2014 14:23:53 +0100
Subject: London micro-meet
In-Reply-To: <5414CF1A.1030808@severity-one.com>
References: <CAML7JVG9djaDkJRJQLveCFe-T6eCSagcAy0CnRu3MRAj6wUcHw@mail.gmail.com>
 <CAML7JVFP6qxJsk0PEEBEg4ZPF+-Bf+ooV2oF9T=vMY-+-QaO1w@mail.gmail.com>
 <CAML7JVGGL8SnZqzDWu4BTfdQWNG9TDWcX7xm=OTd70bt5xVwOQ@mail.gmail.com>
 <CAML7JVG_0AM+ynf-Y4hD9pfKD6+jpNvDJ7dUQigosr2seXqNGg@mail.gmail.com>
 <20140901215639.964C8B23DC@joostschuttelaar.xlshosting.com>
 <5404F1D3.3060507@entity.net> <540A530C.3000106@severity-one.com>
 <019901cfca75$83a35ea0$8aea1be0$@punkdisco.co.uk>
 <540C974E.5010602@entity.net> <5414CF1A.1030808@severity-one.com>
Message-ID: <mailman.19.1410700789.960.music-bar@lists.music-bar.org>

Nice progress, Peter. Send our regards.

Paul
London
www.punkdisco.co.uk

-----Original Message-----
From: "Peter Korsten" <peter at severity-one.com>
Sent: ?14/?09/?2014 00:11
To: "Music-bar" <music-bar at lists.music-bar.org>
Subject: Re: London micro-meet

Tony Hardie-Bick schreef op 7-9-2014 19:35:

> On 07/09/14 09:27, foRUMS 4 punkdISCO wrote:
>> Flip Peter - just read this..  Not a great way to spend you holiday..
>>
>> Really hope Yana made a speedy recovery and all is on the way to getting
>> better..
> wow - yeah - i hope yana gets better soon.

Just a quick update then. We went to see a specialist (friend of her 
brother's) the day after we arrived, had an MRI scan on Tuesday (private 
insurance, otherwise it would have taken ages) and went to see the 
specialist again on Thursday. Today she had the first physiotherapy 
(best friend of her brothers; you're probably noticing a trend here).

It's a small tear in her cartilage, so things could have been worse. 
She's no longer using the crutches (or "clutches", as our  son calls 
them), but going up and down the stairs is still too ambitious.

Another disadvantage is that I'm forced to drive her in her own car, a 
rather crappy 10 year old Renault Clio diesel, instead of my own, 
smooth, 1 year old but unfortunately rather low Open Astra GTC turbo 
petrol. We all have to make sacrifices. ;-)

Our son has proven himself an excellent little boy, helping Mummy, 
chopping up vegetables, and so on.

So all in all, things could have been better, but they could have been a 
lot worse as well.

- Peter
_______________________________________________
music-bar mailing list
music-bar at lists.music-bar.org
http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140914/a284d20d/attachment.html>

From tony at entity.net  Mon Sep 15 21:14:55 2014
From: tony at entity.net (Tony Hardie-Bick)
Date: Mon, 15 Sep 2014 20:14:55 +0100
Subject: London micro-meet
In-Reply-To: <20140914131949.ABBEBB23DC@joostschuttelaar.xlshosting.com>
References: <CAML7JVG9djaDkJRJQLveCFe-T6eCSagcAy0CnRu3MRAj6wUcHw@mail.gmail.com>
 <CAML7JVFP6qxJsk0PEEBEg4ZPF+-Bf+ooV2oF9T=vMY-+-QaO1w@mail.gmail.com>
 <CAML7JVGGL8SnZqzDWu4BTfdQWNG9TDWcX7xm=OTd70bt5xVwOQ@mail.gmail.com>
 <CAML7JVG_0AM+ynf-Y4hD9pfKD6+jpNvDJ7dUQigosr2seXqNGg@mail.gmail.com>
 <20140901215639.964C8B23DC@joostschuttelaar.xlshosting.com>
 <5404F1D3.3060507@entity.net> <540A530C.3000106@severity-one.com>
 <019901cfca75$83a35ea0$8aea1be0$@punkdisco.co.uk>
 <540C974E.5010602@entity.net> <5414CF1A.1030808@severity-one.com>
 <20140914131949.ABBEBB23DC@joostschuttelaar.xlshosting.com>
Message-ID: <54173AAF.1000504@entity.net>

On 14/09/14 14:23, punkdISCO wrote:
> Nice progress, Peter. Send our regards.

yup, same here!

t.

From deeplfo at gmail.com  Thu Sep 18 09:52:38 2014
From: deeplfo at gmail.com (deeplfo)
Date: Thu, 18 Sep 2014 00:52:38 -0700
Subject: For Jay: First Track Mixed on Equator D8s
Message-ID: <CAMbtJi5NnJUm8cdXOFn+T7s1JBhEBhpSt3u+feob+aLTj3HVAw@mail.gmail.com>

Here you go:

https://soundcloud.com/deeplfo/indeed-eat


cheers,
mohsen
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140918/e83b76f6/attachment.html>

From deeplfo at gmail.com  Thu Sep 18 10:06:52 2014
From: deeplfo at gmail.com (deeplfo)
Date: Thu, 18 Sep 2014 01:06:52 -0700
Subject: For Jay: First Track Mixed on Equator D8s
In-Reply-To: <CAMbtJi5NnJUm8cdXOFn+T7s1JBhEBhpSt3u+feob+aLTj3HVAw@mail.gmail.com>
References: <CAMbtJi5NnJUm8cdXOFn+T7s1JBhEBhpSt3u+feob+aLTj3HVAw@mail.gmail.com>
Message-ID: <CAMbtJi55JP5+bAHddGyki0tGtDi4iOn7z6BVTcNsA25CnJz6TQ@mail.gmail.com>

...caution: It plays a bit hard ..... :-)



On Thu, Sep 18, 2014 at 12:52 AM, deeplfo <deeplfo at gmail.com> wrote:

> Here you go:
>
> https://soundcloud.com/deeplfo/indeed-eat
>
>
> cheers,
> mohsen
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140918/b986e4dc/attachment.html>

From xtechcode at gmail.com  Thu Sep 18 13:56:57 2014
From: xtechcode at gmail.com (Rom MUSIC BAR)
Date: Thu, 18 Sep 2014 13:56:57 +0200
Subject: Moog sub 37 Sounds
Message-ID: <F8BE8D98-BC2F-476F-9688-2672C5020C98@gmail.com>

Hi guys,

Just found the Moog Sub37? presets on youtube :)

Curious ? :)

https://www.youtube.com/watch?v=bjdv1w81tUY

Have nice day,

Romain

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140918/5e7b9d9b/attachment.html>

From noisetheorem at outlook.com  Thu Sep 18 14:49:48 2014
From: noisetheorem at outlook.com (Tony Scharf)
Date: Thu, 18 Sep 2014 07:49:48 -0500
Subject: Moog sub 37 Sounds
In-Reply-To: <F8BE8D98-BC2F-476F-9688-2672C5020C98@gmail.com>
References: <F8BE8D98-BC2F-476F-9688-2672C5020C98@gmail.com>
Message-ID: <BAY179-W319A26726607C01F775A4BCEB70@phx.gbl>

I played one at knobcon this weekend and I was really impressed!  It's the first Moog that's done that to me in a while.
Tony

From: xtechcode at gmail.com
Subject: Moog sub 37 Sounds
Date: Thu, 18 Sep 2014 13:56:57 +0200
To: music-bar at lists.music-bar.org

Hi guys,
Just found the Moog Sub37? presets on youtube :)
Curious ? :)
https://www.youtube.com/watch?v=bjdv1w81tUY
Have nice day,
Romain

_______________________________________________
music-bar mailing list
music-bar at lists.music-bar.org
http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar 		 	   		  
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140918/22f03a07/attachment.html>

From forums at punkdisco.co.uk  Fri Sep 19 08:50:30 2014
From: forums at punkdisco.co.uk (punkdISCO)
Date: Fri, 19 Sep 2014 07:50:30 +0100
Subject: Moog sub 37 Sounds
In-Reply-To: <BAY179-W319A26726607C01F775A4BCEB70@phx.gbl>
References: <F8BE8D98-BC2F-476F-9688-2672C5020C98@gmail.com>
 <BAY179-W319A26726607C01F775A4BCEB70@phx.gbl>
Message-ID: <mailman.20.1411109229.960.music-bar@lists.music-bar.org>

I have not played one but it seems to be worlds apart from what Moog have previously done. I could easily imagine owning one but not room and way to many monos already..


Paul
London
www.punkdisco.co.uk

-----Original Message-----
From: "Tony Scharf" <noisetheorem at outlook.com>
Sent: ?18/?09/?2014 13:50
To: "Music-bar" <music-bar at lists.music-bar.org>
Subject: RE: Moog sub 37 Sounds

I played one at knobcon this weekend and I was really impressed!  It's the first Moog that's done that to me in a while.


