Most common music-bar synth?

Kim Johnsson johnssonkim at gmail.com
Wed Sep 25 16:38:50 CEST 2013


Hi!

My MIDI-stuff:

Kurzweil K2600
Nord Modular
Nord Modular G2
Minimoog Voyager
Roland JD-800
Alesis Andromeda
Waldorf Pulse
Waldorf Blofeld
Evolver

Cheers,

Kim



On Wed, Sep 25, 2013 at 5:29 PM, enrique c. <alacantec at gmail.com> wrote:

> As a legacy of ancient mailing lists, guess some of us own AN1x and
> AxK serie samplers: two A4000 + one A3000(*). Besides those:
>
> DS Mopho,
> Roland Alpha Juno 1
> Roland JD990
> Yamaha TG77
> Waldorf uQ
> Oberheim Matrix 1000
> Akai S1100
> and
> NI Komplete 8 et al...
>
> BTW may I extend this thread to "what are the most common music-bar
> (hardware) effects" also? Mine:
>
> Lexicon MPX 550
> Yamaha SPX900
> Ensoniq DP2
> (*) actually using yamaha A3000 as a fx processor, not a proper sampler.
>
>
>
> 2013/9/24 Peter Korsten <peter at severity-one.com>:
> > Op 24-9-2013 13:51, Jay Vaughan schreef:
> >
> >
> >>> The problem with this is that you first need to have some abstract
> model
> >>> of each synth, and that you need to translate what "set filter to 127"
> means
> >>> on synth A to what it means on synth B. And then there's the issue of
> >>> missing features between two different synths.
> >>
> >> So we just build a back-end that allows the users to map "Filter Q" on
> >> Synth A to "Filter Q" on Synth B .. ;)
> >
> >
> > It's certainly feasible, provided you don't go and over-engineer the
> thing.
> > For one, you should not want to have a perfect mapping, because that
> would
> > imply having to make a mathematical model of the filter characteristic.
> >
> > We had a workshop about simplicity today (in a general business sense). I
> > love simplicity. I strongly believe that the basis of a successful
> software
> > product is simplicity.
> >
> > - Peter
> >
> > _______________________________________________
> > music-bar mailing list
> > music-bar at lists.music-bar.org
> > http://lists.music-bar.org/cgi-bin/mailman/listinfo/music-bar
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