Tony




From: xtechcode at gmail.com
Subject: Moog sub 37 Sounds
Date: Thu, 18 Sep 2014 13:56:57 +0200
To: music-bar at lists.music-bar.org

Hi guys,


Just found the Moog Sub37? presets on youtube :)


Curious ? :)


https://www.youtube.com/watch?v=bjdv1w81tUY


Have nice day,


Romain



_______________________________________________ music-bar mailing list music-bar at lists.music-bar.org http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140919/8e72bc03/attachment.html>

From entropymagnet at noisetheorem.com  Fri Sep 19 22:37:06 2014
From: entropymagnet at noisetheorem.com (Tony Scharf)
Date: Fri, 19 Sep 2014 15:37:06 -0500
Subject: Roland TR-8
Message-ID: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>

I played one at KnobCon and immediately caved.   It's waiting for me at home.
Anyone else take the leap?  I was absolutely stunned at how intuitive it was to actually perform with.  You could almost operate it without thinking and it didn't need a manual to master. 
Tony  		 	   		  
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140919/f90681e4/attachment.html>

From ronwest at gmail.com  Fri Sep 19 22:55:03 2014
From: ronwest at gmail.com (Ron West)
Date: Fri, 19 Sep 2014 16:55:03 -0400
Subject: Roland TR-8
In-Reply-To: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>
References: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>
Message-ID: <CAOEgy-JjUv_st0nKhATmnocGP7gvTGUcUc_4Avenh+1JWff-Og@mail.gmail.com>

I recently bought back my 808 from a friend after stupidly selling it. :-)

On Fri, Sep 19, 2014 at 4:37 PM, Tony Scharf
<entropymagnet at noisetheorem.com> wrote:
> I played one at KnobCon and immediately caved.   It's waiting for me at
> home.
>
> Anyone else take the leap?  I was absolutely stunned at how intuitive it was
> to actually perform with.  You could almost operate it without thinking and
> it didn't need a manual to master.
>
> Tony
>
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
>

From canine at waf80.de  Sat Sep 20 02:19:16 2014
From: canine at waf80.de (K9 Kai Niggemann)
Date: Sat, 20 Sep 2014 02:19:16 +0200
Subject: Roland TR-8
In-Reply-To: <CAOEgy-JjUv_st0nKhATmnocGP7gvTGUcUc_4Avenh+1JWff-Og@mail.gmail.com>
References: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>
 <CAOEgy-JjUv_st0nKhATmnocGP7gvTGUcUc_4Avenh+1JWff-Og@mail.gmail.com>
Message-ID: <71CB5E60-52C2-4D60-9AEA-FB93B7194311@waf80.de>

I am very happy with my yocto, especially now that I got a metal case for it. And also the kick decay mod that gives me infinite bass...;-)

Sent from my phone

On 19.09.2014, at 22:55, Ron West <ronwest at gmail.com> wrote:

> I recently bought back my 808 from a friend after stupidly selling it. :-)
> 
> On Fri, Sep 19, 2014 at 4:37 PM, Tony Scharf
> <entropymagnet at noisetheorem.com> wrote:
>> I played one at KnobCon and immediately caved.   It's waiting for me at
>> home.
>> 
>> Anyone else take the leap?  I was absolutely stunned at how intuitive it was
>> to actually perform with.  You could almost operate it without thinking and
>> it didn't need a manual to master.
>> 
>> Tony
>> 
>> _______________________________________________
>> music-bar mailing list
>> music-bar at lists.music-bar.org
>> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar

From forums at punkdisco.co.uk  Sat Sep 20 09:53:38 2014
From: forums at punkdisco.co.uk (foRUMS 4 punkdISCO)
Date: Sat, 20 Sep 2014 08:53:38 +0100
Subject: Roland TR-8
In-Reply-To: <CAOEgy-JjUv_st0nKhATmnocGP7gvTGUcUc_4Avenh+1JWff-Og@mail.gmail.com>
References: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>
 <CAOEgy-JjUv_st0nKhATmnocGP7gvTGUcUc_4Avenh+1JWff-Og@mail.gmail.com>
Message-ID: <050401cfd4a7$ffdc0530$ff940f90$@punkdisco.co.uk>

Hi Ron

> I recently bought back my 808 from a friend after stupidly selling it. :-)

Im glad he agreed to sell it back to you :)  How long did he have it for and
did this little back track cost you more money?

Glad your 808 is back with daddy..

Paul
London
www.punkdisco.co.uk


From forums at punkdisco.co.uk  Sat Sep 20 09:55:46 2014
From: forums at punkdisco.co.uk (foRUMS 4 punkdISCO)
Date: Sat, 20 Sep 2014 08:55:46 +0100
Subject: Roland TR-8
In-Reply-To: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>
References: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>
Message-ID: <050601cfd4a8$4bfe3960$e3faac20$@punkdisco.co.uk>

Hah!!  Good one, Tony..

 

I think I will be tempted IF they bring out more models.  In not really into
stock 808/909 but if they bring out other machines, Im sure it will make it
harder for me to ignore..

 

Let us know once you get it..

 

Paul

London

www.punkdisco.co.uk

 

From: Tony Scharf [mailto:entropymagnet at noisetheorem.com] 
Sent: 19 September 2014 21:37
To: Music-bar
Subject: Roland TR-8

 

I played one at KnobCon and immediately caved.   It's waiting for me at
home.

 

Anyone else take the leap?  I was absolutely stunned at how intuitive it was
to actually perform with.  You could almost operate it without thinking and
it didn't need a manual to master. 

 

Tony 

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140920/9a60454f/attachment.html>

From forums at punkdisco.co.uk  Sat Sep 20 09:57:23 2014
From: forums at punkdisco.co.uk (foRUMS 4 punkdISCO)
Date: Sat, 20 Sep 2014 08:57:23 +0100
Subject: Roland TR-8
In-Reply-To: <71CB5E60-52C2-4D60-9AEA-FB93B7194311@waf80.de>
References: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>
 <CAOEgy-JjUv_st0nKhATmnocGP7gvTGUcUc_4Avenh+1JWff-Og@mail.gmail.com>
 <71CB5E60-52C2-4D60-9AEA-FB93B7194311@waf80.de>
Message-ID: <052001cfd4a8$85bca240$9135e6c0$@punkdisco.co.uk>

Hey Kai

> I am very happy with my yocto, especially now that I got a metal case for
it.
> And also the kick decay mod that gives me infinite bass...;-)

That thing is a beast!!  Just listening to this and sounds pretty good to
me..

http://www.youtube.com/watch?v=9XpZWA6oTr4

Paul
London
www.punkdisco.co.uk


From xtechcode at gmail.com  Sat Sep 20 12:42:37 2014
From: xtechcode at gmail.com (Rom MUSIC BAR)
Date: Sat, 20 Sep 2014 12:42:37 +0200
Subject: Roland TR-8
In-Reply-To: <71CB5E60-52C2-4D60-9AEA-FB93B7194311@waf80.de>
References: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>
 <CAOEgy-JjUv_st0nKhATmnocGP7gvTGUcUc_4Avenh+1JWff-Og@mail.gmail.com>
 <71CB5E60-52C2-4D60-9AEA-FB93B7194311@waf80.de>
Message-ID: <170E64D3-8FE4-46C8-92C7-EF8035C76A89@gmail.com>

I tried one Tr8  few month ago and i wasn t convince... 
I like very much all the blinking lights, the Scatter fx is fun too ? in another hand there are couple of stuff missing imo :
"no save button, can t copy pattern between A and B, can t record interment in play mode,  etc ?
Also I was bored very quickly by the TB3  ?  


So I read Kai finished to mount his yocto ? Do you have a small demo Kai ? :)

Noone tried by any chance the Akai Wolf yet ?


On 20 Sep 2014, at 02:19, K9 Kai Niggemann <canine at waf80.de> wrote:

> yocto

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140920/1f635219/attachment.html>

From xtechcode at gmail.com  Sat Sep 20 12:48:30 2014
From: xtechcode at gmail.com (Rom MUSIC BAR)
Date: Sat, 20 Sep 2014 12:48:30 +0200
Subject: Moog sub 37 Sounds
In-Reply-To: <BAY179-W319A26726607C01F775A4BCEB70@phx.gbl>
References: <F8BE8D98-BC2F-476F-9688-2672C5020C98@gmail.com>
 <BAY179-W319A26726607C01F775A4BCEB70@phx.gbl>
Message-ID: <18EA2174-CB40-4942-BC0B-93F294F4FF98@gmail.com>

Me too !
But compare to you  I didn t put my hands on it yet  (  I m a bit jealous now  :)

 
On 18 Sep 2014, at 14:49, Tony Scharf <noisetheorem at outlook.com> wrote:

> It's the first Moog that's done that to me in a while.

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140920/1d1f72fe/attachment.html>

From xtechcode at gmail.com  Sat Sep 20 12:51:32 2014
From: xtechcode at gmail.com (Rom MUSIC BAR)
Date: Sat, 20 Sep 2014 12:51:32 +0200
Subject: Moog sub 37 Sounds
In-Reply-To: <20140919064709.59626B23DD@joostschuttelaar.xlshosting.com>
References: <F8BE8D98-BC2F-476F-9688-2672C5020C98@gmail.com>
 <BAY179-W319A26726607C01F775A4BCEB70@phx.gbl>
 <20140919064709.59626B23DD@joostschuttelaar.xlshosting.com>
Message-ID: <9AE65F05-6D88-4A24-8BE7-77CBCE56C104@gmail.com>

You can always move to another room no ? :)
my living room is not a living room anymore ;)

On 19 Sep 2014, at 08:50, punkdISCO <forums at punkdisco.co.uk> wrote:

> I have not played one but it seems to be worlds apart from what Moog have previously done. I could easily imagine owning one but not room and way to many monos already..
> 
> 
> Paul
> London
> www.punkdisco.co.uk
> From: Tony Scharf
> Sent: ?18/?09/?2014 13:50
> To: Music-bar
> Subject: RE: Moog sub 37 Sounds
> 
> I played one at knobcon this weekend and I was really impressed!  It's the first Moog that's done that to me in a while.
> 
> Tony
> 
> From: xtechcode at gmail.com
> Subject: Moog sub 37 Sounds
> Date: Thu, 18 Sep 2014 13:56:57 +0200
> To: music-bar at lists.music-bar.org
> 
> Hi guys,
> 
> Just found the Moog Sub37? presets on youtube :)
> 
> Curious ? :)
> 
> https://www.youtube.com/watch?v=bjdv1w81tUY
> 
> Have nice day,
> 
> Romain
> 
> 
> _______________________________________________ music-bar mailing list music-bar at lists.music-bar.org http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140920/879e4454/attachment.html>

From ronwest at gmail.com  Sat Sep 20 12:55:37 2014
From: ronwest at gmail.com (Ron West)
Date: Sat, 20 Sep 2014 06:55:37 -0400
Subject: Roland TR-8
In-Reply-To: <050401cfd4a7$ffdc0530$ff940f90$@punkdisco.co.uk>
References: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>
 <CAOEgy-JjUv_st0nKhATmnocGP7gvTGUcUc_4Avenh+1JWff-Og@mail.gmail.com>
 <050401cfd4a7$ffdc0530$ff940f90$@punkdisco.co.uk>
Message-ID: <CAOEgy-LC+vB4mLLyEBxw9a=B=Cva2eUuOF-BuBm0Ok9a7MGAmQ@mail.gmail.com>

He had it for about 5 years and yea, it cost me a bit more to get it
back but the price was much lower than the current market rate. He
could have gotten a lot more had he sold it on eBay/Craigslist.

On Sat, Sep 20, 2014 at 3:53 AM, foRUMS 4 punkdISCO
<forums at punkdisco.co.uk> wrote:
> Hi Ron
>
>> I recently bought back my 808 from a friend after stupidly selling it. :-)
>
> Im glad he agreed to sell it back to you :)  How long did he have it for and
> did this little back track cost you more money?
>
> Glad your 808 is back with daddy..
>
> Paul
> London
> www.punkdisco.co.uk
>
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar

From noisetheorem at outlook.com  Sat Sep 20 17:06:55 2014
From: noisetheorem at outlook.com (Tony Scharf)
Date: Sat, 20 Sep 2014 10:06:55 -0500
Subject: Roland TR-8
In-Reply-To: <050601cfd4a8$4bfe3960$e3faac20$@punkdisco.co.uk>
References: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>,
 <050601cfd4a8$4bfe3960$e3faac20$@punkdisco.co.uk>
Message-ID: <BAY179-W8E8E28771C130A2D01EE5CEB50@phx.gbl>

I felt that way too...but then I realized that I was totally and completely missing the point on the TR8. 
The TR8 was not designed from the position of 'lets make cool sounds and then figure out an interface for playing them'.  It was built from 'lets make this thing playable and then worry about the sounds'.  Its an absolute fucking kick to play! All operations can be performed with the sequence running, and it's amazing just how fun it is to have one pattern you start with and build.  Its designed to be an instrument you become a virtuoso at playing in the way that guitars basically have the same base sound, but the player makes the difference.  It's a cool thing to see come out in 2014.
My only real gripe is that it only has 4 audio outputs  (stereo + two assignable).  I can forgive that, though, because via USB every instrument has it's own track.  There is also no song mode which I would normally whine about...but I don't because that's not the point.  The point is to hook USB to your DAW and record a performance.  You don't like he stock sounds?  MIDI out to a sampler or drum plugin.  
Think of it this way: This is an awesome performance interface with some sounds thrown into it rather than an emulation of a classic.  
Also, I did talk to the roland rep and he said he couldn't comment to dates but they were looking at 606 and 707 sound sets to add. 
What killed the JoMoX?  The shitty interface.  Why don't I own a MachineDrum? because while making cool noises, it's just not fun.  The TR8 is fun and a fraction of the cost of those boxes!
I've become a total convert.  Roland did this right.
Tony 
From: forums at punkdisco.co.uk
To: music-bar at lists.music-bar.org
Subject: RE: Roland TR-8
Date: Sat, 20 Sep 2014 08:55:46 +0100

Hah!!  Good one, Tony.. I think I will be tempted IF they bring out more models.  In not really into stock 808/909 but if they bring out other machines, Im sure it will make it harder for me to ignore.. Let us know once you get it.. PaulLondonwww.punkdisco.co.uk From: Tony Scharf [m
ailto:entropymagnet at noisetheorem.com] 
Sent: 19 September 2014 21:37
To: Music-bar
Subject: Roland TR-8 I played one at KnobCon and immediately caved.   It's waiting for me at home. Anyone else take the leap?  I was absolutely stunned at how intuitive it was to actually perform with.  You could almost operate it without thinking and it didn't need a manual to master.  Tony 
_______________________________________________
music-bar mailing list
music-bar at lists.music-bar.org
http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar 		 	   		  
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140920/8b05d352/attachment-0001.html>

From andrewtarpinian at gmail.com  Sat Sep 20 17:57:47 2014
From: andrewtarpinian at gmail.com (Andrew Tarpinian)
Date: Sat, 20 Sep 2014 11:57:47 -0400
Subject: Roland TR-8
In-Reply-To: <BAY179-W8E8E28771C130A2D01EE5CEB50@phx.gbl>
References: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>
 <050601cfd4a8$4bfe3960$e3faac20$@punkdisco.co.uk>
 <BAY179-W8E8E28771C130A2D01EE5CEB50@phx.gbl>
Message-ID: <A57123BD-8026-44FF-923B-3E8F18D3EE61@gmail.com>

So why is it better than say the electribe EMX-1?

I thought about getting one but it seemed too limited in terms of sounds for the space it takes up. And using it just as a sequencer for other sounds seems like a hassle, having to map the knobs etc... It seems cool if you're just starting out, going minimal, or have the space for a "fool around" box. Is it really that fun that it can find a place in a studio full of other stuff?

I am in the market for a real hardware drum machine with sounds, I have an EMX (had it forever,) xbase09 (not fun interface, limited sounds,) Volca (snare blows without mod.) Also MPC2500, not counting this as it's a sampler and not counting maschine cuz software. I narrowed to wanting either a tempest or analog rytm, decided on the rytm but it's too expensive for my budget right now. 

> On Sep 20, 2014, at 11:06 AM, Tony Scharf <noisetheorem at outlook.com> wrote:
> 
> I felt that way too...but then I realized that I was totally and completely missing the point on the TR8. 
> 
> The TR8 was not designed from the position of 'lets make cool sounds and then figure out an interface for playing them'.  It was built from 'lets make this thing playable and then worry about the sounds'.  Its an absolute fucking kick to play! All operations can be performed with the sequence running, and it's amazing just how fun it is to have one pattern you start with and build.  Its designed to be an instrument you become a virtuoso at playing in the way that guitars basically have the same base sound, but the player makes the difference.  It's a cool thing to see come out in 2014.
> 
> My only real gripe is that it only has 4 audio outputs  (stereo + two assignable).  I can forgive that, though, because via USB every instrument has it's own track.  There is also no song mode which I would normally whine about...but I don't because that's not the point.  The point is to hook USB to your DAW and record a performance.  You don't like he stock sounds?  MIDI out to a sampler or drum plugin.  
> 
> Think of it this way: This is an awesome performance interface with some sounds thrown into it rather than an emulation of a classic.  
> 
> Also, I did talk to the roland rep and he said he couldn't comment to dates but they were looking at 606 and 707 sound sets to add. 
> 
> What killed the JoMoX?  The shitty interface.  Why don't I own a MachineDrum? because while making cool noises, it's just not fun.  The TR8 is fun and a fraction of the cost of those boxes!
> 
> I've become a total convert.  Roland did this right.
> 
> Tony 
> 
> From: forums at punkdisco.co.uk
> To: music-bar at lists.music-bar.org
> Subject: RE: Roland TR-8
> Date: Sat, 20 Sep 2014 08:55:46 +0100
> 
> Hah!!  Good one, Tony..
> 
>  
> 
> I think I will be tempted IF they bring out more models.  In not really into stock 808/909 but if they bring out other machines, Im sure it will make it harder for me to ignore..
> 
>  
> 
> Let us know once you get it..
> 
>  
> 
> Paul
> 
> London
> 
> www.punkdisco.co.uk
> 
>  
> 
> From: Tony Scharf [m ailto:entropymagnet at noisetheorem.com] 
> Sent: 19 September 2014 21:37
> To: Music-bar
> Subject: Roland TR-8
> 
>  
> 
> I played one at KnobCon and immediately caved.   It's waiting for me at home.
> 
>  
> 
> Anyone else take the leap?  I was absolutely stunned at how intuitive it was to actually perform with.  You could almost operate it without thinking and it didn't need a manual to master. 
> 
>  
> 
> Tony 
> 
> 
> _______________________________________________ music-bar mailing list music-bar at lists.music-bar.org http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140920/e4c62bff/attachment.html>

From seclorum at mac.com  Sat Sep 20 19:12:03 2014
From: seclorum at mac.com (Jay Vaughan)
Date: Sat, 20 Sep 2014 19:12:03 +0200
Subject: Roland TR-8
In-Reply-To: <BAY179-W8E8E28771C130A2D01EE5CEB50@phx.gbl>
References: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>
 <050601cfd4a8$4bfe3960$e3faac20$@punkdisco.co.uk>
 <BAY179-W8E8E28771C130A2D01EE5CEB50@phx.gbl>
Message-ID: <EBB1EB9F-868F-4BA9-A15D-DC511E6B6138@mac.com>

> I've become a total convert.  Roland did this right.
> Tony 

That?s great to hear - I must admit I?d discounted this device, but its cool to hear you?re getting so much out of it Tony .. 

j.

From noisetheorem at outlook.com  Sat Sep 20 19:34:14 2014
From: noisetheorem at outlook.com (Tony Scharf)
Date: Sat, 20 Sep 2014 12:34:14 -0500
Subject: Roland TR-8
In-Reply-To: <A57123BD-8026-44FF-923B-3E8F18D3EE61@gmail.com>
References: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>,
 <050601cfd4a8$4bfe3960$e3faac20$@punkdisco.co.uk>,
 <BAY179-W8E8E28771C130A2D01EE5CEB50@phx.gbl>,
 <A57123BD-8026-44FF-923B-3E8F18D3EE61@gmail.com>
Message-ID: <BAY179-W368D1CB6C97EC04D6D381CEB50@phx.gbl>

"So why is it better than say the electribe EMX-1?"
Simplicity.  To do a lot of things, you do have to stop the sequencer to perform an action.  
Is it the only drum machine you're going to want? Probably not.  But it has flow (for lack of a better term).  It has one kit...with one fx setup...with 16 a/b patterns in memory.  I am impressed by any device that requires 0 learning curve.  Its like the exact opposite of the Elektron kit (a Pozitron! see what I did there..).  
And this is something for whoever it was who said they don't like sampled drums because of the repetitive nature of the static sounds.  The TR8 is *not* static.  You can here the subtle shifts.  The patterns just sound 'alive'. I can tell the difference between it's sound and samples. 
I didn't expect to like it when I went to the Roland booth.  I expected to strengthen my resolve in dismissing it.  The exact opposite happened.  
Nerd Audio had an analogue Rytm near it.  I still may add one of those at some point....but for now, this will play magic with my octatrack. 
Tony 
Subject: Re: Roland TR-8
From: andrewtarpinian at gmail.com
Date: Sat, 20 Sep 2014 11:57:47 -0400
To: music-bar at lists.music-bar.org

So why is it better than say the electribe EMX-1?

I thought about getting one but it seemed too limited in terms of sounds for the space it takes up. And using it just as a sequencer for other sounds seems like a hassle, having to map the knobs etc... It seems cool if you're just starting out, going minimal, or have the space for a "fool around" box. Is it really that fun that it can find a place in a studio full of other stuff?
I am in the market for a real hardware drum machine with sounds, I have an EMX (had it forever,) xbase09 (not fun interface, limited sounds,) Volca (snare blows without mod.) Also MPC2500, not counting this as it's a sampler and not counting maschine cuz software. I narrowed to wanting either a tempest or 
analog rytm, decided on the rytm but it's too expensive for my budget right now. 
On Sep 20, 2014, at 11:06 AM, Tony Scharf <noisetheorem at outlook.com> wrote:




I felt that way too...but then I realized that I was totally and completely missing the point on the TR8. 
The TR8 was not designed from the position of 'lets make cool sounds and then figure out an interface for playing them'.  It was built from 'lets make this thing playable and then worry about the sounds'.  Its an absolute fucking kick to play! All operations can be performed with the sequence running, and it's amazing just how fun it is to have one pattern you start with and build.  Its designed to be an instrum
ent you become a virtuoso at playing in the way that guitars basically have the same base sound, but the player makes the difference.  It's a cool thing to see come out in 2014.
My only real gripe is that it only has 4 audio outputs  (stereo + two assignable).  I can forgive that, though, because via USB every instrument has it's own track.  There is also no song mode which I would normally whine about...but I don't because that's not the point.  The point is to hook USB to your DAW and record a performance.  You don't like he stock sounds?  MIDI out to a sampler or drum plugin.  
Think of it this way: This is an awesome performance interface with some sounds thrown into it rather than an emulation of a classic.  
Also, I did talk to the roland rep and he said he couldn't comment to dates but they were looking at 606 and 707 sound sets to add. 
What killed the JoMoX?  The shitty interface.  Why don't I own a MachineDrum? because while making cool noises, it's just not fun.  The TR8 is fun and a fraction of the cost of those boxes!
I've become a total convert.  Roland did this right.
Tony 
From: forums at punkdisco.co.uk
To: music-bar at lists.music-bar.org
Subject: RE: Roland TR-8
Date: Sat, 20 Sep 2014 08:55:46 +0100

Hah!!  Good one, Tony.. I think I will be tempted IF they bring out more models.  In not really into stock 808/909 but if they bring out other machines, Im sure it will make it harder for me to ignore.. Let us know once you get it.. PaulLondonwww.punkdisco.co.uk From: Tony Scharf [m
ailto:entropymagnet at noisetheorem.com] 
Sent: 19 September 2014 21:37
To: Music-bar
Subject: Roland TR-8 I played one at KnobCon and immediately caved.   It's waiting for me at home. Anyone else take the leap?  I was absolutely stunned at how intuitive it was to actually perform with.  You could almost operate it without thinking and it didn't need a manual to master.  Tony 
_______________________________________________
music-bar mailing list
music-bar at lists.music-bar.org
http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar 		 	   		  
_______________________________________________
music-bar mailing list
music-bar at lists.music-bar.org
http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar

_______________________________________________
music-bar mailing list
m
usic-bar at lists.music-bar.org
http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar 		 	   		  
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140920/b0a499fc/attachment-0001.html>

From andrewtarpinian at gmail.com  Sat Sep 20 19:54:22 2014
From: andrewtarpinian at gmail.com (Andrew Tarpinian)
Date: Sat, 20 Sep 2014 13:54:22 -0400
Subject: Roland TR-8
In-Reply-To: <BAY179-W368D1CB6C97EC04D6D381CEB50@phx.gbl>
References: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>
 <050601cfd4a8$4bfe3960$e3faac20$@punkdisco.co.uk>
 <BAY179-W8E8E28771C130A2D01EE5CEB50@phx.gbl>
 <A57123BD-8026-44FF-923B-3E8F18D3EE61@gmail.com>
 <BAY179-W368D1CB6C97EC04D6D381CEB50@phx.gbl>
Message-ID: <4E8CBA5A-E37E-445E-8101-8B50B28928B2@gmail.com>

Hmmmmmmmmmmmmmm...

Sent from my iPad

> On Sep 20, 2014, at 1:34 PM, Tony Scharf <noisetheorem at outlook.com> wrote:
> 
> "So why is it better than say the electribe EMX-1?"
> 
> Simplicity.  To do a lot of things, you do have to stop the sequencer to perform an action.  
> 
> Is it the only drum machine you're going to want? Probably not.  But it has flow (for lack of a better term).  It has one kit...with one fx setup...with 16 a/b patterns in memory.  I am impressed by any device that requires 0 learning curve.  Its like the exact opposite of the Elektron kit (a Pozitron! see what I did there..).  
> 
> And this is something for whoever it was who said they don't like sampled drums because of the repetitive nature of the static sounds.  The TR8 is *not* static.  You can here the subtle shifts.  The patterns just sound 'alive'. I can tell the difference between it's sound and samples. 
> 
> I didn't expect to like it when I went to the Roland booth.  I expected to strengthen my resolve in dismissing it.  The exact opposite happened.  
> 
> Nerd Audio had an analogue Rytm near it.  I still may add one of those at some point....but for now, this will play magic with my octatrack. 
> 
> Tony 
> 
> Subject: Re: Roland TR-8
> From: andrewtarpinian at gmail.com
> Date: Sat, 20 Sep 2014 11:57:47 -0400
> To: music-bar at lists.music-bar.org
> 
> So why is it better than say the electribe EMX-1?
> 
> I thought about getting one but it seemed too limited in terms of sounds for the space it takes up. And using it just as a sequencer for other sounds seems like a hassle, having to map the knobs etc... It seems cool if you're just starting out, going minimal, or have the space for a "fool around" box. Is it really that fun that it can find a place in a studio full of other stuff?
> 
> I am in the market for a real hardware drum machine with sounds, I have an EMX (had it forever,) xbase09 (not fun interface, limited sounds,) Volca (snare blows without mod.) Also MPC2500, not counting this as it's a sampler and not counting maschine cuz software. I narrowed to wanting either a tempest or analog rytm, decided on the rytm but it's too expensive for my budget right now. 
> 
> On Sep 20, 2014, at 11:06 AM, Tony Scharf <noisetheorem at outlook.com> wrote:
> 
> I felt that way too...but then I realized that I was totally and completely missing the point on the TR8. 
> 
> The TR8 was not designed from the position of 'lets make cool sounds and then figure out an interface for playing them'.  It was built from 'lets make this thing playable and then worry about the sounds'.  Its an absolute fucking kick to play! All operations can be performed with the sequence running, and it's amazing just how fun it is to have one pattern you start with and build.  Its designed to be an instrum ent you become a virtuoso at playing in the way that guitars basically have the same base sound, but the player makes the difference.  It's a cool thing to see come out in 2014.
> 
> My only real gripe is that it only has 4 audio outputs  (stereo + two assignable).  I can forgive that, though, because via USB every instrument has it's own track.  There is also no song mode which I would normally whine about...but I don't because that's not the point.  The point is to hook USB to your DAW and record a performance.  You don't like he stock sounds?  MIDI out to a sampler or drum plugin.  
> 
> Think of it this way: This is an awesome performance interface with some sounds thrown into it rather than an emulation of a classic.  
> 
> Also, I did talk to the roland rep and he said he couldn't comment to dates but they were looking at 606 and 707 sound sets to add. 
> 
> What killed the JoMoX?  The shitty interface.  Why don't I own a MachineDrum? because while making cool noises, it's just not fun.  The TR8 is fun and a fraction of the cost of those boxes!
> 
> I've become a total convert.  Roland did this right.
> 
> Tony 
> 
> From: forums at punkdisco.co.uk
> To: music-bar at lists.music-bar.org
> Subject: RE: Roland TR-8
> Date: Sat, 20 Sep 2014 08:55:46 +0100
> 
> Hah!!  Good one, Tony..
> 
>  
> 
> I think I will be tempted IF they bring out more models.  In not really into stock 808/909 but if they bring out other machines, Im sure it will make it harder for me to ignore..
> 
>  
> 
> Let us know once you get it..
> 
>  
> 
> Paul
> 
> London
> 
> www.punkdisco.co.uk
> 
>  
> 
> From: Tony Scharf [m ailto:entropymagnet at noisetheorem.com] 
> Sent: 19 September 2014 21:37
> To: Music-bar
> Subject: Roland TR-8
> 
>  
> 
> I played one at KnobCon and immediately caved.   It's waiting for me at home.
> 
>  
> 
> Anyone else take the leap?  I was absolutely stunned at how intuitive it was to actually perform with.  You could almost operate it without thinking and it didn't need a manual to master. 
> 
>  
> 
> Tony 
> 
> 
> _______________________________________________ music-bar mailing list music-bar at lists.music-bar.org http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
> 
> _______________________________________________ music-bar mailing list m usic-bar at lists.music-bar.org http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140920/acf8e408/attachment.html>

From forums at punkdisco.co.uk  Sat Sep 20 22:23:02 2014
From: forums at punkdisco.co.uk (foRUMS 4 punkdISCO)
Date: Sat, 20 Sep 2014 21:23:02 +0100
Subject: Roland TR-8
In-Reply-To: <CAOEgy-LC+vB4mLLyEBxw9a=B=Cva2eUuOF-BuBm0Ok9a7MGAmQ@mail.gmail.com>
References: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>
 <CAOEgy-JjUv_st0nKhATmnocGP7gvTGUcUc_4Avenh+1JWff-Og@mail.gmail.com>
 <050401cfd4a7$ffdc0530$ff940f90$@punkdisco.co.uk>
 <CAOEgy-LC+vB4mLLyEBxw9a=B=Cva2eUuOF-BuBm0Ok9a7MGAmQ@mail.gmail.com>
Message-ID: <071d01cfd510$afcb6810$0f623830$@punkdisco.co.uk>

Hi Ron

> He had it for about 5 years and yea, it cost me a bit more to get it back
but
> the price was much lower than the current market rate. He could have
> gotten a lot more had he sold it on eBay/Craigslist.

That's good to hear..  He sounds like a good guy..

Paul
London
www.punkdisco.co.uk



From forums at punkdisco.co.uk  Sun Sep 21 09:46:40 2014
From: forums at punkdisco.co.uk (foRUMS 4 punkdISCO)
Date: Sun, 21 Sep 2014 08:46:40 +0100
Subject: Moog sub 37 Sounds
In-Reply-To: <9AE65F05-6D88-4A24-8BE7-77CBCE56C104@gmail.com>
References: <F8BE8D98-BC2F-476F-9688-2672C5020C98@gmail.com>
 <BAY179-W319A26726607C01F775A4BCEB70@phx.gbl>
 <20140919064709.59626B23DD@joostschuttelaar.xlshosting.com>
 <9AE65F05-6D88-4A24-8BE7-77CBCE56C104@gmail.com>
Message-ID: <078801cfd570$30eaee70$92c0cb50$@punkdisco.co.uk>

Hey Rom

> You can always move to another room no ? :)
> my living room is not a living room anymore ;)

Ha, yeah..  :)

Im always thinking of ways to expand but I have way too much gear anyway so Im not that fussed about being at my space capacity..


Paul
London
www.punkdisco.co.uk


From deeplfo at gmail.com  Mon Sep 22 19:10:01 2014
From: deeplfo at gmail.com (deeplfo)
Date: Mon, 22 Sep 2014 10:10:01 -0700
Subject: Jay Speaker Test
Message-ID: <B18C295A-0EE6-471D-8AFC-3E4CF4283A0E@gmail.com>

So Jay, how did that track sound on the set of devices you were going to test it out on :-) ?

Cheers,
Mohsen

From moron at industrial.org  Mon Sep 22 19:18:22 2014
From: moron at industrial.org (moron)
Date: Mon, 22 Sep 2014 10:18:22 -0700
Subject: Blue Lantern is the man - Dwarf Star
Message-ID: <1411406302.1605.4.camel@localhost.localdomain>

Wish I had the disposable cash at the moment to journey to the Dwarf
Star:

http://www.ebay.ca/itm/301259353507

Seeing built in momentary buttons to trigger envelopes always makes me
happy.  

Cheers 

-- 
http://industrial.org 
http://deterrent.net
http://nearlydead.bandcamp.com
Whomever dies with the most URLs wins!!!!!!!!!!!!!



From ibisum at gmail.com  Mon Sep 22 22:25:16 2014
From: ibisum at gmail.com (Ibi Sum)
Date: Mon, 22 Sep 2014 22:25:16 +0200
Subject: Blue Lantern is the man - Dwarf Star
In-Reply-To: <1411406302.1605.4.camel@localhost.localdomain>
References: <1411406302.1605.4.camel@localhost.localdomain>
Message-ID: <A861345E-85BF-46D7-8A38-4203C57C5C97@gmail.com>

Very, very tempting. 

;
--
seclorum 

> On Sep 22, 2014, at 19:18, moron <moron at industrial.org> wrote:
> 
> Wish I had the disposable cash at the moment to journey to the Dwarf
> Star:
> 
> http://www.ebay.ca/itm/301259353507
> 
> Seeing built in momentary buttons to trigger envelopes always makes me
> happy.  
> 
> Cheers 
> 
> -- 
> http://industrial.org 
> http://deterrent.net
> http://nearlydead.bandcamp.com
> Whomever dies with the most URLs wins!!!!!!!!!!!!!
> 
> 
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar

From seclorum at mac.com  Mon Sep 22 22:26:34 2014
From: seclorum at mac.com (Jay Vaughan)
Date: Mon, 22 Sep 2014 22:26:34 +0200
Subject: Jay Speaker Test
In-Reply-To: <B18C295A-0EE6-471D-8AFC-3E4CF4283A0E@gmail.com>
References: <B18C295A-0EE6-471D-8AFC-3E4CF4283A0E@gmail.com>
Message-ID: <1D369CED-FB1A-4AAF-8471-72E63C44271C@mac.com>

Going to work on it tomorrow .. Got as far as the genelecs .. Where it sounded "great" .. But then promptly forgot to test all the other devices in the promised list. Will work it out this week.

;
--
seclorum 

> On Sep 22, 2014, at 19:10, deeplfo <deeplfo at gmail.com> wrote:
> 
> So Jay, how did that track sound on the set of devices you were going to test it out on :-) ?
> 
> Cheers,
> Mohsen
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar

From deeplfo at gmail.com  Tue Sep 23 01:19:03 2014
From: deeplfo at gmail.com (deeplfo)
Date: Mon, 22 Sep 2014 16:19:03 -0700
Subject: Jay Speaker Test
In-Reply-To: <1D369CED-FB1A-4AAF-8471-72E63C44271C@mac.com>
References: <B18C295A-0EE6-471D-8AFC-3E4CF4283A0E@gmail.com>
 <1D369CED-FB1A-4AAF-8471-72E63C44271C@mac.com>
Message-ID: <ACC23D39-CBDC-46FD-A8D0-D7C1E3E75D90@gmail.com>

Awesome.

Cheers man.

Mohsen

On Sep 22, 2014, at 1:26 PM, Jay Vaughan <seclorum at mac.com> wrote:

> Going to work on it tomorrow .. Got as far as the genelecs .. Where it sounded "great" .. But then promptly forgot to test all the other devices in the promised list. Will work it out this week.
> 
> ;
> --
> seclorum 
> 
>> On Sep 22, 2014, at 19:10, deeplfo <deeplfo at gmail.com> wrote:
>> 
>> So Jay, how did that track sound on the set of devices you were going to test it out on :-) ?
>> 
>> Cheers,
>> Mohsen
>> _______________________________________________
>> music-bar mailing list
>> music-bar at lists.music-bar.org
>> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar

From andrewtarpinian at gmail.com  Tue Sep 23 18:45:36 2014
From: andrewtarpinian at gmail.com (Andrew Tarpinian)
Date: Tue, 23 Sep 2014 12:45:36 -0400
Subject: Roland TR-8
In-Reply-To: <BAY179-W368D1CB6C97EC04D6D381CEB50@phx.gbl>
References: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>
 <050601cfd4a8$4bfe3960$e3faac20$@punkdisco.co.uk>
 <BAY179-W8E8E28771C130A2D01EE5CEB50@phx.gbl>
 <A57123BD-8026-44FF-923B-3E8F18D3EE61@gmail.com>
 <BAY179-W368D1CB6C97EC04D6D381CEB50@phx.gbl>
Message-ID: <9A0FF3EB-09C0-43B0-853D-66C59C6485E5@gmail.com>

Just watched the SH-2 plug out sonic state review, I have to say it sounds damn good. 

And available without the hardware too, cool, official Roland plugins for all. 

Just when I see the scatter bit in the hardware it makes me sad inside. 

Sent from my iPhone

> On Sep 20, 2014, at 1:34 PM, Tony Scharf <noisetheorem at outlook.com> wrote:
> 
> "So why is it better than say the electribe EMX-1?"
> 
> Simplicity.  To do a lot of things, you do have to stop the sequencer to perform an action.  
> 
> Is it the only drum machine you're going to want? Probably not.  But it has flow (for lack of a better term).  It has one kit...with one fx setup...with 16 a/b patterns in memory.  I am impressed by any device that requires 0 learning curve.  Its like the exact opposite of the Elektron kit (a Pozitron! see what I did there..).  
> 
> And this is something for whoever it was who said they don't like sampled drums because of the repetitive nature of the static sounds.  The TR8 is *not* static.  You can here the subtle shifts.  The patterns just sound 'alive'. I can tell the difference between it's sound and samples. 
> 
> I didn't expect to like it when I went to the Roland booth.  I expected to strengthen my resolve in dismissing it.  The exact opposite happened.  
> 
> Nerd Audio had an analogue Rytm near it.  I still may add one of those at some point....but for now, this will play magic with my octatrack. 
> 
> Tony 
> 
> Subject: Re: Roland TR-8
> From: andrewtarpinian at gmail.com
> Date: Sat, 20 Sep 2014 11:57:47 -0400
> To: music-bar at lists.music-bar.org
> 
> So why is it better than say the electribe EMX-1?
> 
> I thought about getting one but it seemed too limited in terms of sounds for the space it takes up. And using it just as a sequencer for other sounds seems like a hassle, having to map the knobs etc... It seems cool if you're just starting out, going minimal, or have the space for a "fool around" box. Is it really that fun that it can find a place in a studio full of other stuff?
> 
> I am in the market for a real hardware drum machine with sounds, I have an EMX (had it forever,) xbase09 (not fun interface, limited sounds,) Volca (snare blows without mod.) Also MPC2500, not counting this as it's a sampler and not counting maschine cuz software. I narrowed to wanting either a tempest or analog rytm, decided on the rytm but it's too expensive for my budget right now. 
> 
> On Sep 20, 2014, at 11:06 AM, Tony Scharf <noisetheorem at outlook.com> wrote:
> 
> I felt that way too...but then I realized that I was totally and completely missing the point on the TR8. 
> 
> The TR8 was not designed from the position of 'lets make cool sounds and then figure out an interface for playing them'.  It was built from 'lets make this thing playable and then worry about the sounds'.  Its an absolute fucking kick to play! All operations can be performed with the sequence running, and it's amazing just how fun it is to have one pattern you start with and build.  Its designed to be an instrum ent you become a virtuoso at playing in the way that guitars basically have the same base sound, but the player makes the difference.  It's a cool thing to see come out in 2014.
> 
> My only real gripe is that it only has 4 audio outputs  (stereo + two assignable).  I can forgive that, though, because via USB every instrument has it's own track.  There is also no song mode which I would normally whine about...but I don't because that's not the point.  The point is to hook USB to your DAW and record a performance.  You don't like he stock sounds?  MIDI out to a sampler or drum plugin.  
> 
> Think of it this way: This is an awesome performance interface with some sounds thrown into it rather than an emulation of a classic.  
> 
> Also, I did talk to the roland rep and he said he couldn't comment to dates but they were looking at 606 and 707 sound sets to add. 
> 
> What killed the JoMoX?  The shitty interface.  Why don't I own a MachineDrum? because while making cool noises, it's just not fun.  The TR8 is fun and a fraction of the cost of those boxes!
> 
> I've become a total convert.  Roland did this right.
> 
> Tony 
> 
> From: forums at punkdisco.co.uk
> To: music-bar at lists.music-bar.org
> Subject: RE: Roland TR-8
> Date: Sat, 20 Sep 2014 08:55:46 +0100
> 
> Hah!!  Good one, Tony..
> 
>  
> 
> I think I will be tempted IF they bring out more models.  In not really into stock 808/909 but if they bring out other machines, Im sure it will make it harder for me to ignore..
> 
>  
> 
> Let us know once you get it..
> 
>  
> 
> Paul
> 
> London
> 
> www.punkdisco.co.uk
> 
>  
> 
> From: Tony Scharf [m ailto:entropymagnet at noisetheorem.com] 
> Sent: 19 September 2014 21:37
> To: Music-bar
> Subject: Roland TR-8
> 
>  
> 
> I played one at KnobCon and immediately caved.   It's waiting for me at home.
> 
>  
> 
> Anyone else take the leap?  I was absolutely stunned at how intuitive it was to actually perform with.  You could almost operate it without thinking and it didn't need a manual to master. 
> 
>  
> 
> Tony 
> 
> 
> _______________________________________________ music-bar mailing list music-bar at lists.music-bar.org http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
> 
> _______________________________________________ music-bar mailing list m usic-bar at lists.music-bar.org http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140923/46296cf3/attachment.html>

From noisetheorem at outlook.com  Tue Sep 23 19:13:03 2014
From: noisetheorem at outlook.com (Tony Scharf)
Date: Tue, 23 Sep 2014 12:13:03 -0500
Subject: Roland TR-8
In-Reply-To: <9A0FF3EB-09C0-43B0-853D-66C59C6485E5@gmail.com>
References: <BAY179-W46CB157633646650E4D60CDDB40@phx.gbl>,
 <050601cfd4a8$4bfe3960$e3faac20$@punkdisco.co.uk>,
 <BAY179-W8E8E28771C130A2D01EE5CEB50@phx.gbl>,
 <A57123BD-8026-44FF-923B-3E8F18D3EE61@gmail.com>,
 <BAY179-W368D1CB6C97EC04D6D381CEB50@phx.gbl>,
 <9A0FF3EB-09C0-43B0-853D-66C59C6485E5@gmail.com>
Message-ID: <BAY179-W30439D788D4E48CA197200CEB00@phx.gbl>

"Just when I see the scatter bit in the hardware it makes me sad inside. "
Well..it is Roland.  Scatter is the new DBeam
Tony 


From: andrewtarpinian at gmail.com
Subject: Re: Roland TR-8
Date: Tue, 23 Sep 2014 12:45:36 -0400
To: music-bar at lists.music-bar.org

Just watched the SH-2 plug out sonic state review, I have to say it sounds damn good. 
And available without the hardware too, cool, official Roland plugins for all. 
Just when I see the scatter bit in the hardware it makes me sad inside. 
Sent from my iPhone
On Sep 20, 2014, at 1:34 PM, Tony Scharf <noisetheorem at outlook.com> wrote:




"So why is it better than say the electribe EMX-1?"
Simplicity.  To do a lot of things, you do have to stop the sequencer to perform an action.  
Is it the only drum machine you're going to want? Probably not.  But it has flow (for lack of a better term).  It has one kit...with one fx setup...with 16 a/b patterns in memory.  I am impressed by any device that requires 0 learning curve.  Its like the exact opposite of the Elektron kit (a Pozitron! see what I did there..).  
And this is something for whoever it was who said they don't like sampled drums because of the repetitive nature of the static sounds.  The TR8 is *not* static.  You can here the subtle shifts.  The patterns just sound 'alive'. I can tell the difference between it's sound and samples. 
I didn't expect to like it when I went to the Roland booth.  I expected to strengthen my resolve in dismissing it.  The exact opposite happened.  
Nerd Audio had an analogue Rytm near it.  I still may add one of those at some point....but for now, this will play magic with my octatrack. 
Tony 
Subject: Re: Roland TR-8
From: andrewtarpinian at gmail.com
Date: Sat, 20 Sep 2014 11:57:47 -0400
To: music-bar at lists.music-bar.org

So why is it better than say the electribe EMX-1?

I thought about getting one but it seemed too limited in terms of sounds for the space it takes up. And using it just as a sequencer for other sounds seems like a hassle, having to map the knobs etc... It seems cool if you're just s
tarting out, going minimal, or have the space for a "fool around" box. Is it really that fun that it can find a place in a studio full of other stuff?
I am in the market for a real hardware drum machine with sounds, I have an EMX (had it forever,) xbase09 (not fun interface, limited sounds,) Volca (snare blows without mod.) Also MPC2500, not counting this as it's a sampler and not counting maschine cuz software. I narrowed to wanting either a tempest or 
analog rytm, decided on the rytm but it's too expensive for my budget right now. 
On Sep 20, 2014, at 11:06 AM, Tony Scharf <noisetheorem at outlook.com> wrote:




I felt that way too...but then I realized that I was totally 
and completely missing the point on the TR8. 
The TR8 was not designed from the position of 'lets make cool sounds and then figure out an interface for playing them'.  It was built from 'lets make this thing playable and then worry about the sounds'.  Its an absolute fucking kick to play! All operations can be performed with the sequence running, and it's amazing just how fun it is to have one pattern you start with and build.  Its designed to be an instrum
ent you become a virtuoso at playing in the way that guitars basically have the same base sound, but the player makes the difference.  It's a cool thing to see come out in 2014.
My only real gripe is that it only has 4 audio outputs  (stereo + two assignable).  I can forgive that, though, because via USB every instrument has it's own track.  There is also no song mode which I would normally whine about...but I don't because that's not t
he point.  The point is to hook USB to your DAW and record a performance.  You don't like he stock sounds?  MIDI out to a sampler or drum plugin.  
Think of it this way: This is an awesome performance interface with some sounds thrown into it rather than an emulation of a classic.  
Also, I did talk to the roland rep and he said he couldn't comment to dates but they were looking at 606 and 707 sound sets to add. 
What killed the JoMoX?  The shitty interface.  Why don't I own a MachineDrum? because while making cool noises, it's just not fun.  The TR8 is fun and a fraction of the cost of those boxes!
I've become a total convert.  Roland did this right.
Tony 
From: forums at punkdisco.co.uk
To: music-bar at lists.music-bar.org
Subject: RE: Roland TR-8
Date: Sat, 20 Sep 2014 08:55:46 +0100

Ha
h!!  Good one, Tony.. I think I will be tempted IF they bring out more models.  In not really into stock 808/909 but if they bring out other machines, Im sure it will make it harder for me to ignore.. Let us know once you get it.. PaulLondonwww.punkdisco.co.uk From: Tony Scharf [m
ailto:entropymagnet at noisetheorem.com] 
Sent: 19 September 2014 21:37
To: Music-bar
Subject: Roland TR-8 I played one at KnobCon and immediately caved.   It's waiting for me at home. Anyone else take the leap?  I was absolutely stunned at how intuitive it was to actually perform with.  You could almost operate it without thinking and it didn't need a manual to master.  Tony 
_______________________________________________
music-bar mailing list
music-bar at lists.music-bar.org
http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar 		 	   		  
_______________________________________________
music-bar mailing list
music-bar at lists.music-bar.org
http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar

_______________________________________________
music-bar mailing list
m
usic-bar at lists.music-bar.org
http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar 		 	   		  
_______________________________________________
music-bar mailing list
music-bar at lists.music-bar.org
http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
 		 	   		  
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140923/6b4b8546/attachment-0001.html>

From deeplfo at gmail.com  Fri Sep 26 00:13:19 2014
From: deeplfo at gmail.com (deeplfo)
Date: Thu, 25 Sep 2014 15:13:19 -0700
Subject: Joost (and all): Recommended Listening List
Message-ID: <CAMbtJi5mm5G-DQS0R8EGSc-1-fxmiAFkd4gvvNJJsnM-MCJfNQ@mail.gmail.com>

I owed Joost this a while ago:

1) He's back: Aphex Twin:
http://boomkat.com/downloads/1109580-aphex-twin-syro

2) Airhead: http://boomkat.com/downloads/1059141-airhead-october-macondo.
Nice bass music, say no more.

3) Absorbing tech stuff from Lee Gamble:
http://boomkat.com/downloads/1096122-lee-gamble-koch.

4) Joost's compatriot Martyn:
http://boomkat.com/downloads/985006-martyn-the-air-between-words

5) One of my favorite beats albums of the year Throwing Snow:
http://boomkat.com/downloads/994120-throwing-snow-mosaic

6) Quirky electronics from Deft:
http://boomkat.com/downloads/971410-deft-always-greener

7) Not new, but I love music from this era: Hency Mancini:
http://www.amazon.com/8-Classic-Albums-Henry-Mancini/dp/B00GMVZGCS/ref=sr_1_4?ie=UTF8&qid=1411682599&sr=8-4&keywords=mancini

8) I love good Bass music, Peverlist:
http://boomkat.com/vinyl/500441-peverelist-salt-water-erosions

9) Minimalist bass music: Side9000:
http://boomkat.com/downloads/1011337-side9000-sentinel

10) From Tokyo, ambient bass music: ENA:
http://boomkat.com/downloads/916388-ena-bilateral


Happy listening.

Mohsen
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140925/12317f82/attachment.html>

From g.vansanten at upcmail.nl  Fri Sep 26 00:40:15 2014
From: g.vansanten at upcmail.nl (Gert van Santen)
Date: Fri, 26 Sep 2014 00:40:15 +0200
Subject: Joost (and all): Recommended Listening List
In-Reply-To: <CAMbtJi5mm5G-DQS0R8EGSc-1-fxmiAFkd4gvvNJJsnM-MCJfNQ@mail.gmail.com>
References: <CAMbtJi5mm5G-DQS0R8EGSc-1-fxmiAFkd4gvvNJJsnM-MCJfNQ@mail.gmail.com>
Message-ID: <542499CF.8040008@upcmail.nl>

deeplfo schreef op 26-9-2014 0:13:
> I owed Joost this a while ago:

Some cool stuff here. thanks for sharing :-)

PS, I love "Throwing Snow".

-- 
Gert

gert van santen
www.gertvansanten.nl

From xtechcode at gmail.com  Sat Sep 27 16:14:18 2014
From: xtechcode at gmail.com (Rom MUSIC BAR)
Date: Sat, 27 Sep 2014 16:14:18 +0200
Subject: Ozric Tentacles Melkweg Amsterdam 25/10/2014
Message-ID: <D86288E4-D9A3-47C1-9AF8-F1C04C51F3E9@gmail.com>

Ozric Tentacles !!!!  Yes  that?s right  !!!! :) 
https://www.youtube.com/results?search_query=ozric+tentacle

Always wanted to see them, and  this time I m glad that I won t miss their gig  !!! 
ticket 11.50 euro only, they ll play in Melkweg Amsterdam ! (25/10/2014)

Would be nice to see other barians there ??

Cheers.! 

Romain 
:)

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140927/e1994594/attachment.html>

From g.vansanten at upcmail.nl  Sat Sep 27 17:43:08 2014
From: g.vansanten at upcmail.nl (Gert van Santen)
Date: Sat, 27 Sep 2014 17:43:08 +0200
Subject: Ozric Tentacles Melkweg Amsterdam 25/10/2014
In-Reply-To: <D86288E4-D9A3-47C1-9AF8-F1C04C51F3E9@gmail.com>
References: <D86288E4-D9A3-47C1-9AF8-F1C04C51F3E9@gmail.com>
Message-ID: <9F58B925-C93D-4787-AB10-213BDEA6DC7D@upcmail.nl>

Cool! Thanks for the tip.

Not sure if I can make it, though. I've got a deadline for a book on Monday the 27th, and those last days are always very hectic...

Gert
www.gertvansanten.nl

> Op 27 sep. 2014 om 16:14 heeft Rom MUSIC BAR <xtechcode at gmail.com> het volgende geschreven:
> 
> Ozric Tentacles !!!!  Yes  that?s right  !!!! :) 
> https://www.youtube.com/results?search_query=ozric+tentacle
> 
> Always wanted to see them, and  this time I m glad that I won t miss their gig  !!! 
> ticket 11.50 euro only, they ll play in Melkweg Amsterdam ! (25/10/2014)
> 
> Would be nice to see other barians there ??
> 
> Cheers.! 
> 
> Romain 
> :)
> 
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140927/41093cc7/attachment.html>

From joost at joostschuttelaar.nl  Sat Sep 27 21:13:51 2014
From: joost at joostschuttelaar.nl (Joost Schuttelaar)
Date: Sat, 27 Sep 2014 21:13:51 +0200
Subject: Joost (and all): Recommended Listening List
In-Reply-To: <CAMbtJi5mm5G-DQS0R8EGSc-1-fxmiAFkd4gvvNJJsnM-MCJfNQ@mail.gmail.com>
References: <CAMbtJi5mm5G-DQS0R8EGSc-1-fxmiAFkd4gvvNJJsnM-MCJfNQ@mail.gmail.com>
Message-ID: <8829999A-D0FE-4E18-B0C0-B636ADF82438@joostschuttelaar.nl>

On 26 sep. 2014, at 00:13, deeplfo <deeplfo at gmail.com> wrote:

> Happy listening.

Very cool. Enjoying the new Aphex Twin. Listening right now to Koch from Lee Gamble. 

-- 

Joost Schuttelaar
The Hague, NL


From joost at joostschuttelaar.nl  Sat Sep 27 21:16:54 2014
From: joost at joostschuttelaar.nl (Joost Schuttelaar)
Date: Sat, 27 Sep 2014 21:16:54 +0200
Subject: Ozric Tentacles Melkweg Amsterdam 25/10/2014
In-Reply-To: <D86288E4-D9A3-47C1-9AF8-F1C04C51F3E9@gmail.com>
References: <D86288E4-D9A3-47C1-9AF8-F1C04C51F3E9@gmail.com>
Message-ID: <19E039A0-04DF-445B-802F-6406459E042F@joostschuttelaar.nl>

On 27 sep. 2014, at 16:14, Rom MUSIC BAR <xtechcode at gmail.com> wrote:

> https://www.youtube.com/results?search_query=ozric+tentacle
> 
> Always wanted to see them, and  this time I m glad that I won t miss their gig  !!! 
> ticket 11.50 euro only, they ll play in Melkweg Amsterdam ! (25/10/2014)

Hmm, yeah, looks cool. See you this Friday by the way man! Put me on the guest list (Romain's playin' in Metropool with his synthpop band).

-- 

Joost Schuttelaar
The Hague, NL


From kai at kainiggemann.com  Sat Sep 27 21:21:06 2014
From: kai at kainiggemann.com (K9 Kai Niggemann)
Date: Sat, 27 Sep 2014 21:21:06 +0200
Subject: WDR Studio Elektronische Musik
Message-ID: <9A90890D-F2BC-4CC1-915A-25C81FB735AB@kainiggemann.com>

Today i had a chance to visit the studio Elektronische Musik, not the same place, but the equipment that stockhausen, eimert, kagel, McGuire, and many many more composers worked on. 

I thought we'd get a tour and a talk. Instead we did a 5 hour jam session on reel to reels, sine generators, impulse generators, radios, ring modulators and even the EMS vocoder. 

Maybe you guys can imagine what it feels like... I'm completely exhausted and very humbled and happy. What an incredible day...!

Yes. We recorded. A LOT. I will post some stuff...!;)





Sent from my phone

From g.vansanten at upcmail.nl  Sat Sep 27 23:07:43 2014
From: g.vansanten at upcmail.nl (Gert van Santen)
Date: Sat, 27 Sep 2014 23:07:43 +0200
Subject: WDR Studio Elektronische Musik
In-Reply-To: <9A90890D-F2BC-4CC1-915A-25C81FB735AB@kainiggemann.com>
References: <9A90890D-F2BC-4CC1-915A-25C81FB735AB@kainiggemann.com>
Message-ID: <5427271F.8090502@upcmail.nl>

K9 Kai Niggemann schreef op 27-9-2014 21:21:
> Yes. We recorded. A LOT. I will post some stuff...!;)

Wow! Must have been awesome. I'm glad you had such a good time, 
and looking forward to the jam. :-)

-- 
Gert

gert van santen
www.gertvansanten.nl

From xtechcode at gmail.com  Sun Sep 28 11:29:12 2014
From: xtechcode at gmail.com (Rom MUSIC BAR)
Date: Sun, 28 Sep 2014 11:29:12 +0200
Subject: Ozric Tentacles Melkweg Amsterdam 25/10/2014
In-Reply-To: <19E039A0-04DF-445B-802F-6406459E042F@joostschuttelaar.nl>
References: <D86288E4-D9A3-47C1-9AF8-F1C04C51F3E9@gmail.com>
 <19E039A0-04DF-445B-802F-6406459E042F@joostschuttelaar.nl>
Message-ID: <2A2300C1-1019-4A46-9E0E-6198618E4260@gmail.com>

Hi Joost I think it shouldn' t be a problem,
but this night Heliophile will play only two songs, I don t know if it s worth the travel ? 
all in all I  will be very happy to see you of course ! 
:)


On 27 Sep 2014, at 21:16, Joost Schuttelaar <joost at joostschuttelaar.nl> wrote:

> On 27 sep. 2014, at 16:14, Rom MUSIC BAR <xtechcode at gmail.com> wrote:
> 
>> https://www.youtube.com/results?search_query=ozric+tentacle
>> 
>> Always wanted to see them, and  this time I m glad that I won t miss their gig  !!! 
>> ticket 11.50 euro only, they ll play in Melkweg Amsterdam ! (25/10/2014)
> 
> Hmm, yeah, looks cool. See you this Friday by the way man! Put me on the guest list (Romain's playin' in Metropool with his synthpop band).
> 
> -- 
> 
> Joost Schuttelaar
> The Hague, NL
> 
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar


From deeplfo at gmail.com  Sun Sep 28 21:02:14 2014
From: deeplfo at gmail.com (deeplfo)
Date: Sun, 28 Sep 2014 12:02:14 -0700
Subject: WDR Studio Elektronische Musik
In-Reply-To: <9A90890D-F2BC-4CC1-915A-25C81FB735AB@kainiggemann.com>
References: <9A90890D-F2BC-4CC1-915A-25C81FB735AB@kainiggemann.com>
Message-ID: <CAMbtJi7TcehheJwsg1BSXczXC5+rrOna9mOL9rf4GW6wXoc-iw@mail.gmail.com>

Nice.  Looking forward to some clips :-)

Mohsen

On Sat, Sep 27, 2014 at 12:21 PM, K9 Kai Niggemann <kai at kainiggemann.com>
wrote:

> Today i had a chance to visit the studio Elektronische Musik, not the same
> place, but the equipment that stockhausen, eimert, kagel, McGuire, and many
> many more composers worked on.
>
> I thought we'd get a tour and a talk. Instead we did a 5 hour jam session
> on reel to reels, sine generators, impulse generators, radios, ring
> modulators and even the EMS vocoder.
>
> Maybe you guys can imagine what it feels like... I'm completely exhausted
> and very humbled and happy. What an incredible day...!
>
> Yes. We recorded. A LOT. I will post some stuff...!;)
>
>
>
>
>
> Sent from my phone
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140928/956d243b/attachment.html>

From xtechcode at gmail.com  Sun Sep 28 21:04:48 2014
From: xtechcode at gmail.com (Rom MUSIC BAR)
Date: Sun, 28 Sep 2014 21:04:48 +0200
Subject: WDR Studio Elektronische Musik
In-Reply-To: <9A90890D-F2BC-4CC1-915A-25C81FB735AB@kainiggemann.com>
References: <9A90890D-F2BC-4CC1-915A-25C81FB735AB@kainiggemann.com>
Message-ID: <9C5A96A8-1251-4B57-AD91-554FBB1822FD@gmail.com>

Waou very cool ! 
Will you send some pictures too? :P


On 27 Sep 2014, at 21:21, K9 Kai Niggemann <kai at kainiggemann.com> wrote:

> Today i had a chance to visit the studio Elektronische Musik, not the same place, but the equipment that stockhausen, eimert, kagel, McGuire, and many many more composers worked on. 
> 
> I thought we'd get a tour and a talk. Instead we did a 5 hour jam session on reel to reels, sine generators, impulse generators, radios, ring modulators and even the EMS vocoder. 
> 
> Maybe you guys can imagine what it feels like... I'm completely exhausted and very humbled and happy. What an incredible day...!
> 
> Yes. We recorded. A LOT. I will post some stuff...!;)
> 
> 
> 
> 
> 
> Sent from my phone
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar


From tony at entity.net  Mon Sep 29 01:10:07 2014
From: tony at entity.net (Tony Hardie-Bick)
Date: Mon, 29 Sep 2014 00:10:07 +0100
Subject: WDR Studio Elektronische Musik
In-Reply-To: <9C5A96A8-1251-4B57-AD91-554FBB1822FD@gmail.com>
References: <9A90890D-F2BC-4CC1-915A-25C81FB735AB@kainiggemann.com>
 <9C5A96A8-1251-4B57-AD91-554FBB1822FD@gmail.com>
Message-ID: <5428954F.80208@entity.net>

On 28/09/14 20:04, Rom MUSIC BAR wrote:
> Waou very cool !
> Will you send some pictures too? :P

pictures too please :)

t.

From forums at punkdisco.co.uk  Mon Sep 29 08:16:06 2014
From: forums at punkdisco.co.uk (punkdISCO)
Date: Mon, 29 Sep 2014 07:16:06 +0100
Subject: WDR Studio Elektronische Musik
In-Reply-To: <5428954F.80208@entity.net>
References: <9A90890D-F2BC-4CC1-915A-25C81FB735AB@kainiggemann.com>
 <9C5A96A8-1251-4B57-AD91-554FBB1822FD@gmail.com> <5428954F.80208@entity.net>
Message-ID: <mailman.21.1411971086.960.music-bar@lists.music-bar.org>

Wow!!! Nice one..

Paul
London
www.punkdisco.co.uk

-----Original Message-----
From: "Tony Hardie-Bick" <tony at entity.net>
Sent: ?29/?09/?2014 00:10
To: "Music-bar" <music-bar at lists.music-bar.org>
Subject: Re: WDR Studio Elektronische Musik

On 28/09/14 20:04, Rom MUSIC BAR wrote:
> Waou very cool !
> Will you send some pictures too? :P

pictures too please :)

t.
_______________________________________________
music-bar mailing list
music-bar at lists.music-bar.org
http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140929/39571cad/attachment.html>

From forums at deadmengods.com  Mon Sep 29 22:40:02 2014
From: forums at deadmengods.com (Mikael Hansson)
Date: Mon, 29 Sep 2014 22:40:02 +0200
Subject: Analog Rytm performing in depth
Message-ID: <0CF1D04A-EB2C-4273-B816-9FFFE754C459@deadmengods.com>

http://youtu.be/o8q3Iv4uEDs

A nice, in depth, tutorial by Cuckoo, quite long though...

/Micke

From kai at kainiggemann.com  Tue Sep 30 04:00:08 2014
From: kai at kainiggemann.com (K9 Kai Niggemann)
Date: Tue, 30 Sep 2014 04:00:08 +0200
Subject: first video of WDR SFEM
Message-ID: <5B81E525-54EE-443B-AFF1-11EBD22BB1BB@kainiggemann.com>

hi guys, 

I'm still uploading but need to go to sleep. So I have delayed this mail hoping that the upload will be finished by the time it goes through.

Here is a first little jam on the Telefunken tabletop reel to reels, two sine and one impulse generator, two bandpass filters, a (EMS) ringmodulator and a mixer with 200 mm faders. it's just a raw video shot by one of the participants Oliver Selkic. Jamming it's me and Max W?rden, another participant. 

If you ever come to K?ln and can get together a group, I can set you up with a contact to Volker M?ller, the sound engineer (a real German Diplom Ton-Ingenieur!)...;-)


http://youtu.be/kWfYS2mfGrM

Hope this will work..;)

Kai


-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140930/bcdbb7eb/attachment.html>
-------------- next part --------------
A non-text attachment was scrubbed...
Name: signature.asc
Type: application/pgp-signature
Size: 841 bytes
Desc: Message signed with OpenPGP using GPGMail
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140930/bcdbb7eb/attachment.pgp>

From g.vansanten at upcmail.nl  Tue Sep 30 11:48:17 2014
From: g.vansanten at upcmail.nl (Gert van Santen)
Date: Tue, 30 Sep 2014 11:48:17 +0200
Subject: first video of WDR SFEM
In-Reply-To: <5B81E525-54EE-443B-AFF1-11EBD22BB1BB@kainiggemann.com>
References: <5B81E525-54EE-443B-AFF1-11EBD22BB1BB@kainiggemann.com>
Message-ID: <542A7C61.1010508@upcmail.nl>

K9 Kai Niggemann schreef op 30-9-2014 4:00:
>
> If you ever come to K?ln and can get together a group, I can set
> you up with a contact to Volker M?ller, the sound engineer (a
> real German Diplom Ton-Ingenieur!)...;-)
>
>
> http://youtu.be/kWfYS2mfGrM

Wow, this is awesome!

This might be the excellent choice for a future music-bar meet. 
Count me in!

-- 
Gert

gert van santen
www.gertvansanten.nl

From marc.nostromo at gmail.com  Tue Sep 30 12:15:00 2014
From: marc.nostromo at gmail.com (Marc Nostromo [M-.-n])
Date: Tue, 30 Sep 2014 12:15:00 +0200
Subject: first video of WDR SFEM
In-Reply-To: <5B81E525-54EE-443B-AFF1-11EBD22BB1BB@kainiggemann.com>
References: <5B81E525-54EE-443B-AFF1-11EBD22BB1BB@kainiggemann.com>
Message-ID: <CAEQ8eXNs8Hf8kK=7LrRbnTD6YK7O5qFr2kwz_ZaT6ehL1Ds+iQ@mail.gmail.com>

Mind blown.
2014-09-30 4:00 GMT+02:00 K9 Kai Niggemann <kai at kainiggemann.com>:

> hi guys,
>
> I'm still uploading but need to go to sleep. So I have delayed this mail
> hoping that the upload will be finished by the time it goes through.
>
> Here is a first little jam on the Telefunken tabletop reel to reels, two
> sine and one impulse generator, two bandpass filters, a (EMS) ringmodulator
> and a mixer with 200 mm faders. it's just a raw video shot by one of the
> participants Oliver Selkic. Jamming it's me and Max W?rden, another
> participant.
>
> If you ever come to K?ln and can get together a group, I can set you up
> with a contact to Volker M?ller, the sound engineer (a real German Diplom
> Ton-Ingenieur!)...;-)
>
>
> http://youtu.be/kWfYS2mfGrM
>
> Hope this will work..;)
>
> Kai
>
>
>
> _______________________________________________
> music-bar mailing list
> music-bar at lists.music-bar.org
> http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
>
>


-- 
http://marc-nostromo.com
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140930/c5c0c752/attachment.html>

From forums at punkdisco.co.uk  Tue Sep 30 11:58:16 2014
From: forums at punkdisco.co.uk (punkdISCO)
Date: Tue, 30 Sep 2014 10:58:16 +0100
Subject: first video of WDR SFEM
In-Reply-To: <5B81E525-54EE-443B-AFF1-11EBD22BB1BB@kainiggemann.com>
References: <5B81E525-54EE-443B-AFF1-11EBD22BB1BB@kainiggemann.com>
Message-ID: <mailman.22.1412072013.960.music-bar@lists.music-bar.org>

Nice one .  Loved the close up of the single real spinning towards the end..

Paul
London
www.punkdisco.co.uk

-----Original Message-----
From: "K9 Kai Niggemann" <kai at kainiggemann.com>
Sent: ?30/?09/?2014 03:00
To: "Music bar" <music-bar at lists.music-bar.org>
Subject: first video of WDR SFEM

hi guys, 


I'm still uploading but need to go to sleep. So I have delayed this mail hoping that the upload will be finished by the time it goes through.


Here is a first little jam on the Telefunken tabletop reel to reels, two sine and one impulse generator, two bandpass filters, a (EMS) ringmodulator and a mixer with 200 mm faders. it's just a raw video shot by one of the participants Oliver Selkic. Jamming it's me and Max W?rden, another participant. 


If you ever come to K?ln and can get together a group, I can set you up with a contact to Volker M?ller, the sound engineer (a real German Diplom Ton-Ingenieur!)...;-)




http://youtu.be/kWfYS2mfGrM


Hope this will work..;)


Kai
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.music-bar.org/pipermail/music-bar/attachments/20140930/dd445a68/attachment.html>

From tony at entity.net  Tue Sep 30 14:13:19 2014
From: tony at entity.net (Tony Hardie-Bick)
Date: Tue, 30 Sep 2014 13:13:19 +0100
Subject: first video of WDR SFEM
In-Reply-To: <5B81E525-54EE-443B-AFF1-11EBD22BB1BB@kainiggemann.com>
References: <5B81E525-54EE-443B-AFF1-11EBD22BB1BB@kainiggemann.com>
Message-ID: <542A9E5F.3080405@entity.net>

On 30/09/14 03:00, K9 Kai Niggemann wrote:
> http://youtu.be/kWfYS2mfGrM

a few pulses have never sounded so good :)

t.